For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Nesselson
A solidly entertaining, cross-generational two-hander, The Butterfly strikes the right balance between humor and observational bite.- Variety
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Reviewed by
David Rooney
An appealing female cast gives the hollowly formulaic Mona Lisa Smile more dignity than it perhaps deserves, yet it's Julia Roberts in an ill-suited starring role that represents one of the film's chief shortcomings.- Variety
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Reviewed by
Todd McCarthy
A faithful, powerful and superbly acted adaptation of Andre Dubus III's international bestseller.- Variety
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Reviewed by
David Rooney
Although amusing as often as not, the material remains more comedy-sketch fodder than a fully developed feature.- Variety
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Reviewed by
Todd McCarthy
Represents that filmmaking rarity -- a third part of a trilogy that is decisively the best of the lot. With epic conflict, staggering battles, striking landscapes and effects, and resolved character arcs all leading to a dramatic conclusion to more than nine hours of masterful storytelling.- Variety
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Reviewed by
David Stratton
Made with deft evenhandedness, Paul Devlin's accomplished film plays almost like a fictional drama, containing suspense, comedy and some colorful characters.- Variety
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Reviewed by
David Rooney
Spanish writer-director Cesc Gay and Argentine co-director Daniel Gimelberg cook up one or two agreeably tart episodes in this uneven pic, but ultimately, it plays like "Four Rooms" without a budget.- Variety
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Reviewed by
Dennis Harvey
Always watchable yet ultimately self-defeating in terms of its tonal/aesthetic choices.- Variety
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Reviewed by
Scott Foundas
Lackluster pic fails both as suspense and as character study.- Variety
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Reviewed by
Ken Eisner
An important and smoothly mounted meditation on moral choices within the entertainment biz.- Variety
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Robert Koehler
Stuffed with attitude but just as hackneyed as the original, Love Don't Cost a Thing brings a year of exceptionally lame youth comedies to a fitting conclusion.- Variety
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Reviewed by
David Rooney
A one-joke affair about conjoined twins that feels like it bypassed the scripting stage and was filmed directly from the pitch, the comedy remains resoundingly unfunny.- Variety
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Reviewed by
Scott Foundas
Jokes about impotence, menopause and other middle-aged maladies reside where a screenplay ought to live.- Variety
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Reviewed by
Todd McCarthy
An intelligent, visually ravishing adaptation of Tracy Chevalier's best-selling novel.- Variety
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Reviewed by
Todd McCarthy
The imaginatively illustrated but precariously precious film offers up a string of minor pleasures but never becomes more than moderately amusing or involving.- Variety
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Reviewed by
Robert Koehler
Ensemble proves improvisationally capable, but film overall is rather conventional, a Hollywood idea of an experimental film presented with a heavy serving of showbiz-type cynicism.- Variety
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Reviewed by
Deborah Young
Unshaven and twinkling-eyed, Sharif is professionally light and entertaining in the title role.- Variety
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- Variety
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Reviewed by
David Rooney
With less than five minutes of screen time but with more humor and sassy attitude than the remaining cast combined, Missy Elliott separates hip-hop royalty from riff raff in the otherwise lackluster Honey.- Variety
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Reviewed by
Todd McCarthy
As rich in period and historical background as it is deficient in fresh dramatic and thematic ideas.- Variety
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Reviewed by
Deborah Young
Timely and thought-provoking, if a bit rambling.- Variety
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Reviewed by
Jonathan Holland
The pluses outweigh the minuses: Pic is thought-provoking, visuals are spot-on, and the heavy-duty cast pulls the film round even in its wobblier moments.- Variety
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Reviewed by
David Rooney
An engrossingly detailed if perhaps inevitably enigmatic portrait of the elusive, outrageous provocateur.- Variety
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Reviewed by
Joe Leydon
One leaves My Flesh and Blood with admiration for the lenser's craftsmanship, and for her ability to remain an unobtrusive observer during moments of extreme emotional turmoil.- Variety
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Robert Koehler
Fascinating assemblage combines strike footage first shot in 1979 by Perry when he was working for the Texas Farm Workers Union with film and video lensed over the ensuing 20-plus years.- Variety
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- Variety
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Reviewed by
Robert Koehler
Lacks the consistent tone, pace and point of view for either a science fiction thriller or medieval war adventure.- Variety
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Reviewed by
Todd McCarthy
Wayne Kramer's sexy and often humorous feature directorial debut surrounds its sweet center with the energy, flash and risk of the gambling capital. Sterling performances by William H. Macy and Maria Bello as the long-shot lovers and Alec Baldwin as a temperamental casino operator.- Variety
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Reviewed by
Robert Koehler
Mansion's drab comic strokes and narrative render the movie almost superfluous.- Variety
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Reviewed by
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Reviewed by
Lisa Nesselson
Almost completely dialogue-free but graced with terrific sound design and a swell score.- Variety
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