Variety's Scores

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For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,136 out of 17782
  2. Mixed: 7,010 out of 17782
  3. Negative: 1,636 out of 17782
17782 movie reviews
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  1. Pecker
    A pleasant but ephemeral spoof that may disappoint Waters' hard-core fans while not recruiting many new devotees.
  2. Monument Ave.
    The only problem is that the great majority of screen time is devoted to the kind of loutish, drunken, small-minded, confrontational macho posturing that, in assorted ethnic stripes, has been paraded across the screen innumerable times in recent years.
  3. One True Thing
    As sensitively written, fluidly directed and expertly acted as it is, and as elemental as its dramatic conflicts may be, One True Thing has trouble breaking free of its limitations as a small-scale, modestly aimed family drama.
  4. Rush Hour
    A frankly formulaic but raucously entertaining action comedy.
  5. A Soldier's Daughter Never Cries
    The filmmakers give new saga a freer, looser form than is usual, allowing a superlative ensemble to develop rich characterizations.
    • 57 Metascore
    • 50 Critic Score
    Permanent Midnight
    Stiller’s attempted image makeover, though admirable, doesn’t make it. His perform-ance is strictly from the clenched-teeth, “Look at me, I’m acting!” school.
  7. Rounders
    Intermittently engaging but dramatically slack, this tale...is more interesting around the edges than it is at its core, thanks to the dull nature of the lead character played by Matt Damon.
  8. Simon Birch
    Johnson (who scripted "Grumpy Old Men") flattens out any promise so completely that the feature resembles nothing so much as a subpar "Hallmark Hall of Fame" entry.
    • 71 Metascore
    • 70 Critic Score
    Without Limits
    Robert Towne's Without Limits reps a distinct improvement over Steve James' Prefontaine in the filmmaking department.
  10. Knock Off
    Working from a formulaic script by Steven E. De Souza, Hark employs a variety of visual stratagems to keep the action fast and flashy.
  11. 54
    Director Mark Christopher gives the picture a brisk pace and a colorful, party-like mood that makes the experience painless and sporadically even enjoyable.
  12. Dead Man on Campus
    Although it falls far short of fulfilling its full potential as a dark comedy of desperation, Dead Man on Campus is a modestly amusing trifle that merits a passing grade as lightweight entertainment.
  13. Your Friends & Neighbors
    Like Mamet, LaBute's approach is precise, stylized and detached, and he also follows Mamet the director in positioning his characters close to the camera, as if they were addressing the audience directly, without much depth of field -- or air to breathe.
  14. Next Stop Wonderland
    Low on plot but high on charm and personality, Next Stop Wonderland is a sly, hand-crafted indie that is very alive and attentive to its characters' feelings and foibles.
  15. Blade
    Though slick and diverting in some aspects, increasingly silly pic has trouble meshing disparate elements --- horror, superhero fantasy, straight-up action --- into a workable whole.
  16. The Eel
    While the symbolism of the eel itself is a bit obvious, Imamura has created a rich tapestry of characters and situations, all of it vividly brought to life with pristine visuals and a generous emotional warmth.
  17. Slums of Beverly Hills
    A notch or two above the level of a TV sitcom, Slums of Beverly Hills, Tamara Jenkins' semi-autobiographical feature directorial debut, is a bawdy, extremely broad comedy.
  18. How Stella Got Her Groove Back
    Like "Waiting to Exhale" except more so, film jerks from scene to scene with little sense of rhythm, continuity or dramatic shaping.
    • 12 Metascore
    • 40 Critic Score
    The Avengers
    What's missing is chemistry: the right blend of seriousness and whimsy, and charmingly compelling interplay between leads Ralph Fiennes and Uma Thurman.
  20. Return to Paradise
    None of the characters is given much depth or meaningful backgrounding, leaving the capable thesps with plenty of anguish and emotion to play but not much else.
  21. Snake Eyes
    Cage supplies beaucoup energy, but his highly compromised hustler cop character provides little else in which he can invest his talent. Sinise wears an increasingly grim demeanor in a part that comes to make no sense, and John Heard's role as a local power broker gets lost in the shuffle.
  22. Halloween H20: 20 Years Later
    While plot mechanics aren't wildly imaginative, pic nonetheless delivers requisite jolts in an above-average package.
  23. BASEketball
    The vulgar, obvious humor of Zucker brother David and "South Park" creators Trey Parker and Matt Stone elicits easy, guilty laughs, yet the material has an underlying innocence that's just shy of good clean fun.
  24. Ever After
    Barrymore continues to prove herself as a performer of extraordinary range and charisma, and is simply sublime in the leading role.
  25. The Governess
    Minnie Driver gets a showy workout in The Governess, a beautifully crafted, if ultimately opaque, study of art, sensuality and outsider status in early Victorian England.
  26. The Negotiator
    The teaming of Samuel L. Jackson and Kevin Spacey, two of the most highly regarded actors around, in perfectly fitting roles that call for a battle of wits and wills, proves to be a shrewd piece of casting, and the best element of The Negotiator.
  27. The Parent Trap
    Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
  28. Saving Private Ryan
    A searingly visceral combat picture, Steven Spielberg’s third World War II drama is arguably second to none as a vivid, realistic and bloody portrait of armed conflict.
  29. Western
    Viewers who don’t share the director’s obvious affection for his often funny characters will find the pic too long and too diffuse, but its cumulative rewards are ample.
  30. Lolita
    The bad news, however, is that after an intriguing opening stretch, and despite Jeremy Irons' potent lead performance, the overlong film becomes repetitive, flat and often dull.
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