Variety's Scores

For 17,782 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17782 movie reviews
  1. The return of the legendary swordsman is well served by a grandly mounted production in the classical style.
  2. Crudely made, somewhat overlong and larded with plenty of things that don't work, pic stands as proof positive that a comedy can be far from perfect and still hit the bull's-eye if it delivers when it counts in its big scenes.
  3. Pi
    The film's imaginative, diverse images create a mind's-eye urban claustrophobia; such intensity may exhaust over 85 minutes' course, but it's never less than impressive.
  4. The quintessence of the buddy cop pic, "LW4" is big on action, playful banter and just enough plot to keep our attention from wandering.
  5. A classic piece of Americana, a down-home documentary that not only produces gales of laughter but also manages, by the end, to come together as a highly unlikely metaphor for the rigors of human existence.
  6. Much of the confusion, as well as the lack of dramatic rhythm or character development, results directly from Bay's cutting style, which resembles a machine gun stuck in the firing position for 2 and a half hours.
  7. Reveals Soderbergh in peak form, as he endows Leonard’s postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar.
  8. Breezy, often self-mocking tone proves fresh and invigorating.
  9. Alive to cinematic ideas, generous to its actors and peppered with unexpected humor, this ultimately sweet-natured low-budgeter is nonetheless riddled with enough off-putting and digressive material.
  10. Slim on story and rife with scatological jokes, the film may strike a chord with pre-teens but misses for an older crowd despite some nifty effects and broad humor.
  11. Though McDonald and Gleeson pair off well as the unlikely fellow travelers, and have some funny moments of physical shtick, the picture mostly springs to life when either Caffrey, as Grogan, or the excellent Doyle, as French, are onscreen.
  12. Falls somewhere in between standing on its own feet as a real movie worth the price of a ticket and merely being a glorified TV episode refitted for theaters.
  13. A rich dramatic tapestry lightly stained by some strained comedy, rigorous political correctness and perhaps more adherence to Disney formula than should have been the case in one of the studio's most adventurous and serious animated features.
  14. Poetic, bawdy, contemplative, often side-wrenchingly funny and finally quite touching, this tale about a nerdy garbage man whose life is changed by an egocentric hobo philosopher is flawed only by its length.
  15. Unpretentious, funny and touching, Edge of Seventeen rates as a quintessential Amerindie sleeper.
  16. Compassionate and deft as Cholodenko's helming is, pic's overall impact largely depends on its central triangle.
  17. Sprinkled with just enough laughs, close shaves and compromising positions to keep audiences mildly interested, this old-fashioned popcorn picture is agreeably breezy and colorful, but lacks the pizzazz and star chemistry of a genre ancestor such as "Romancing the Stone."
  18. A mediocre attempt to recapture the exuberance and candid portraiture of such high school movie classics as "American Graffiti," "Fast Times at Ridgemont High" and "Dazed and Confused."
  19. Highly reminiscent of Kingpin in its willingness to try anything for a laugh, Dirty Work is a shameless and sporadically hilarious comedy about two thirtysomething underachievers who start a revenge for hire business.
  20. The dilemma in this Perfect Murder is its singular failure at creating a rooting interest for a character or situation.
  21. A gemlike picture crafted with rare and immaculate precision.
  22. Whit Stillman's stiff directorial approach ill suits the sensual ambiance of the club scene so intently depicted, and the mostly self-conscious, uptight characters seem to have made a left turn out of "Metropolitan" and walked through the wrong door to turn up in this flamboyant druggie scene.
  23. A dreadfully dull, completely conventional story of a young wife's recuperation from being unceremoniously dumped, this is a by-the-numbers bit of emotional calculation without a single fresh, original or offbeat move in its system, apart from a nifty opening sequence.
  24. Roos’ talent for vivid, jump-off-the-screen dialogue remains unquestioned, but his direction is considerably more spotty.
  25. Johnny Depp's impersonation of the Thompson figure is effective up to a point, but it's hard to imagine any segment of the public embracing this off-putting, unrewarding slog through the depths of the drug culture.
  26. An uncommonly smart, sharp and irreverent American picture.
  27. Despite all the flash and filigree, this monster movie is curiously -- and conspicuously -- lacking in heart.
  28. Directing himself for the first time, Redford has lavished his usual meticulous care on popular material that comes alive on the screen in ways that it never could on the page.
  29. What starts as a bright look at the dim lives of temps in a large company slides into unfortunate digressions and drabness in Clockwatchers.
  30. A lightweight but likable fantasy that offers a playfully feminist twist to Arthurian legends.

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