For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Derek Elley
A movie that keeps jumping the gate and finally unravels all over the floor.- Variety
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Reviewed by
Joe Leydon
Imagine a live-action version of the "Dilbert" comic strip with a touch of Hal Hartley's deadpan absurdism, and you're ready for the frequently uproarious "Office Space."- Variety
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- Variety
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Emanuel Levy
The strongest dimensions of this self-conscious but centerless film are four sexy actresses parading in colorful costumes and Amy Vincent's radiant lensing, which makes the picture seem hipper than it is.- Variety
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Reviewed by
Dennis Harvey
A time-warp comedy that starts out kinda "Pleasantville" and gets pretty Tepidsville, Blast From the Past expends scant imagination or style on a fun premise that seems an open invitation to both.- Variety
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Todd McCarthy
Dreary, lachrymose and incredibly poky tear-jerker that makes its audience wait and wait and wait until nearly the last second for its jerking.- Variety
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Joe Leydon
Martian is loud, busy and altogether pointless. Worse, it’s simply not as engaging as the show that inspired it.- Variety
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Reviewed by
Joe Leydon
Much like a botched souffle that fails to rise, Simply Irresistible is a bland confection that remains doggedly earthbound while attempting flights of romantic fantasy.- Variety
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- Variety
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Reviewed by
Geoff Berkshire
While there are a few good jokes and sight gags along the way, the main impression left by She's All That is how numbingly consistent its lack of originality is.- Variety
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- Critic Score
A travesty trying to be a Sharon Stone vehicle, this wooden crime yarn easily qualifies as the most tired, unexciting mob movie in recent memory.- Variety
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Reviewed by
Dennis Harvey
Much humor and suspense is wrung from incidents that would be minuscule from anything but a child’s p.o.v., many repeated until they become ingenious running gags.- Variety
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A stellar cast and articulate script notwithstanding, pic fails to connect emotionally with its audience, which perhaps says more about the difficulty of making empathetic attachments than writer-director Willard Carroll intended.- Variety
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- Variety
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Reviewed by
Joe Leydon
An unappetizing mix of raucously vulgar comedy and teen-angst melodrama.- Variety
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- Critic Score
Although it's notoriously difficult to play a romance involving one partner's disability or illness without resorting to sentimentality, Kilmer acquits himself admirably.- Variety
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Reviewed by
Todd McCarthy
Like a Rousseau painting splattered with carnage of warfare.- Variety
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Reviewed by
Todd McCarthy
Paul Schrader hits a low water mark with Forever Mine, a strenuously straight-faced film noir wanna-be that edges perilously close to self-parody.- Variety
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Todd McCarthy
The pervasive chill, ugly feelings and downward spiral of the narrative make this a work that requires an equally sober, serious-minded attitude on the part of the viewer.- Variety
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David Stratton
Eye-grabbing performances from Emily Watson and Rachel Griffiths, who portray celebrated British cellist Jacqueline Du Pre and her older sister, Hilary, distinguish this ambitious but flawed biography.- Variety
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Dennis Harvey
Results may not be Nobel Prize material, but they're zesty and cogent.- Variety
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Reviewed by
Todd McCarthy
Everything about the film suggests that its makers consider it a deep, emotionally probing drama, but it's merely a soap opera with elevated production values and a sterling cast.- Variety
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Emanuel Levy
A solid and intelligent legal thriller that may be too complex in its issues, and too low-key and unexciting in its style, for today's market demands.- Variety
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Joe Leydon
Shamelessly sappy and emotionally manipulative, Patch Adams is an aggressively heartwarming comedy-drama that may be roasted by critics but embraced by ticketbuyers.- Variety
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Mighty Joe Young is wholesome, well-crafted family fare like Hollywood used to make.- Variety
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Reviewed by
Joe Leydon
Poet Maya Angelou's debut feature directing effort is a solid and affecting piece of work.- Variety
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Reviewed by
Derek Elley
A risky idea only occasionally gets both wheels off the ground in "The Theory of Flight," a sometimes wryly amusing, oftimes dramatically awkward story- Variety
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- Variety
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- Critic Score
At once rich in historic and character detail and full of eye-popping tableaux, this new spin on the Moses saga sometimes out-DeMilles DeMille's 1956 live-action epic, "The Ten Commandments."- Variety
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Reviewed by
Derek Elley
Rarely has a veteran filmmaker rejuvenated his career to such startling effect as John Boorman with The General, a fresh-off-the-slab biopic of maverick Irish crime lord Martin Cahill that both challenges and entertains the audience at a variety of levels, as well as reviving the vitality of the helmer's earliest, mid-'60s pics.- Variety
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