Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Director Phil Alden Robinson -- has done just about everything he can do to build a sleek, involving and -- for a few minutes -- terrifying movie that can get viewers past the young Ryan factor.
  2. A frequently inspired hit-and-miss burlesque that definitely hits more than it misses.
    • 70 Metascore
    • 80 Critic Score
    A darkly funny, very human comedy.
  3. Bisset throws herself into what is by far the most emotionally demanding role of her career and emerges honorably.
  4. Despite its occasional visual interest, avant-garde package is far from the accessible tortured-artist portrait helmer essayed 15 years ago in "Vincent." Even committed dance and experimental cinema fans are likely to find this rough sledding.
  5. Although closer in tone to "Office Space" than Herman Melville, Jonathan Parker's absurdist update of Bartleby is surprisingly faithful to the spirit, if not the letter, of the "Moby-Dick" author's 1853 novella about an under-achieving Wall Street copy clerk.
  6. CQ
    Roman Coppola's first film has sympathetic aims but is distressingly lacking in flair, style, wit or fun.
  7. This intelligent, engaging indie sets out to find a few answers and in the process introduces a clutch of interesting, very human characters.
  8. Saddled with a sentimentally "sincere" subject and lacking the stylistic and humorous cachet of the recent computer-animated smashes.
  9. The latest model in the recent spate of underwhelming female star vehicles, Enough, a thriller detailing how a good wife gets back at an evil, possessive husband, is never provocative enough to generate strong emotional response.
  10. Gripping, highly dramatic thriller that more than confirms the distinctive talent of young Brit helmer Christopher Nolan.
  11. A gripping, superbly constructed indictment of the way governments contribute to the destruction of their citizens' lives.
  12. A comedy in the last century and a drama in the new one. At least, that's the dumbfounding impression left by writer-director Oliver Parker's utterly miscalculated film adaptation of Wilde's play.
  13. As wrenching as it is funny.
  14. Those who see it at fests, and in carefully tailored specialized release, will be struck by the adroitness with which it addresses touchy issues, as well as by the outstanding performance of Ryan Gosling in the difficult leading role.
  15. Pleasant and engaging, rather than laugh-out-loud funny or emotionally involving.
  16. George Lucas has reached deep into the trove of his self-generated mythological world to produce a grand entertainment that offers a satisfying balance among the series' epic, narrative, technological and emotional qualities.
  17. Matthew Barney delivers his masterpiece in Cremaster 3, unquestionably the 35-year-old sculptor-performance artist-filmmaker's most linear, most narratively inclined work to date.
  18. In the post-Columbine era, Koury's film has its finger on something particularly potent.
  19. Most impressive in an objective sense, as a technical exercise -- its staccato technique preventing greater involvement.
  20. Tries to salvage its dopey premise with frantic final-reel plot contortions.
  21. Starts out on an exhilarating high but gradually loses steam, Janice Beard 45 WPM tries hard to overcome its inconsistency with relentless whimsy.
  22. History comes alive with verve and cold-sweat suspense in The Lady and the Duke.
  23. This refitting of Claude Chabrol's 1968 classic "La Femme Infidele" is less concerned with suspense and dramatic fireworks than is the usual American "erotic thriller," and much more devoted to nuances and the minutiae of how men and women behave, pretend and lie in duplicitous situations.
  24. Overall aroma of movie junk food.
  25. Expertly edited chronicle doesn't lead to any major explosion, but reveals plenty -- little of it pleasant -- en-route.
  26. Neither pure masala musical nor pure masala meller, Lagaan is an involving, easily digestible hunk of pure entertainment that could be the trigger for Bollywood's long-awaited crossover to non-ethnic markets.
  27. A cut above the average Aussie crazy-clan comedy.
  28. A modest charmer.
  29. Succeeds as light entertainment -- even if at the cost of the material's greater potential.

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