Variety's Scores

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For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,125 out of 17765
  2. Mixed: 7,004 out of 17765
  3. Negative: 1,636 out of 17765
17765 movie reviews
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  1. Your Friends & Neighbors
    Like Mamet, LaBute's approach is precise, stylized and detached, and he also follows Mamet the director in positioning his characters close to the camera, as if they were addressing the audience directly, without much depth of field -- or air to breathe.
  2. Next Stop Wonderland
    Low on plot but high on charm and personality, Next Stop Wonderland is a sly, hand-crafted indie that is very alive and attentive to its characters' feelings and foibles.
  3. Blade
    Though slick and diverting in some aspects, increasingly silly pic has trouble meshing disparate elements --- horror, superhero fantasy, straight-up action --- into a workable whole.
  4. The Eel
    While the symbolism of the eel itself is a bit obvious, Imamura has created a rich tapestry of characters and situations, all of it vividly brought to life with pristine visuals and a generous emotional warmth.
  5. Slums of Beverly Hills
    A notch or two above the level of a TV sitcom, Slums of Beverly Hills, Tamara Jenkins' semi-autobiographical feature directorial debut, is a bawdy, extremely broad comedy.
  6. How Stella Got Her Groove Back
    Like "Waiting to Exhale" except more so, film jerks from scene to scene with little sense of rhythm, continuity or dramatic shaping.
    • 12 Metascore
    • 40 Critic Score
    The Avengers
    What's missing is chemistry: the right blend of seriousness and whimsy, and charmingly compelling interplay between leads Ralph Fiennes and Uma Thurman.
  8. Return to Paradise
    None of the characters is given much depth or meaningful backgrounding, leaving the capable thesps with plenty of anguish and emotion to play but not much else.
  9. Snake Eyes
    Cage supplies beaucoup energy, but his highly compromised hustler cop character provides little else in which he can invest his talent. Sinise wears an increasingly grim demeanor in a part that comes to make no sense, and John Heard's role as a local power broker gets lost in the shuffle.
  10. Halloween H20: 20 Years Later
    While plot mechanics aren't wildly imaginative, pic nonetheless delivers requisite jolts in an above-average package.
  11. BASEketball
    The vulgar, obvious humor of Zucker brother David and "South Park" creators Trey Parker and Matt Stone elicits easy, guilty laughs, yet the material has an underlying innocence that's just shy of good clean fun.
  12. Ever After
    Barrymore continues to prove herself as a performer of extraordinary range and charisma, and is simply sublime in the leading role.
  13. The Governess
    Minnie Driver gets a showy workout in The Governess, a beautifully crafted, if ultimately opaque, study of art, sensuality and outsider status in early Victorian England.
  14. The Negotiator
    The teaming of Samuel L. Jackson and Kevin Spacey, two of the most highly regarded actors around, in perfectly fitting roles that call for a battle of wits and wills, proves to be a shrewd piece of casting, and the best element of The Negotiator.
  15. The Parent Trap
    Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
  16. Saving Private Ryan
    A searingly visceral combat picture, Steven Spielberg’s third World War II drama is arguably second to none as a vivid, realistic and bloody portrait of armed conflict.
  17. Western
    Viewers who don’t share the director’s obvious affection for his often funny characters will find the pic too long and too diffuse, but its cumulative rewards are ample.
  18. Lolita
    The bad news, however, is that after an intriguing opening stretch, and despite Jeremy Irons' potent lead performance, the overlong film becomes repetitive, flat and often dull.
  19. The Mask of Zorro
    The return of the legendary swordsman is well served by a grandly mounted production in the classical style.
  20. There's Something About Mary
    Crudely made, somewhat overlong and larded with plenty of things that don't work, pic stands as proof positive that a comedy can be far from perfect and still hit the bull's-eye if it delivers when it counts in its big scenes.
  21. Pi
    The film's imaginative, diverse images create a mind's-eye urban claustrophobia; such intensity may exhaust over 85 minutes' course, but it's never less than impressive.
  22. Lethal Weapon 4
    The quintessence of the buddy cop pic, "LW4" is big on action, playful banter and just enough plot to keep our attention from wandering.
  23. Hands on a Hardbody: The Documentary
    A classic piece of Americana, a down-home documentary that not only produces gales of laughter but also manages, by the end, to come together as a highly unlikely metaphor for the rigors of human existence.
  24. Armageddon
    Much of the confusion, as well as the lack of dramatic rhythm or character development, results directly from Bay's cutting style, which resembles a machine gun stuck in the firing position for 2 and a half hours.
  25. Out of Sight
    Reveals Soderbergh in peak form, as he endows Leonard’s postmodern yarn with a meticulously detailed mise en scene that helps each member of his terrific ensemble soar.
  26. Smoke Signals
    Breezy, often self-mocking tone proves fresh and invigorating.
  27. Buffalo '66
    Alive to cinematic ideas, generous to its actors and peppered with unexpected humor, this ultimately sweet-natured low-budgeter is nonetheless riddled with enough off-putting and digressive material.
  28. Dr. Dolittle
    Slim on story and rife with scatological jokes, the film may strike a chord with pre-teens but misses for an older crowd despite some nifty effects and broad humor.
  29. I Went Down
    Though McDonald and Gleeson pair off well as the unlikely fellow travelers, and have some funny moments of physical shtick, the picture mostly springs to life when either Caffrey, as Grogan, or the excellent Doyle, as French, are onscreen.
  30. The X Files
    Falls somewhere in between standing on its own feet as a real movie worth the price of a ticket and merely being a glorified TV episode refitted for theaters.
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