For 17,779 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,134 out of 17779
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Mixed: 7,009 out of 17779
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Negative: 1,636 out of 17779
17779
movie
reviews
- By Date
- By Critic Score
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- Critic Score
The docu, serving up interesting insights into the unique restaurant culture of NYC, should prove appetizing in urban venues.- Variety
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Reviewed by
Robert Koehler
A warm embrace of broadly but humanely sketched characters plus some scrappy casting of rising young stars led by an incandescent Kate Bosworth help overcome the half-realized comedic situations.- Variety
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Todd McCarthy
Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.- Variety
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Todd McCarthy
This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.- Variety
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- Critic Score
While the whole may be less than the sum of its parts, those parts are individually commendable. Shalhoub has an eye for composition and a strong sense of pacing.- Variety
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- Variety
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Joe Leydon
A doggone hilarious cartoon extravaganza...virtually bursts at the seams with a supersized abundance of witty wordplay, silly songs and inspired sight gags.- Variety
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Joe Leydon
A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.- Variety
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David Rooney
Dowd's graciousness and enthusiasm, and the enormous respect afforded him by industryites on record here, make this a thorough and satisfying acknowledgement of one man's unique contribution to popular music.- Variety
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David Stratton
Think of an Anthony Mann Western made by an experimental film director and you get an indication of the challenging components of The Tracker, the story of a manhunt that is politically sensitive because of its depiction of atrocities perpetrated on aboriginals by a fanatical white cop.- Variety
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Robert Koehler
Writer-director John Hamburg does everything he can to pair up Ben Stiller's stiff, safety-first corporate man with Jennifer Aniston's free spirit in Along Came Polly, but the two are so fundamentally incompatible that story loses credibility long before the gags stop coming.- Variety
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Ken Eisner
With its masterful grasp of comedy, pathos, social commentary and mystical weirdness, Tokyo Godfathers takes anime to a whole new level.- Variety
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Dennis Harvey
Isn't an embarrassment. Rather, it's an acceptably executed, thoroughly routine time-killer.- Variety
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Ronnie Scheib
It's the interviews with Aileen herself that steal the show as she insists her mind is being controlled by radio waves -- her Mad Hatter personality beyond the scope of Broomfield's disingenuous tone to interpret.- Variety
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Scott Foundas
Inoffensive adolescent escapism laced with surprising amounts of genuine charm.- Variety
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- Critic Score
It's a dedicated effort with importance as a 'document.' (Review of original release)- Variety
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Reviewed by
Lisa Nesselson
Companion piece to Teboul's "Yves Saint Laurent -- Time Regained" nicely complements that excellent film but is less riveting as a free-standing experience.- Variety
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Lisa Nesselson
There's plenty for both the eyes and intellect to groove over in Secret Things, a taut, juicy, low-key feast of sexual and office politics filtered through helmer Jean-Claude Brisseau's customary blend of expedient formality and all-stops-out baroque behavior.- Variety
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Derek Elley
A slow, empty, over-mannered snoozer that shows Taiwanese helmer Hou Hsiao-hsien asleep at the wheel.- Variety
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David Stratton
Develops into a powerfully emotional experience thanks to a career-best performance by Toni Collette.- Variety
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Todd McCarthy
Robert Altman takes an elegant, appealingly unemphatic look at the world of ballet.- Variety
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Robert Koehler
Uninspired star turns from Ben Affleck and Uma Thurman suggest something less than full belief in this quickly forgettable thriller.- Variety
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Ken Eisner
A visually opulent but dramatically undernourished prequel to the 1979 hit of almost the same name.- Variety
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Todd McCarthy
A grim picaresque odyssey across a beautiful scarred landscape laced together by private romantic longing. Handsomely made and vividly acted.- Variety
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Robert Koehler
Unfortunately knows no tone between schmaltzy/gooey and slapstick/gross-out. Pic is as far from the original pic and its autobiographical memoir source as it can be while retaining the same title.- Variety
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Todd McCarthy
Handsome, respectable and well cast, elaborate production lacks the excitement and magic that would elevate the film to beloved status, and sheer abundance of CGI work weighs on it too heavily.- Variety
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David Rooney
Gritty and compelling as Monster is, the script's not entirely satisfying elaboration of the central relationship and Ricci's somewhat ungiving performance limit the material to that of a superior telemovie rather than something emotionally richer, like "Boys Don't Cry."- Variety
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Lisa Nesselson
The daunting logistics and emotional juggling act of child custody and visitation rights post-divorce are examined via spot-on acting and deft helming in docu-styled Children of Love.- Variety
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Derek Elley
Though the film is never dull, and playing by the cast is spirited, it's actually a surprisingly gentle movie, with no big "Full Monty"-like finale to send auds buzzing into the street.- Variety
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Todd McCarthy
Errol Morris delivers a compelling, thoughtful and entirely involving documentary in The Fog of War.- Variety
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