Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. Lumet never tires of exploring moral quandaries. But what separates his films from the pack is his appreciation for all perspectives.
    • 24 Metascore
    • 30 Critic Score
    The main fault lies with the writing. Lacking both a realistic grounding and compelling internal momentum, pic wastes its handsome mounting and capable cast on a plodding tale that eludes either psychological or allegorical sense.
  2. Ultimately a mess of diverse ingredients that sorely could have used a rigorous screening process to eliminate all the chaff.
  3. Robin Williams and Billy Crystal can each provoke a lot more laughs in a minute of standup than they jointly manage during the entire running time of Fathers' Day.
  4. A vibrantly colorful, wildly nihilistic and lovingly perverse poem to America's beautiful, libidinous and doomed youth. Though not his best, Araki's sixth feature is without a doubt his most accessible, sensual and superficially entertaining movie to date.
  5. Definitely lives up to its promise of being smashing, groovy, baby.
  6. In his bigscreen feature debut, director and co-writer Jonathan Mostow displays real flair for visceral cinema while adroitly sidestepping many of the usual tripwires of this sort of film, particularly silly coincidences, stupid decisions on the part of characters with whom you're supposed to identify, and superheroics performed by ordinary people.
  7. Brimming with almost too many ideas for its 99-minute running time, Duncan's film boasts a strong cast of top actors who flesh out a group of bizarre yet recognizable characters involved in the political scene from the '50s to the present day.
  8. A slender but appealing divertissement about a has-been auteur attempting to remake the French silent classic "Les Vampires," the film's wry digs at the institution of Gallic art movies and at the anarchic confusion of the filmmaking process should amuse hip fest audiences.
  9. Desperately uncertain in tone and able to generate only sporadic laughs, pic decks out its meager story of revenge and comeuppance with a vulgar, flashy shimmer that will no doubt attract teenage girls, or the core "Clueless" audience.
  10. A furiously paced popcorn picture whose outrageous implausibility is somewhat amusing, Volcano delivers enough spectacular action to get it off to a hot B.O. start, although like the lava in the picture, it may not flow quite as far as anticipated.
  11. Spade is tiresome in yet another smart-ass part.
  12. What makes the film involving and enjoyable in its first hour is a thick, multilayered plot, a rare sight in mainstream movies nowadays.
  13. The film shrewdly humanizes its protagonists to the point where the audience forgets their identity and roots for them to succeed - and survive.
  14. Time and adapters have not been kind to the fun-loving series.
  15. The zeal and good nature of the cast overcome the artificial quality of the situations.
  16. A silly and plodding "Jaws" rip-off about a 40-foot man-eating snake on the prowl in the Brazilian rain forest.
  17. Though carefully rendered from a historical perspective, this powerful account of female friendship and bonding under the most cruel conditions lacks the narrative focus and dramatic shapeliness to generate emotional excitement.
  18. Some of the filmmaker's keen intelligence remains on display, but only in fractured and often obscure form, and pic overall gives the impression of a giant expurgation of negative feelings about things in general rather than a carefully articulated brief on recognizable subjects.
  19. An emotionally powerful but extremely old-fashioned coming-of-age saga.
  20. Much of the dialogue is good, and Smith does a decent job of presenting the emotional fallout from every major participant's p.o.v.
  21. A generic suspenser that doesn't taste bad at first bite but becomes increasingly hard to swallow, The Saint comes off more as a pallid imitation of Paramount's Eurothriller "Mission: Impossible" than as anything resembling the further adventures of Leslie Charteris' charming rogue.
  22. Shrewdly made with an eye for the global market, where the Belgian star is more of a draw than he is Stateside, pic features visually exciting set pieces in alluring tourist sites, putting the audience in a pleasantly mindless state of disbelief.
    • 58 Metascore
    • 80 Critic Score
    Boosted by a terrific ensemble of five engaging young thesps, pic is forthright, frank and freewheeling in its approach to sex, love and cinema.
  23. Even under the best of circumstances, it would be late in the day for another bigscreen adventure from the Mighty Morphin Power Rangers. But coming so soon after the well-received reissue of George Lucas' Star Wars trilogy, the high-camp cheesiness ofTurbo: A Power Rangers Movie is especially unimpressive.
  24. The Devil's Own is neither the best nor the worst $90 million-$100 million-area budgeted picture ever made, but it must be the one in which the cost is least evident on the screen.
  25. Decked out with sharp and colorful design work, some well-drawn characters and six snappy Randy Newman tunes, this first entry from Turner Feature Animation goes down very easily but lacks a hook to make it anything other than a minor kidpic entry commercially.
  26. Although Nava's screenplay hits the subject of every scene right on the head and doesn't ask for much subtlety or subtext, Lopez is wonderful to watch in the dramatic sequences as well as in the numerous musical interludes.
  27. Awfully funny at times.
  28. Cronenberg is a master of creating and sustaining a mood of insinuating cool and dark allure, but while the director remains firmly behind the wheel for the first hour or so, he cracks up toward the end with sequences that send the film and the audience into a ditch.

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