For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Robert Koehler
Director Phil Alden Robinson -- has done just about everything he can do to build a sleek, involving and -- for a few minutes -- terrifying movie that can get viewers past the young Ryan factor.- Variety
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Joe Leydon
A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Bisset throws herself into what is by far the most emotionally demanding role of her career and emerges honorably.- Variety
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Dennis Harvey
Despite its occasional visual interest, avant-garde package is far from the accessible tortured-artist portrait helmer essayed 15 years ago in "Vincent." Even committed dance and experimental cinema fans are likely to find this rough sledding.- Variety
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Reviewed by
Joe Leydon
Although closer in tone to "Office Space" than Herman Melville, Jonathan Parker's absurdist update of Bartleby is surprisingly faithful to the spirit, if not the letter, of the "Moby-Dick" author's 1853 novella about an under-achieving Wall Street copy clerk.- Variety
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Reviewed by
Todd McCarthy
Roman Coppola's first film has sympathetic aims but is distressingly lacking in flair, style, wit or fun.- Variety
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David Stratton
This intelligent, engaging indie sets out to find a few answers and in the process introduces a clutch of interesting, very human characters.- Variety
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Todd McCarthy
Saddled with a sentimentally "sincere" subject and lacking the stylistic and humorous cachet of the recent computer-animated smashes.- Variety
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Robert Koehler
The latest model in the recent spate of underwhelming female star vehicles, Enough, a thriller detailing how a good wife gets back at an evil, possessive husband, is never provocative enough to generate strong emotional response.- Variety
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Reviewed by
Todd McCarthy
Gripping, highly dramatic thriller that more than confirms the distinctive talent of young Brit helmer Christopher Nolan.- Variety
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Jonathan Holland
A gripping, superbly constructed indictment of the way governments contribute to the destruction of their citizens' lives.- Variety
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Robert Koehler
A comedy in the last century and a drama in the new one. At least, that's the dumbfounding impression left by writer-director Oliver Parker's utterly miscalculated film adaptation of Wilde's play.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Those who see it at fests, and in carefully tailored specialized release, will be struck by the adroitness with which it addresses touchy issues, as well as by the outstanding performance of Ryan Gosling in the difficult leading role.- Variety
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Reviewed by
Derek Elley
Pleasant and engaging, rather than laugh-out-loud funny or emotionally involving.- Variety
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Todd McCarthy
George Lucas has reached deep into the trove of his self-generated mythological world to produce a grand entertainment that offers a satisfying balance among the series' epic, narrative, technological and emotional qualities.- Variety
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Scott Foundas
Matthew Barney delivers his masterpiece in Cremaster 3, unquestionably the 35-year-old sculptor-performance artist-filmmaker's most linear, most narratively inclined work to date.- Variety
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Reviewed by
Scott Foundas
In the post-Columbine era, Koury's film has its finger on something particularly potent.- Variety
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Reviewed by
Scott Foundas
Most impressive in an objective sense, as a technical exercise -- its staccato technique preventing greater involvement.- Variety
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Robert Koehler
Tries to salvage its dopey premise with frantic final-reel plot contortions.- Variety
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David Rooney
Starts out on an exhilarating high but gradually loses steam, Janice Beard 45 WPM tries hard to overcome its inconsistency with relentless whimsy.- Variety
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Lisa Nesselson
History comes alive with verve and cold-sweat suspense in The Lady and the Duke.- Variety
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Todd McCarthy
This refitting of Claude Chabrol's 1968 classic "La Femme Infidele" is less concerned with suspense and dramatic fireworks than is the usual American "erotic thriller," and much more devoted to nuances and the minutiae of how men and women behave, pretend and lie in duplicitous situations.- Variety
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- Variety
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Reviewed by
Dennis Harvey
Expertly edited chronicle doesn't lead to any major explosion, but reveals plenty -- little of it pleasant -- en-route.- Variety
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Derek Elley
Neither pure masala musical nor pure masala meller, Lagaan is an involving, easily digestible hunk of pure entertainment that could be the trigger for Bollywood's long-awaited crossover to non-ethnic markets.- Variety
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- Variety
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- Variety
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Reviewed by
Dennis Harvey
Succeeds as light entertainment -- even if at the cost of the material's greater potential.- Variety
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