For 17,765 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,125 out of 17765
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Mixed: 7,004 out of 17765
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Negative: 1,636 out of 17765
17765
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Careens from decade to decade, and from relative dramatic realism to frequent hilarity, in often-winning fashion.- Variety
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- Variety
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Reviewed by
Joe Leydon
Ticket buyers get two Jackie Chans for the price of one in Twin Dragons, but the pic itself is no great bargain.- Variety
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Reviewed by
Todd McCarthy
An overly calculated concoction that nonetheless delivers a pretty good rush.- Variety
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- Variety
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Reviewed by
David Rooney
A witty script and strong performances hoist Metroland beyond the confines of its rather standard, TV-style approach.- Variety
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Reviewed by
Todd McCarthy
May or not be Robert Altman's best film in years, but it is certainly his most pleasurable.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Climactic triple-cross is a satisfying payoff, though scenarist-helmer Nolan doesn’t really sock across any possible point of emphasis – black humor is soft-pedaled, suspense just middling, and the character writing keeps classic fall guy Bill a bit too blank-slate to incur much sympathy.- Variety
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Reviewed by
Dennis Harvey
10 Things doesn't take much time before ditching its pitch idea in favor of a mishmash of newer formulas, never quite settling on a cogent game plan or directorial tone.- Variety
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Reviewed by
Todd McCarthy
An eye-popping but incoherent extravaganza of morphing and superhuman martial arts.- Variety
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Reviewed by
Todd McCarthy
A certain staleness hangs over the proceedings despite the best efforts of the cast and the fun-minded creative team.- Variety
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Reviewed by
Todd McCarthy
Feels like the most shameless effort yet in the renewed exploitation of the youth market.- Variety
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- Critic Score
Despite strategic references to Joan Baez and pot, pic's sense of time and place feels synthetic.- Variety
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Reviewed by
Joe Leydon
An extremely enjoyable neo-screwball comedy about attractive opposites on the road.- Variety
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Todd McCarthy
Essentially approaches its subject seriously, but does take stabs both at horror and grotesque comedy, neither with much success.- Variety
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Reviewed by
Robert Koehler
Broadway musical purists will shudder in horror, but parents will be whistling a happy tune that there's at least one acceptable pic out there for their kids.- Variety
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Reviewed by
Todd McCarthy
Eastwood's latest picture boasts tight storytelling, sharp acting and an eye for unexpected, enlivening detail.- Variety
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Formulaic, humdrum and sometimes unintentionally laughable.- Variety
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Reviewed by
Emanuel Levy
Michelle Pfeiffer and Treat Williams give such magnetic performances that they elevate the film way above its middlebrow sensibility and proclivity for neat resolutions.- Variety
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Reviewed by
Leonard Klady
A largely affectionate look at the weird and the wonderful subculture that's ensued and endured since the sci-fi series first beamed up in 1966.- Variety
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Reviewed by
Dennis Harvey
As generic in every aspect as Brian De Palma's original was inventive.- Variety
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- Critic Score
A thoroughly misguided, unfunny film that proves you shouldn't beat a dead horse.- Variety
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Reviewed by
Emanuel Levy
It's to the filmmakers' credit that, as an actioner, The Corruptor is a character-driven movie, with several plot twists and turns involving the interactions among the gangs, cops, FBI and Internal Affairs.- Variety
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Reviewed by
Todd McCarthy
The perennially insecure world of two-bit character actors is humorously and knowingly explored in With Friends Like These.- Variety
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Reviewed by
Todd McCarthy
The gradual dilution of fresh humor is further undercut by a queasy sense that the picture, in the end, is quietly endorsing all the psychoanalytical mumbo jumbo that it has been poking fun at all along.- Variety
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Reviewed by
Emanuel Levy
Nasty, profane and wickedly entertaining for the most part.- Variety
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Reviewed by
Derek Elley
Though Ritchie’s screenplay scores a 10 for sheer complexity and cleverness, it rates much lower down the scale for comprehensibility and audience involvement.- Variety
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Reviewed by
Leonard Klady
A skillful blend of fire and ice that subtly conveys the emotional extremes fraught in the relationship.- Variety
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Reviewed by
Leonard Klady
Blurring the lines between cinema verite and fiction, writer-director Myles Berkowitz has created a winning entertainment.- Variety
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