Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Emerges a surprisingly in-depth, wistful look at outgrowing a youth-only subculture.
  2. A cut above most youth-skewed sex comedies of late, with bouncy execution and an unsophisticated but positive gender-sensitivity message elevating a so-so script.
  3. A half-klutzy, half-engaging eccentric comedy.
  4. Unflaggingly genial and universally funny.
  5. A model of cohesion and clarity as long as it's dealing with Brown's exemplary public achievements. However, pic quickly becomes mired in tedium and confusion when it turns to Brown's scandal-ridden private life.
  6. May be too grisly to extend its appeal beyond its fan base.
  7. Heartfelt and heart-rending performances make all the difference in Pauline and Paulette, a delightfully bittersweet story.
  8. Provides powerful drama thanks to its trenchant core story and harrowing re-creation of the brutal chaos of war.
  9. A shrill, strained and shallow riff on a tired idea.
    • 100 Metascore
    • 80 Critic Score
    It's a no-holds-barred account of the sadistic fourth estater played cunningly by Burt Lancaster.
    • 89 Metascore
    • 40 Critic Score
    The film's biggest limitation is its oversexed, underdeveloped male duo. Playing like a south-of-the-border version of Beavis and Butt-head, the teenagers have but one thought in their heads.
    • tbd Metascore
    • 40 Critic Score
    Camp is too elegant a word to describe it all.
  10. Provides deeply humanistic insight into the complexities of the Middle East conflict that political analysis or front-line news coverage often lacks.
  11. Despite a promising setup, pic never really goes anywhere, instead immersing viewers in a kinetic onslaught of flesh (namely, that of Milla Jovovich) and flesh-eaters (most of the rest of the cast).
  12. An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.
    • 60 Metascore
    • 80 Critic Score
    With its remarkably intimate look at Israeli Bedouin culture, a subject heretofore little treated, Danny Verete's Yellow Asphalt is a deeply affecting and brutally uncompromising anthology of three unrelated stories.
  13. Boilerplate crime comedy.
  14. Jaglom's quickest and funniest picture in years and the most accessible.
  15. Breaks down when it gets to the distant future, which in this case isn't a good place to be stranded.
  16. Cluttered, unfocused script attempts too much.
  17. Senselessly long at two-and-three-quarters hours and with a protracted climax that eradicates any goodwill established in the fastidious first couple of reels.
  18. Plays like an aggressively heart-tugging, exceedingly vanilla Disney telemovie.
    • 98 Metascore
    • 80 Critic Score
    Interesting movement holds through the entirety. Life in the native quarter, with its squalor and intrigues, is particularly well presented and photographed.
  19. Mixes a rites-of-passage story with political and sexual elements to solid but finally uninvolving results.
  20. Gibson has the closest thing to a John Wayne part that anyone's played since the Duke himself rode into the sunset, and he plays it damn well.
  21. A self-described abstinence comedy that is funny, sexy and silly in equal measure.
  22. While the direction is a little anonymous and could use some verve, the comedy-drama gets by thanks to a solid script, witty dialogue and engaging performances.
  23. Lee crafts actions and situations that are credible without being particularly engrossing -- recognition doesn't necessarily translate into absorbsion.
  24. Chekhov has never seemed such a long haul as in this awkward adaptation of The Cherry Orchard by veteran director Michael Cacoyannis, 77, who's assembled a good roster of names but ones that are not necessarily right for their roles.
  25. A flawed and overlong but ultimately affecting account of one man's struggle to regain control of his life.

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