For 17,782 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,136 out of 17782
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Mixed: 7,010 out of 17782
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Negative: 1,636 out of 17782
17782
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
The season's first comet-targets-Earth special effects extravaganza is spectacular enough in its cataclysmic scenes of the planet being devastated by an unstoppable fireball, but proves far from thrilling in the down time spent with a largely dull assortment of troubled human beings.- Variety
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Derek Elley
Though the script never makes a convincing case for the lads as '90s Robin Hoods, it's restlessly inventive, with a pleasant, rather than rib-cracking, humor and likable touch of naivete.- Variety
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Emanuel Levy
Lacking the moral indignation, outrage and militant politics that marked Lee's earlier work, this vibrantly colorful film is a tad too soft at the center, and arguably the director's most mainstream movie.- Variety
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Derek Elley
Toplining British comedian/wit Stephen Fry in a once-in-a-lifetime role as the brilliant, acerbic playwright, and mounted with a care and affection in all departments that squeezes the most from its $10 million budget, movie is a tony biopic that manages to combine an upfront portrayal of the scribe's gayness with an often moving examination of his broader emotions and artistic ideals.- Variety
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Emanuel Levy
The third American bigscreen rendition of Victor Hugo's classic novel, Bille August's Les Miserables is without a doubt the most emotionally powerful and handsomely mounted production of the story yet.- Variety
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Todd McCarthy
A frothy, lightweight romantic comedy that strives to seem richer and more complex than it really is.- Variety
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Leonard Klady
Unquestionably a slick piece of goods. The training and experience of Wong and his crew --- culled largely from such action series as "La Femme Nikita" and "Once a Thief" --- keep the film lively and vivid.- Variety
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Todd McCarthy
Often a gutsy, intelligent writer, Toback has yet to prove himself decisively as a director, and this, his first fictional effort behind the camera in a decade, shows his talents to be as variable as ever.- Variety
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Todd McCarthy
Tries to mix the messy realities of mismatched relationships with the structural neatness of a musical-comedy view of the world, with mild, occasionally diverting results.- Variety
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Joe Leydon
A smart and snappy drama tinged with dark humor and brimming with self-confidence.- Variety
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Leonard Klady
The new outing - which retains the essential twists of the original, a hit overseas that was never released Stateside - has been physically enhanced with American production values and a marquee cast, but much of the earlier film's humanity and mordant humor have been lost in translation- Variety
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Reviewed by
Joe Leydon
An unsavory and unsatisfying blend of dumb plotting, leering lasciviousness and full-bore gore, pic should warp-speed to video shelves.- Variety
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Emanuel Levy
The endlessly resourceful Nicolas Cage, as a celestial angel, and a terrifically engaging Meg Ryan, as a pragmatic surgeon, create such blissful chemistry that they elevate the drama to a poetic level seldom reached in a mainstream movie.- Variety
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Joe Leydon
Only small children with limited attention spans will be impressed by the lackluster kung-foolishness in 3 Ninjas: High Noon at Mega Mountain.- Variety
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Joe Leydon
Ice Cube continues his evolution from hard-core rapper to multihyphenate filmmaker with "The Players Club," a messy but lively B-movie that recalls the more spirited comedic dramas of the '70s blaxploitation era.- Variety
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Leonard Klady
The picture is a devilishly clever series of reversals that keeps you guessing to the very end.- Variety
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Dennis Harvey
A pic that provides one hour's decent, eye-filling ride, then crashes and burns amid some of the worst writing since ... well, since scenarist/co-producer Akiva Goldsman's last effort, "Batman & Robin."- Variety
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- Critic Score
Mercury Rising won't raise many viewers' temperatures. A somber suspenser with an oddly disconnected assortment of characters and a lack of freshly conceived action, this tale of a maverick FBI agent who takes on malevolent government forces to protect an orphaned autistic child serves up some dramatic moments but never legitimately convinces.- Variety
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Reviewed by
Todd McCarthy
Arguably the most critic-proof picture of the decade, Barney's Great Adventure will delight everyone who can't wait to see it and be a grin-and-bear-it experience for those who must accompany members of the former group.- Variety
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Emanuel Levy
An extremely handsome production that meticulously evokes the 1920s, and a likable male-dominated cast, headed by Matthew McConaughey in his best screen performance to date, only partially compensate for a story that's too diffuse and lacks a discernible point of view that would make it dramatically engaging.- Variety
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Leonard Klady
Not only is it highly unusual, but the picture is chock-full of surprise and unexpected humor to leaven its thriller trappings.- Variety
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- Variety
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Reviewed by
Emanuel Levy
Reflecting the zeitgeist of the last decade, with children increasingly having to come to terms with the untimely deaths of parents and friends as a result of AIDS and other illnesses, Wide Awake tackles its issues with an admirably uncompromising honesty, though it suffers from being dramatically obvious. [16 Mar 1998, p.64]- Variety
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David Rooney
This contemplative drama about a tough ex-cop tying up the loose ends of his life and taking his terminally ill wife on a farewell journey is pure poetry.- Variety
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Todd McCarthy
An unusually sober and serious-minded telling of Alexandre Dumas' classic tale, this handsome costumer is routinely made and comes up rather short in boisterous excitement.- Variety
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David Rooney
The film is shocking and upsetting, but never truly gets under the skin the way this kind of material often can. Whatever reservations are prompted by Haneke's approach, his direction is controlled and edgy. [20 May 1997, p.52]- Variety
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Emanuel Levy
Stuart Baird's new thriller is inferior to the Andrew Davis movie in every respect: script, acting, rhythm and even tech credits.- Variety
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David Rooney
This is arguably Hurt's best role in years, and he bites into it with relish, managing to seem both manipulative and vulnerable, dour and droll at the same time.- Variety
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Todd McCarthy
Spiked with wonderfully funny sequences and some brilliantly original notions, The Big Lebowski, a pseudo-mystery thriller with a keen eye and ear for societal mores and modern figures of speech, nonetheless adds up to considerably less than the sum of its often scintillating parts.- Variety
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Todd McCarthy
Unfortunately, almost everything about the film is so unbelievable and misjudged that only the most gullible audiences will feel any transporting thrill at the end other than from the movie finally being over.- Variety
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