Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. John Travolta's charismatic screen presence is the only element that propels Michael over its rough narrative spots and scattered direction.
  2. An abrupt change of pace from Wild Reeds, director Andre Techine's Cannes-competing Thieves (Les Voleurs) elevates a seemingly routine police drama into a Rashomon-style exploration of family and amorous ties. Handsomely and meticulously made, the film nonetheless appeals mostly to a rarefied audience.
  3. A literary adaptation of exceeding intelligence, beauty and concentrated artistry, but one that remains emotionally remote and perhaps unavoidably problematic dramatically.
  4. Though the material is more intelligent than the norm and has an unusual third-act twist, it also employs some very clunky stereotypes.
  5. Has some genuinely amusing moments of dumb and dumber silliness.
  6. The whole film is laced with shards of humor and irony, which proves helpful, considering the basically downbeat nature of the material.
    • 75 Metascore
    • 90 Critic Score
    The pic is a quality item earmarked for serious auds by its nonexploitative handling of potent material, the strong work of debuting helmer Anjelica Huston and striking perfs from young newcomer Jena Malone, Jennifer Jason Leigh and others.
  7. An exceptionally tasty contempo comedic romance.
  8. The picture is lacking in the uproarious humor that might well have ensued from the material, which instead inspires occasional laughs but, much more often, bemused fascination and wonderment at the bizarre imaginations and impressive skill of the filmmakers.
  9. Daylight is a lower-echelon disaster thriller, in which the best character is knocked off early on and the leading man runs out of ideas with a third of the picture still to go. Noisy, technically proficient actioner about a group of people trapped in the Holland Tunnel after an explosion gets off a few decent blasts, but is just too limited in scope, imagination and excitement to burst out as a major B.O. winner domestically.
  10. Marked by some powerful scenes, fine performances and colorful dialogue, this talented directorial debut by actor-writer Billy Bob Thornton has its effectiveness diluted by serious overlength and a rather monotonous, unmodulated tone.
  11. Where the film misses its biggest bet, however, is in depriving the animals of the voices they had in the animated version.
  12. Having earned his stripes by directing a few TV episodes, Frakes makes an auspicious debut as a feature filmmaker, sustaining excitement and maintaining clarity as he dashes through a two-track storyline.
  13. Based on an idea similar to the premise of Home Alone, though not nearly as accomplished or entertaining, and produced by that film's director, Chris Columbus, this family comedy-adventure is decidedly not a vintage Schwarzenegger kidpic on the order of Kindergarten Cop.
    • 80 Metascore
    • 90 Critic Score
    Resplendent and intelligent from start to finish, Ridicule strikes a winning balance between humor and heart as it pillories an era in France (the court of Louis XVI, circa 1780) when wit was the most valuable currency and a man's fortune and reputation could be made or undone on the strength of a single remark.
    • 87 Metascore
    • 90 Critic Score
    An unconventional biopic about a brilliant young pianist.
    • 86 Metascore
    • 80 Critic Score
    A respectable, intelligent but less than stirring adaptation of an imposingly dense and layered novel.
    • 64 Metascore
    • 90 Critic Score
    Absolutely charming, unabashedly offbeat Blue Juice is a quirky comedy billed as Britain's first surf pic.
  14. Cute, rambunctious, generally amusing rather than outright funny, this clever mix of live action, highlighted by the unequaled skills of basketball superstar Michael Jordan, and animated Looney Tunes antics will be a must-see for kids.
  15. Watson is a major find as Bess. Graced with delicate, expressive features, she gives an extraordinary performance.
  16. Although the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama.
  17. A dour study of terrorism, 1880s style, The Secret Agent represents an adaptation of Joseph Conrad's only London-based novel, the fidelity of which to the original text does not yield a terrifically exciting film.
  18. Influenced by "Thelma & Louise" and "Waiting to Exhale," F. Gary Gray's "Set It Off" is a well-crafted girls-n-the-hood actioner, with an acute social conscience and plenty of soul. A tale of female bonding and empowerment, this relevant film boasts a terrific cast, headed by Jada Pinkett and Queen Latifah in career-making performances.
  19. Although arresting in spots, it falls far short of bringing out the full values of the play, and doesn't approach the emotional resonance of Franco Zeffirelli's immensely popular 1968 screen version.
  20. Harmless, but also, unfortunately, almost entirely mirthless, this putative comedy about an unsuspecting man obliged to transport a pachyderm cross-country aspires to a winsome charm that never crystallizes, leaving what’s onscreen to wilt before it ever blossoms.
    • 33 Metascore
    • 50 Critic Score
    Like a student who studies hard but just doesn't have the smarts, this joyless send-up of the "Dangerous Minds," "Stand and Deliver," idealistic-teacher-in-a-ghetto-school genre plods along earnestly with barely passing grades.
  21. Tightly made and populated by a uniformly larger-than-life cast of characters , pic is a total delight for every second of its running time.
  22. There’s really nothing particularly fresh in this routinely crafted, banally scripted and directed effort. Mantegna’s humorously arrogant performance is the pic’s sole distinctive element, and it’s saved for the finale. Still, it’s just not good enough to make up for the rest of the drudgery and put a smile on one’s face leaving the theater.
  23. Engaging, refreshingly human in its humor and becomingly modest in its aspirations, this hip look at being out of it announces some promising new talent and will play well with young audiences looking for comfortable entertainment that doesn't feel manufactured.
  24. Colorful characters, richly evoked settings, epic story of friendship, crime and punishment, and a strong dose of good old-fashioned star power.

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