Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. A solidly entertaining, cross-generational two-hander, The Butterfly strikes the right balance between humor and observational bite.
  2. An appealing female cast gives the hollowly formulaic Mona Lisa Smile more dignity than it perhaps deserves, yet it's Julia Roberts in an ill-suited starring role that represents one of the film's chief shortcomings.
  3. A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.
  4. Although amusing as often as not, the material remains more comedy-sketch fodder than a fully developed feature.
  5. Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.
  6. Made with deft evenhandedness, Paul Devlin's accomplished film plays almost like a fictional drama, containing suspense, comedy and some colorful characters.
  7. Spanish writer-director Cesc Gay and Argentine co-director Daniel Gimelberg cook up one or two agreeably tart episodes in this uneven pic, but ultimately, it plays like "Four Rooms" without a budget.
  8. AKA
    Always watchable yet ultimately self-defeating in terms of its tonal/aesthetic choices.
  9. Lackluster pic fails both as suspense and as character study.
  10. An important and smoothly mounted meditation on moral choices within the entertainment biz.
  11. Stuffed with attitude but just as hackneyed as the original, Love Don't Cost a Thing brings a year of exceptionally lame youth comedies to a fitting conclusion.
  12. A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.
  13. Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.
  14. An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.
  15. The imaginatively illustrated but precariously precious film offers up a string of minor pleasures but never becomes more than moderately amusing or involving.
  16. Ensemble proves improvisationally capable, but film overall is rather conventional, a Hollywood idea of an experimental film presented with a heavy serving of showbiz-type cynicism.
  17. Unshaven and twinkling-eyed, Sharif is professionally light and entertaining in the title role.
  18. By turns disarmingly amusing and dramatically blunt.
  19. With less than five minutes of screen time but with more humor and sassy attitude than the remaining cast combined, Missy Elliott separates hip-hop royalty from riff raff in the otherwise lackluster Honey.
  20. As rich in period and historical background as it is deficient in fresh dramatic and thematic ideas.
  21. Timely and thought-provoking, if a bit rambling.
  22. The pluses outweigh the minuses: Pic is thought-provoking, visuals are spot-on, and the heavy-duty cast pulls the film round even in its wobblier moments.
  23. An engrossingly detailed if perhaps inevitably enigmatic portrait of the elusive, outrageous provocateur.
  24. One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.
  25. Fascinating assemblage combines strike footage first shot in 1979 by Perry when he was working for the Texas Farm Workers Union with film and video lensed over the ensuing 20-plus years.
  26. Another slam-dunk from vet producer Yash Johar.
  27. Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure.
  28. Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.
  29. Mansion's drab comic strokes and narrative render the movie almost superfluous.
  30. Almost completely dialogue-free but graced with terrific sound design and a swell score.

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