Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. The season's first comet-targets-Earth special effects extravaganza is spectacular enough in its cataclysmic scenes of the planet being devastated by an unstoppable fireball, but proves far from thrilling in the down time spent with a largely dull assortment of troubled human beings.
  2. Though the script never makes a convincing case for the lads as '90s Robin Hoods, it's restlessly inventive, with a pleasant, rather than rib-cracking, humor and likable touch of naivete.
  3. Lacking the moral indignation, outrage and militant politics that marked Lee's earlier work, this vibrantly colorful film is a tad too soft at the center, and arguably the director's most mainstream movie.
  4. Toplining British comedian/wit Stephen Fry in a once-in-a-lifetime role as the brilliant, acerbic playwright, and mounted with a care and affection in all departments that squeezes the most from its $10 million budget, movie is a tony biopic that manages to combine an upfront portrayal of the scribe's gayness with an often moving examination of his broader emotions and artistic ideals.
  5. The third American bigscreen rendition of Victor Hugo's classic novel, Bille August's Les Miserables is without a doubt the most emotionally powerful and handsomely mounted production of the story yet.
  6. A frothy, lightweight romantic comedy that strives to seem richer and more complex than it really is.
  7. Unquestionably a slick piece of goods. The training and experience of Wong and his crew --- culled largely from such action series as "La Femme Nikita" and "Once a Thief" --- keep the film lively and vivid.
  8. Often a gutsy, intelligent writer, Toback has yet to prove himself decisively as a director, and this, his first fictional effort behind the camera in a decade, shows his talents to be as variable as ever.
  9. Tries to mix the messy realities of mismatched relationships with the structural neatness of a musical-comedy view of the world, with mild, occasionally diverting results.
  10. A smart and snappy drama tinged with dark humor and brimming with self-confidence.
  11. The new outing - which retains the essential twists of the original, a hit overseas that was never released Stateside - has been physically enhanced with American production values and a marquee cast, but much of the earlier film's humanity and mordant humor have been lost in translation
  12. An unsavory and unsatisfying blend of dumb plotting, leering lasciviousness and full-bore gore, pic should warp-speed to video shelves.
  13. The endlessly resourceful Nicolas Cage, as a celestial angel, and a terrifically engaging Meg Ryan, as a pragmatic surgeon, create such blissful chemistry that they elevate the drama to a poetic level seldom reached in a mainstream movie.
  14. Only small children with limited attention spans will be impressed by the lackluster kung-foolishness in 3 Ninjas: High Noon at Mega Mountain.
  15. Ice Cube continues his evolution from hard-core rapper to multihyphenate filmmaker with "The Players Club," a messy but lively B-movie that recalls the more spirited comedic dramas of the '70s blaxploitation era.
  16. The picture is a devilishly clever series of reversals that keeps you guessing to the very end.
  17. A pic that provides one hour's decent, eye-filling ride, then crashes and burns amid some of the worst writing since ... well, since scenarist/co-producer Akiva Goldsman's last effort, "Batman & Robin."
    • 37 Metascore
    • 40 Critic Score
    Mercury Rising won't raise many viewers' temperatures. A somber suspenser with an oddly disconnected assortment of characters and a lack of freshly conceived action, this tale of a maverick FBI agent who takes on malevolent government forces to protect an orphaned autistic child serves up some dramatic moments but never legitimately convinces.
  18. Arguably the most critic-proof picture of the decade, Barney's Great Adventure will delight everyone who can't wait to see it and be a grin-and-bear-it experience for those who must accompany members of the former group.
  19. An extremely handsome production that meticulously evokes the 1920s, and a likable male-dominated cast, headed by Matthew McConaughey in his best screen performance to date, only partially compensate for a story that's too diffuse and lacks a discernible point of view that would make it dramatically engaging.
  20. Not only is it highly unusual, but the picture is chock-full of surprise and unexpected humor to leaven its thriller trappings.
  21. A modern immorality tale with a keen, observant edge.
  22. Reflecting the zeitgeist of the last decade, with children increasingly having to come to terms with the untimely deaths of parents and friends as a result of AIDS and other illnesses, Wide Awake tackles its issues with an admirably uncompromising honesty, though it suffers from being dramatically obvious. [16 Mar 1998, p.64]
    • Variety
  23. This contemplative drama about a tough ex-cop tying up the loose ends of his life and taking his terminally ill wife on a farewell journey is pure poetry.
  24. An unusually sober and serious-minded telling of Alexandre Dumas' classic tale, this handsome costumer is routinely made and comes up rather short in boisterous excitement.
  25. The film is shocking and upsetting, but never truly gets under the skin the way this kind of material often can. Whatever reservations are prompted by Haneke's approach, his direction is controlled and edgy. [20 May 1997, p.52]
    • Variety
  26. Stuart Baird's new thriller is inferior to the Andrew Davis movie in every respect: script, acting, rhythm and even tech credits.
  27. This is arguably Hurt's best role in years, and he bites into it with relish, managing to seem both manipulative and vulnerable, dour and droll at the same time.
  28. Spiked with wonderfully funny sequences and some brilliantly original notions, The Big Lebowski, a pseudo-mystery thriller with a keen eye and ear for societal mores and modern figures of speech, nonetheless adds up to considerably less than the sum of its often scintillating parts.
  29. Unfortunately, almost everything about the film is so unbelievable and misjudged that only the most gullible audiences will feel any transporting thrill at the end other than from the movie finally being over.

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