For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
This franchise-hungry champion of the underdog brings no sense of fun to his pursuit of bad guys; it's just the fate he's stuck with.- Variety
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Scott Foundas
A debut of enormous craft, surety and resourcefulness -- a superlative, soul-baring non-fiction work that will generate torrential word-of-mouth among auds lucky enough to catch it.- Variety
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- Critic Score
Pictures general subject matter was given a more intimate and graceful treatment in last year's Los Angeles Film Festival entry "Maryam." This comparatively jumbled, unevenly paced item lacks nuance or distinction.- Variety
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Reviewed by
Eddie Cockrell
About as vigorous and intricate as a glossy romantic comedy can get without collapsing under the weight of its own merriment.- Variety
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Joe Leydon
Well-cast relationship comedy-drama is played too broadly in the early going, but gradually settles into a more appealing groove as a glossy date-movie.- Variety
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Derek Elley
A largely dull history lesson…stripped of any backgrounding, peopled with archetypes rather than fully-drawn characters, and features self-consciously arty direction that gets in the way of story-telling.- Variety
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Robert Koehler
This is the kind of movie that was doomed on the page, both by an inherently problematic premise and ill-conceived character motivations.- Variety
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Joe Leydon
A hugely entertaining and more lavishly mounted follow-up to 2000's "Shanghai Noon," the high-concept East-meets-Western that first teamed top-billed duo, pic rides even taller in the saddle as a fleet and funny crowd-pleaser.- Variety
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- Variety
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- Variety
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Reviewed by
Derek Elley
There's no shortage of disaster stories in the history of film production, but none have been recorded with such frankness, immediacy and aching sense of disappointment.- Variety
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- Variety
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Robert Koehler
Suffers from the same rancid dialogue and acting problems as the original but with a much funnier pulse. The real progenitor here is less the previous pic than the sick-funny horror cinema of George Romero.- Variety
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Todd McCarthy
The whole picture may be hokey, but the first part is agreeably so, the second part not. At the very least, one comes away with a new appreciation of the difficulty of inner-office romance at the CIA.- Variety
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Ken Eisner
Well-acted, sharp-looking pic seems more interested in sitcom diversions.- Variety
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Lisa Nesselson
A breathlessly involving tale of urban indifference, rampant hypocrisy and the difference a little human decency can make, superbly played pic is a black comedy that's frequently funny but never frivolous.- Variety
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Joe Leydon
It's an instantly disposable and shamelessly derivative piece of work -- call it petit guignol, and you won't be far off the mark -- but first-time feature helmer Jonathan Liebesman shows a savvy flair for atmospheric visuals.- Variety
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Eddie Cockrell
No-frills talking head docu eschews vintage photos and period footage, rendering visually static pic of greatest interest to history buffs, fests and the tube.- Variety
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David Stratton
Despite fine performances and the care lavished on the production, Amen. is never as emotionally powerful as it should be.- Variety
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David Stratton
This well researched, detailed examination of the life and work of the legendary avant-garde filmmaker, writer and dancer, Maya Deren, should provoke renewed interest in her -- she emerges as a beautiful, willful, wayward talent with an exceptional vision and a great love for life and for the avant-garde world.- Variety
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Joe Leydon
Using archival material and fresh interviews — including testimonials from at least two of his former lovers — Kates and Singer underscore Rustin’s matter-of-fact courage and self-effacing pragmatism.- Variety
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Derek Elley
Pic is an obvious but highly accessible entertainment that manages to josh its subjects without being condescending to either Eastern or Western auds.- Variety
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Eddie Cockrell
It often resembles John Cassavetes' "A Woman Under the Influence," but just as often devolves into a series of bravura acting exercises strung together by an increasingly sketchy narrative theme.- Variety
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Derek Elley
Always imaginative, often arresting, but sometimes just too clever by half.- Variety
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Dennis Harvey
Lacking the knockout lead perfs or more whimsical tone that might have transcended script's dubious logic, pic comes off as a so-so theatrical stunt delivered via the wrong medium.- Variety
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- Variety
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Reviewed by
Joe Leydon
Comes off as a retro reprise of those slam-bang, buddy-buddy action-comedies that proliferated throughout the '80s in the wake of "48 HRS."- Variety
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Joe Leydon
For auds unwilling or unable to grapple with the subtle nuances of "Scooby Doo," Warners now gives us Kangaroo Jack, a shrill and silly farce.- Variety
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David Rooney
The impressive filmmaking craftsmanship and sharp storytelling skills make this two-hour-plus epic fly by.- Variety
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Lisa Nesselson
Succeeds as a universal account of frustration applicable to any urban center where the gap between haves and have-nots is tauntingly visible.- Variety
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