For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Dennis Harvey
Emerges a surprisingly in-depth, wistful look at outgrowing a youth-only subculture.- Variety
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Reviewed by
Dennis Harvey
A cut above most youth-skewed sex comedies of late, with bouncy execution and an unsophisticated but positive gender-sensitivity message elevating a so-so script.- Variety
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Reviewed by
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- Variety
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- Variety
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Reviewed by
Ronnie Scheib
A model of cohesion and clarity as long as it's dealing with Brown's exemplary public achievements. However, pic quickly becomes mired in tedium and confusion when it turns to Brown's scandal-ridden private life.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
Heartfelt and heart-rending performances make all the difference in Pauline and Paulette, a delightfully bittersweet story.- Variety
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Reviewed by
David Rooney
Provides powerful drama thanks to its trenchant core story and harrowing re-creation of the brutal chaos of war.- Variety
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Reviewed by
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- Variety
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- Critic Score
It's a no-holds-barred account of the sadistic fourth estater played cunningly by Burt Lancaster.- Variety
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- Critic Score
The film's biggest limitation is its oversexed, underdeveloped male duo. Playing like a south-of-the-border version of Beavis and Butt-head, the teenagers have but one thought in their heads.- Variety
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- Variety
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Reviewed by
David Rooney
Provides deeply humanistic insight into the complexities of the Middle East conflict that political analysis or front-line news coverage often lacks.- Variety
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Reviewed by
Scott Foundas
Despite a promising setup, pic never really goes anywhere, instead immersing viewers in a kinetic onslaught of flesh (namely, that of Milla Jovovich) and flesh-eaters (most of the rest of the cast).- Variety
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Reviewed by
Joe Leydon
An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.- Variety
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- Critic Score
With its remarkably intimate look at Israeli Bedouin culture, a subject heretofore little treated, Danny Verete's Yellow Asphalt is a deeply affecting and brutally uncompromising anthology of three unrelated stories.- Variety
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- Variety
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Reviewed by
Scott Foundas
Jaglom's quickest and funniest picture in years and the most accessible.- Variety
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Reviewed by
Todd McCarthy
Breaks down when it gets to the distant future, which in this case isn't a good place to be stranded.- Variety
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Reviewed by
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- Variety
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Reviewed by
Todd McCarthy
Senselessly long at two-and-three-quarters hours and with a protracted climax that eradicates any goodwill established in the fastidious first couple of reels.- Variety
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Reviewed by
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Reviewed by
David Rooney
Plays like an aggressively heart-tugging, exceedingly vanilla Disney telemovie.- Variety
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Reviewed by
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- Critic Score
Interesting movement holds through the entirety. Life in the native quarter, with its squalor and intrigues, is particularly well presented and photographed.- Variety
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Reviewed by
Derek Elley
Mixes a rites-of-passage story with political and sexual elements to solid but finally uninvolving results.- Variety
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Reviewed by
Todd McCarthy
Gibson has the closest thing to a John Wayne part that anyone's played since the Duke himself rode into the sunset, and he plays it damn well.- Variety
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Reviewed by
Todd McCarthy
A self-described abstinence comedy that is funny, sexy and silly in equal measure.- Variety
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Reviewed by
David Rooney
While the direction is a little anonymous and could use some verve, the comedy-drama gets by thanks to a solid script, witty dialogue and engaging performances.- Variety
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Reviewed by
Dennis Harvey
Lee crafts actions and situations that are credible without being particularly engrossing -- recognition doesn't necessarily translate into absorbsion.- Variety
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Reviewed by
Derek Elley
Chekhov has never seemed such a long haul as in this awkward adaptation of The Cherry Orchard by veteran director Michael Cacoyannis, 77, who's assembled a good roster of names but ones that are not necessarily right for their roles.- Variety
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Reviewed by
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Reviewed by
David Rooney
A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.- Variety
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Reviewed by