Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Another theme park ride of a movie without an ounce of emotional credibility to it, Twister succeeds on its own terms by taking the audience somewhere it has never been before: into a tornado's funnel.
  2. Like his previous efforts, Jarmusch's sidelong take on Western conventions relies upon quirky tone, hipsterish performances and a highly refined visual style to put it over.
  3. The fun that Schlesinger and his first-rate ensemble must have had while working on this production is infectious, for there isn't one dull -- or quiet -- moment in the film.
    • 40 Metascore
    • 70 Critic Score
    Despite its obvious flaws, Barb Wire does what it sets out to do and does it well.
  4. Four gifted and attractive actresses struggle hard to lend a semblance of dramatic coherence to The Craft, a neatly crafted film that begins most promisingly as a black comedy a la Heathers, but gradually succumbs to its tricky machinery of special effects. Still, young audiences, particularly women, are likely to connect with this energetic high-school tale about the vengeful empowerment of rebellious misfits.
  5. An exemplary and dynamic work that goes about as far as a narrative film can in both analyzing a complex personality and portraying a cultural scene.
  6. Peter and Bobby Farrelly aimed low and grossed millions with "Dumb & Dumber," so it shouldn't be surprising that Kingpin, their latest effort, offers a similar mix of pratfalls, gross-out gags and jokes about bodily functions. This time, however, the humor is darker, edgier and occasionally, even more scatological.
  7. What really makes The Truth About Cats & Dogs special in places however, is Garofalo's dry, self-effacing wit and Thurman's ditzy, old-style Hollywood glamour.
  8. From its opening shots, Butterfly Kiss exudes a confidence and distinctive feel that promises something rather special. Unlike its characters, the pic knows where it's going.
  9. Mulholland Falls is a "Chinatown" wannabe that comes up short in every department. Although loaded with talent on both sides of the camera, this sex-and-corruption-drenched mystery meller about a big official cover-up in postwar L.A. simply feels underachieved, as it lacks the heady atmosphere, tasty intrigue and dramatic punch the alluring premise would seem to promise.
    • 35 Metascore
    • 40 Critic Score
    As calculated as the cries of 'Go Ricki!' on its star's talkshow, Mrs Winterbourne is a sappy, old-fashioned and predictable vehicle for actress-turned-talk maven-turned-actress-again Ricki Lake that delivers requisite warmth but few laughs. Lake's ebullient charm and solid performances by Shirley MacLaine, Brendan Fraser and Miguel Sandoval provide some highlights.
  10. Filmmakers take a shotgun approach to comedy, inundating the viewer with wisecracks that, more often than not, don't go over. But those that do still add up to lotsa laughs, and the sheer weight of them eventually builds an atmosphere of mild lunacy that it's useless to resist.
    • 55 Metascore
    • 70 Critic Score
    The mad scientist/corporate heavy comedy is an odd combination of belly laughs and cerebral humor that will delight those familiar with the sketchcom troupe's antics.
  11. Not quite a three-pointer, but definitely more than an airball, "Celtic Pride" is an uneven but largely likable basketball-themed comedy that should lay up decent B.O. numbers and perform even better in the homevid arena.
    • 41 Metascore
    • 70 Critic Score
    Though the setup is largely preposterous, the filmmakers go whole-hog for the idea and provide a kinetic entertainment.
    • 24 Metascore
    • 40 Critic Score
    With its uneven mix of comedy, melodrama and action, pic will need all the help Shaq's name and a rap soundtrack can provide.
    • 77 Metascore
    • 80 Critic Score
    Edward Zwick's high-minded new outing offers plenty of old-fashioned movie virtues such as believable action, plausible psychology, fully played-out confrontations and honest emotions.
  12. The thriller telegraphs most of its suspense payoffs, and the audience is almost always ahead of the game. What's most disappointing is that the characters begin as well-etched individuals, but are gradually turned into mere plot functions.
    • 78 Metascore
    • 100 Critic Score
    All in all, James and the Giant Peach is an extraordinary achievement.
  13. The major jolt is saved for the very end but, like much else in the film, it is overexplained and underlined when more simplicity and quiet would have provided the revelation with the power of a depth charge.
    • 71 Metascore
    • 40 Critic Score
    The handful of powerful speeches here do little, however, to offset story weaknesses that also include soft-edged characterizations, a faintly patronizing air regarding the black characters and a general avoidance of the issue most viewers will want to see addressed.
    • 47 Metascore
    • 50 Critic Score
    Even Steve Martin back in his wild-and-crazy mode can't breathe much life into Sgt. Bilko - a somewhat unlikely candidate for translation from the TV sitcom vaults to the bigscreen. Bilko can't really be much more than the series - the exploits of an unscrupulous army scam artist constantly looking for new ways to make a buck.
    • 82 Metascore
    • 80 Critic Score
    Although it eventually throws more balls in the air than it can easily juggle, Flirting with Disaster is, most of the time, a diabolically clever satire that has its way with any number of contemporary shiboleths.
  14. Though lacking the sensationalistic elements of a movie like "Kids", Dollhouse offers unflinching realism, meticulous attention to detail and deliciously wicked humor as it explores the growing pains of a misfit.
    • 100 Metascore
    • 100 Critic Score
    Being a pessimist at heart, Kieslowski, who cowrote all 10 scripts, unfolds a variety of human weaknesses, shows how difficult it is to conform to one commandment, let alone 10, and considers human frailty with sympathy but little hope.
    • 25 Metascore
    • 30 Critic Score
    Ed
    Almost painfuly modest in its ambition and accomplishment, this slow-pitch offering might tolerably amuse the under-10 crowd, but will prove borderline intolerable for everyone else.
  15. Ultimately, it’s the film’s sly irony that sets it a notch above similar actioners. The Thomas brothers’ script repeatedly draws us down dead-end alleys only to reverse expectations and top white-knuckle situations with thrilling conclusions.
  16. In the darkly humorous Fargo, iconoclastic filmmakers Joel and Ethan Coen manage the precarious balancing act of respecting genre conventions and simultaneously pushing them to an almost surrealistic extreme. Very funny stuff.
  17. Performed with matchless aplomb and made with plush professionalism, pic serves up pure pleasure from beginning to end.
  18. Far from abandoning his trademark humor, however, the writer-director skillfully enlists it in the service of an emotional story, charting the heroine's journey from loss and torment to rediscovered strength and hope. Propelled by stellar performances and a script that resonates with intelligence, subtlety and surprises, this is by far Almodovar's best film in years.

Top Trailers