Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. 8MM
    A movie that keeps jumping the gate and finally unravels all over the floor.
  2. Imagine a live-action version of the "Dilbert" comic strip with a touch of Hal Hartley's deadpan absurdism, and you're ready for the frequently uproarious "Office Space."
  3. Immensely entertaining and unabashedly inspirational.
  4. The strongest dimensions of this self-conscious but centerless film are four sexy actresses parading in colorful costumes and Amy Vincent's radiant lensing, which makes the picture seem hipper than it is.
  5. A time-warp comedy that starts out kinda "Pleasantville" and gets pretty Tepidsville, Blast From the Past expends scant imagination or style on a fun premise that seems an open invitation to both.
  6. Dreary, lachrymose and incredibly poky tear-jerker that makes its audience wait and wait and wait until nearly the last second for its jerking.
  7. Martian is loud, busy and altogether pointless. Worse, it’s simply not as engaging as the show that inspired it.
  8. Much like a botched souffle that fails to rise, Simply Irresistible is a bland confection that remains doggedly earthbound while attempting flights of romantic fantasy.
  9. Not an embarrassment, but it's not distinguished, either.
  10. While there are a few good jokes and sight gags along the way, the main impression left by She's All That is how numbingly consistent its lack of originality is.
    • 26 Metascore
    • 10 Critic Score
    A travesty trying to be a Sharon Stone vehicle, this wooden crime yarn easily qualifies as the most tired, unexciting mob movie in recent memory.
  11. Much humor and suspense is wrung from incidents that would be minuscule from anything but a child’s p.o.v., many repeated until they become ingenious running gags.
    • 55 Metascore
    • 50 Critic Score
    A stellar cast and articulate script notwithstanding, pic fails to connect emotionally with its audience, which perhaps says more about the difficulty of making empathetic attachments than writer-director Willard Carroll intended.
  12. Curtis and Pacula are thoroughly convincing in thinly written roles.
  13. An unappetizing mix of raucously vulgar comedy and teen-angst melodrama.
    • 41 Metascore
    • 40 Critic Score
    Although it's notoriously difficult to play a romance involving one partner's disability or illness without resorting to sentimentality, Kilmer acquits himself admirably.
  14. Like a Rousseau painting splattered with carnage of warfare.
  15. Paul Schrader hits a low water mark with Forever Mine, a strenuously straight-faced film noir wanna-be that edges perilously close to self-parody.
  16. The pervasive chill, ugly feelings and downward spiral of the narrative make this a work that requires an equally sober, serious-minded attitude on the part of the viewer.
  17. Eye-grabbing performances from Emily Watson and Rachel Griffiths, who portray celebrated British cellist Jacqueline Du Pre and her older sister, Hilary, distinguish this ambitious but flawed biography.
  18. Results may not be Nobel Prize material, but they're zesty and cogent.
  19. Everything about the film suggests that its makers consider it a deep, emotionally probing drama, but it's merely a soap opera with elevated production values and a sterling cast.
  20. A solid and intelligent legal thriller that may be too complex in its issues, and too low-key and unexciting in its style, for today's market demands.
  21. Shamelessly sappy and emotionally manipulative, Patch Adams is an aggressively heartwarming comedy-drama that may be roasted by critics but embraced by ticketbuyers.
    • 51 Metascore
    • 70 Critic Score
    Mighty Joe Young is wholesome, well-crafted family fare like Hollywood used to make.
  22. Poet Maya Angelou's debut feature directing effort is a solid and affecting piece of work.
  23. A risky idea only occasionally gets both wheels off the ground in "The Theory of Flight," a sometimes wryly amusing, oftimes dramatically awkward story
    • 58 Metascore
    • 90 Critic Score
    The most successful version yet of this familiar premise.
    • 64 Metascore
    • 90 Critic Score
    At once rich in historic and character detail and full of eye-popping tableaux, this new spin on the Moses saga sometimes out-DeMilles DeMille's 1956 live-action epic, "The Ten Commandments."
  24. Rarely has a veteran filmmaker rejuvenated his career to such startling effect as John Boorman with The General, a fresh-off-the-slab biopic of maverick Irish crime lord Martin Cahill that both challenges and entertains the audience at a variety of levels, as well as reviving the vitality of the helmer's earliest, mid-'60s pics.

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