For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Eddie Cockrell
Consistently silly and intermittently laugh-out-loud funny spoof.- Variety
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Emerges as an intelligent portrayal of the repercussions of single-minded religious fervor, and of the way the willingness to suffer for a cause does not necessarily translate into selfless acts.- Variety
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Eddie Cockrell
The most nonconfrontational and thus accessible title in the Dogma lot to date, and will speak the international language of proletariat love to arthouse auds who go for such fare.- Variety
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Ronnie Scheib
Result is fairly good-looking video shot down by a hackneyed script, atrocious acting and a total lack of redeeming social value.- Variety
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Joe Leydon
Small children will be amused by the frenetic antics of Cuba Gooding Jr. Grownups, however, will be far less enchanted.- Variety
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Scott Foundas
It’s a film about the excruciating pursuit of money and self-gratification, which Hyams makes strangely analogous to the everyday workplace, suggesting that the conflicts and aggressions being worked out in the no-holds-barred ring are merely a more primal expression of what anyone who works any kind of job encounters daily.- Variety
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Lisa Nesselson
A little Sergio Leone here, a little "Sleepy Hollow" there, a grand helping of late royal-era Gaul with its wigs and finery, and, uh, martial arts-style confrontations galore are all deftly melded in Brotherhood of the Wolf.- Variety
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Dennis Harvey
Plays out in quite a different offscreen context than did last year's similarly themed sleeper "Startup.com."- Variety
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Todd McCarthy
A fine group of comic performers manages to keep the screen worth looking at despite the obsessively one-note nature of this curious matchup between MTV Films and producer Scott Rudin.- Variety
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Derek Elley
After several years of transition, Jackie Chan finally gets the mix right in The Accidental Spy, an entertaining meld of far-flung locales and criminal shenanigans that sees the 47-year-old action star comfortably combining the twin demands of action and maturity.- Variety
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Eddie Cockrell
A sibling survivor story of uncommon personal and political breadth.- Variety
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Robert Koehler
Imposter is a penny-pinched "Blade Runner," a stubbornly unexciting ride into the near future.- Variety
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Dennis Harvey
Takes a beautifully lensed look at the work of Scottish "landscape sculptor" Andy Goldsworthy, whose unique creations -- composed of icicles, leaves, sticks, rocks, etc. -- are often as not simply swept away by the next tide or wind gust.- Variety
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Todd McCarthy
A bland and dour screen version of Sebastian Faulks' highly engrossing bestseller.- Variety
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- Variety
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Derek Elley
Sverak's sheer technical finesse, and ability to spin on a dime between comedy and tragedy, the personal and the historical, makes Dark Blue World succeed where other similarly themed movies, from "Battle of Britain" to "The Blue Max," seem heavy-handed by comparison.- Variety
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Todd McCarthy
Goes down like stiff medicine, leaving one feeling exhausted relief when it's finally over.- Variety
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Reviewed by
Todd McCarthy
Taking advantage of a splendid cast, a sharply focused script and the fresh English setting, "Gosford Park" emerges as one of the most satisfying of Robert Altman's numerous ensemble pictures.- Variety
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Robert Koehler
Burning with a quiet intensity, Monster's Ball is bolstered by a poetic, intelligent sensibility not seen in an American film since Terrence Malick's "The Thin Red Line."- Variety
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Robert Koehler
Seems to be playing the author's music, but like a string quartet that plays a half-beat off.- Variety
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Todd McCarthy
Just about everything Mann has chosen to present is valid, substantial and convincing, but by the end, the feeling persists that while certain essences have been grasped, only part of the story has been told.- Variety
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Todd McCarthy
A thick slice of bogus inspirational cheese that only makes itself look bad by recycling so many golden movie memories.- Variety
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A time-travel romantic comedy whose best elements -- Meg Ryan and Hugh Jackman -- overcome distracting plot holes, loose threads and assorted contrivances to make for a mostly charming and diverting tale.- Variety
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Todd McCarthy
Consistently engrossing as an unusual character study and as a trip to the mysterious border-crossing between rarified brilliance and madness, this serious-minded but lively film is distinguished by an exceptional performance by Russell Crowe.- Variety
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- Variety
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Reviewed by
Joe Leydon
A genially haphazard but frequently amusing neo-stoner comedy that plays like "Cheech and Chong Go to Animal House."- Variety
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Todd McCarthy
Moppet appeal of the present feature rests in three can't-miss concepts -- cool gadgets, the desire to see grownups disappear and space travel. Pic delivers on all three points and doesn't have to do a whole lot more.- Variety
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Deborah Young
An unsettling piece of filmmaking whose grimly vivid images are guaranteed to give impressionable viewers nightmares.- Variety
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Scott Foundas
Pretty formulaic stuff: bland self-empowerment tinged with warm fuzzies in all the right places. But what makes this "Somebody" something is Pasquin's deft touch and understanding with the material.- Variety
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Todd McCarthy
Looks to please the book's legions of fans with its imaginatively scrupulous rendering of the tome's characters and worlds on the screen, as well as the uninitiated with its uninterrupted flow of incident and spectacle.- Variety
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