Variety's Scores

For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17765 movie reviews
  1. Careens from decade to decade, and from relative dramatic realism to frequent hilarity, in often-winning fashion.
  2. Energetic but poorly structured.
  3. Ticket buyers get two Jackie Chans for the price of one in Twin Dragons, but the pic itself is no great bargain.
  4. Go
    An overly calculated concoction that nonetheless delivers a pretty good rush.
    • Variety
    • 60 Metascore
    • 80 Critic Score
    A likable romantic comedy with an engaging premise and strong cast.
  5. A witty script and strong performances hoist Metroland beyond the confines of its rather standard, TV-style approach.
  6. May or not be Robert Altman's best film in years, but it is certainly his most pleasurable.
  7. Lightweight but likable entertainment.
  8. Climactic triple-cross is a satisfying payoff, though scenarist-helmer Nolan doesn’t really sock across any possible point of emphasis – black humor is soft-pedaled, suspense just middling, and the character writing keeps classic fall guy Bill a bit too blank-slate to incur much sympathy.
  9. 10 Things doesn't take much time before ditching its pitch idea in favor of a mishmash of newer formulas, never quite settling on a cogent game plan or directorial tone.
  10. An eye-popping but incoherent extravaganza of morphing and superhuman martial arts.
  11. A certain staleness hangs over the proceedings despite the best efforts of the cast and the fun-minded creative team.
  12. Feels like the most shameless effort yet in the renewed exploitation of the youth market.
    • 71 Metascore
    • 50 Critic Score
    Despite strategic references to Joan Baez and pot, pic's sense of time and place feels synthetic.
  13. An extremely enjoyable neo-screwball comedy about attractive opposites on the road.
  14. Essentially approaches its subject seriously, but does take stabs both at horror and grotesque comedy, neither with much success.
  15. Broadway musical purists will shudder in horror, but parents will be whistling a happy tune that there's at least one acceptable pic out there for their kids.
  16. Eastwood's latest picture boasts tight storytelling, sharp acting and an eye for unexpected, enlivening detail.
    • 21 Metascore
    • 30 Critic Score
    Formulaic, humdrum and sometimes unintentionally laughable.
  17. Michelle Pfeiffer and Treat Williams give such magnetic performances that they elevate the film way above its middlebrow sensibility and proclivity for neat resolutions.
  18. A largely affectionate look at the weird and the wonderful subculture that's ensued and endured since the sci-fi series first beamed up in 1966.
  19. As generic in every aspect as Brian De Palma's original was inventive.
    • 7 Metascore
    • 10 Critic Score
    A thoroughly misguided, unfunny film that proves you shouldn't beat a dead horse.
  20. It's to the filmmakers' credit that, as an actioner, The Corruptor is a character-driven movie, with several plot twists and turns involving the interactions among the gangs, cops, FBI and Internal Affairs.
  21. The perennially insecure world of two-bit character actors is humorously and knowingly explored in With Friends Like These.
  22. The gradual dilution of fresh humor is further undercut by a queasy sense that the picture, in the end, is quietly endorsing all the psychoanalytical mumbo jumbo that it has been poking fun at all along.
  23. Nasty, profane and wickedly entertaining for the most part.
  24. Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.
    • Variety
  25. A skillful blend of fire and ice that subtly conveys the emotional extremes fraught in the relationship.
  26. Blurring the lines between cinema verite and fiction, writer-director Myles Berkowitz has created a winning entertainment.

Top Trailers