For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Todd McCarthy
Warm and borderline sentimental...also brimming with true and privileged moments, as well as an optimism in the face of tough circumstances that serves as a corrective to some of the more fashionably grim modern accounts of similar stories.- Variety
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Dennis Harvey
First-rate talent and a uniquely dyspeptic mood separate this effort from more routine, populist stabs at tasteless yukkage.- Variety
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David Stratton
Not exactly a police corruption thriller, the film is more a study of innocence betrayed, though its insights into Argentine law enforcement are pretty scary.- Variety
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Leonard Klady
The ability not to see the obvious in both a literal and a metaphoric sense imbues the indie feature Blindness with dramatic potency.- Variety
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David Rooney
Despite its crude, willfully naive style, this comedy of transgression, judgment and revenge becomes steadily more appealing as it progresses.- Variety
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Robert Koehler
Hobbled by uninspired stabs at cleverness and surreal narrative curlicues, The Big Empty goes nowhere, replete with a question mark of an ending that isn't worth answering.- Variety
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Derek Elley
High on charm but extremely low on content, Blue Gate Crossing is a half-hour short stretched to feature length.- Variety
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David Rooney
Ambitiously structured in non-chronological fragments that form a fascinating puzzle, this raw drama about grief, guilt and redemption becomes ultimately overextended and overwrought in its final stretch.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
A full-bodied, funny and gloriously unpretentious ode to family, friendship and the meaning of life, The Barbarian Invasions is solidly entertaining, sharply written and genuinely touching.- Variety
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Reviewed by
Todd McCarthy
Attractively designed, energetically performed and, above all, blessedly concise, this adaptation of one of the most popular American kids' books of all time walks the safe side of surrealism with its fur-flying shenanigans. The younger the viewers, the better reactions are bound to be.- Variety
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Dennis Harvey
An earnest drama that's never quite as raw or moving as it means to be.- Variety
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Ronnie Scheib
Dismally unfunny cross-cultural farce posits stupidity as the universal language.- Variety
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Todd McCarthy
Ron Howard has never before made a picture this raw and alive. At the same time, this tale of the desperate pursuit of the kidnappers of young women makes for a fundamentally grim and unpleasant experience.- Variety
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Derek Elley
Attempts to meld reality and artifice but to uninspiring results.- Variety
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Dennis Harvey
Provides scant entertainment value, intentional or otherwise.- Variety
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- Critic Score
A hybrid musical romantic fantasy, lavishing giddy heights of visual imagination and technical brilliance onto a wafer-thin story of true love turned sour, then sweet. (review of original release)- Variety
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Todd McCarthy
Dramatically powerful, surprising in its strong narrative differences from previous cinematic tellings of "the greatest story" and bold in the extent to which it presents Jesus as a confrontational and threatening figure in the Judean context of the time.- Variety
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Dennis Harvey
Lazin has without question skillfully assembled an entertaining, strongly narrative nonfiction package.- Variety
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Brian Lowry
A not-inventive-enough romp that belches out gags at a rapid-fire clip but connects so sporadically as to leave the audience enervated but only sparingly entertained.- Variety
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Federico Fellini, long a scripter, in his second feature film satirizes the 'wastrels', the do-nothing sons of middle-class Italian provincials whose life ranges from schoolroom to poolroom.- Variety
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Reviewed by
Todd McCarthy
Rare proof that a gigantic production in contemporary Hollywood can possess a distinctive personality and its own approach to storytelling, Master and Commander: The Far Side of the World proves as bracing as a stiff wind on the open sea.- Variety
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Ronnie Scheib
A low-budget musical so steeped in nostalgia that accusing it of being too old-fashioned is like accusing "Gone With the Wind" of being too Southern, (Standard Time-as this film was once titled) wears its heart, intentions and limitations on its sleeve.- Variety
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Derek Elley
A true original…Beautifully shot, full of droll humor and at 77 minutes never overstaying its welcome.- Variety
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Dennis Harvey
Pic's air of connoisseurist homage overwhelms a haphazard screenplay and characters who are hard to warm up to.- Variety
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Deborah Young
Like characters out of some Carnival hell, a macho butcher and his born-again wife, a forlorn barmaid, a sinister sadist and the gay manager of a flophouse called the Hotel Texas run in and out of each other's lives in a film as sloppy, sluttish, scruffy and vital as they are.- Variety
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David Rooney
This fascinating portrait of an eccentric visionary and his chaotic triple family life is an accomplished, enormously satisfying non-fiction work.- Variety
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Ronnie Scheib
Extending skit comedy into full-length form is a tricky and, despite lots of snappy acerbic wordplay and inspired zany moments, pic works only intermittently.- Variety
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David Rooney
Delves far more deeply into grisly physical manifestation than psychological motivation, making it seem something of an actorish vanity piece. But the drama is directed with arresting spareness and control.- Variety
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Scott Foundas
Torpid, academic vanity project for helmer-thesp Rodolphe Marconi.- Variety
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