Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
    • 89 Metascore
    • 100 Critic Score
    Balkan probably gives her best performance to date to create a woman tormented by instability, sexual drive and psycho demons -- disjointedly portrayed in the script.
  1. It feels much more like a shameless reshuffle of "The Princess Diaries."
  2. Despite an effectively low-key performance by Billy Bob Thornton in the leading role, pic is no more spiritually insightful or illuminating than Sunday School instructional story, and a lot less dramatically coherent.
  3. Diesel makes a violent bid to align himself with the Clint Eastwood-Charles Bronson-Steve McQueen tradition, but he lacks the charisma, emotional strength and humor to do so.
  4. Though it isn't the entirely original creation "Metropolis" was, Bebop is more satisfying.
  5. A limp-to-wilted film version of Duras' 16-year-long love affair with a young man who became her secretary and literary executor.
  6. Sure, it's all been done before, but seldom with this degree of vigor and panache.
  7. A forceful, affecting experience.
  8. On just about every level -- as a thriller, as a romance and as a character study of a complicated man nearing the end of his professional life -- the film fails, and the meandering, sub-Cassavetes approach is likely to be a turnoff for all but the most indulgent viewers.
  9. More palatable than most pictures of its ilk due to its keen awareness of its own preposterousness, a self-knowledge exuberantly expressed by a mostly live-wire cast.
  10. So beneath the considerable talents of its star, Chris Rock, it's dismaying to note Rock is also the movie's director, producer and co-scenarist. Not unlike Richard Pryor a generation ago, Rock has yet to land a movie vehicle that captures the sparky energy and subversive bent of his excellent stand-up performances.
    • tbd Metascore
    • 80 Critic Score
    Jules Dassin, in his direction, manages extraordinarily interesting backgrounds, realistically filmed to create a feeling both of suspense and mounting menace.
  11. The teasing tale is told with such dispatch it will carry willing audiences along; genre staples of action, macho attitude and corruption through the ranks are delivered intact.
    • 47 Metascore
    • 80 Critic Score
    Jensen helms with assurance and maturity, with rapid but unhectic pacing, plenty of dark humor and deft action sequences that turn cliches from U.S. action-comedies into something very Danish.
  12. Unlikely to draw new fans but destined to please followers who couldn't catch the live act.
  13. As lethargic as the characters it portrays, the film requires greater staying power than many audiences will possess.
  14. Fine new chapter in the long-running franchise should score well with family audiences.
  15. High-octane plunge into pop gangster psychology.
  16. Unaffectedly hip and affably manic, Down & Out With the Dolls picks up where "Singles" left off.
  17. Washout. Lacking the mojo even to be offensive in its stereotypical view of gays and women, this excruciating cocktail of sitcom plotting and gross-out humor makes a clunky cheesefest like "The Love Boat" look like breezy, sophisticated fun.
  18. Silly, childish fun and as relaxing to watch as good American TV fiction -- and with a very similar world view.
  19. Flubs nearly every opportunity to be the comedy it wanted to be.
  20. Overlong and unwieldy grab-bag of vintage monster-movie elements starts intriguingly as a snowbound deep-woods chiller, but gradually dissolves into a mess of other-worldly invasion and military counter-offensive.
  21. Lacking any obvious thematic or emotional arc, compilation pic succeeds as a pure exercise in visual stimulus, its narcotic effect much amplified by Michael Gordon's thunderous, dissonant orchestral score.
  22. Its powerfully visual storytelling delivers great rewards as the meditative drama moves into increasingly complex, at times confrontational territory.
  23. Thoughtful, melancholy drama.
  24. Strictly for the birds.
  25. A golden opportunity to witness the "unplugged," after-hours George W. Bush at his most congenial. "George" offers a portrait of a gregariously charming and self-mocking fellow who's perfectly at ease in his own skin, and who's no less slick and savvy a politician for being willing to make himself the butt of jokes.
  26. Routine, superficial manhunt stuff.
  27. As a spy pic, it has more pizzazz than the last few Bond adventures, "The Sum of All Fears" or "The Recruit."

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