Variety's Scores

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For 17,771 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,130 out of 17771
  2. Mixed: 7,005 out of 17771
  3. Negative: 1,636 out of 17771
17771 movie reviews
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  1. You Are So Not Invited to My Bat Mitzvah!
    Director Sammi Cohen and screenwriter Alison Peck bestow this hilarious, heartrending adaptation of Fiona Rosenbloom’s novel with an uplifting, effervescent vision and vitality, giving voice to a young Jewish girl’s struggle to figure out who she is before the most important night of her life so far.
  2. birth/rebirth
    Laura Moss’ superbly performed, enjoyably queasy Birth/Rebirth proves just how well the classic tale of scientific hubris and the desire to conquer death maps onto a gory maternity morality play, reanimating the truism that there’s little more (un)deadly than a mother’s love.
  3. Back on the Strip
    Despite wall-to-wall narration by Haddish (at her most raunchy), the movie does a clumsy job of telling a not-very-complicated story. Then again, this lean team effort is Sanders’ directorial debut, and he gets the laughs.
  4. Peter Case: A Million Miles Away
    Watching this film satisfying tie up Case’s loose ends, you can still lament the lost promise of the Plimsouls, or wonder what might’ve happened with a more copacetic label/artist relationship.
  5. Strays
    Strays balances human expectations and lost-in-translation animal experiences for a smart, suitably raunchy adventure that should resonate even if you don’t have a furry friend waiting at home for you afterward.
  6. Love in Taipei
    The story’s core strengths are undervalued in the translation from book to screen.
  7. Blue Beetle
    Maridueña, playing Hollywood’s first Latino superhero, proves an appealing star. And the novelty of casting a comic-book blockbuster with a mostly unknown crew of vibrant Latino actors finds its emotional grounding in Jaime’s family.
  8. Heart of Stone
    What makes Heart of Stone such an enervating experience isn’t that it’s incompetent but that nothing in it matters. It’s all bombast and noise, all hollow logistics, all virtual “Minority Report” screens and clattering fury signifying nothing. In other words: Time to start planning the sequel.
  9. The Last Voyage of the Demeter
    That’s the most poetic thing in the movie. The rest of the time, The Last Voyage of the Demeter is too explicit, too dawdling yet rapid-fire, too much like other horror films.
  10. Gran Turismo
    There’s an innocence to this one, and a surprise authenticity. It’s like a “Fast and Furious” movie made without cynicism, and it gets to you.
  11. Meg 2: The Trench
    The Meg 2 is numbingly formulaic, promiscuously derivative and, for a few stretches (like the over-the-top third act), diverting in its very shamelessness. It is, in other words, all an August movie really needs to be. But there’s a way that the line between August movies and movies, period, is growing thinner every day.
  12. The Beasts
    The film’s big scene is upsetting and unforgettable, one of those movie moments you can’t unsee and which seems destined to haunt you for years to come.
  13. Teenage Mutant Ninja Turtles: Mutant Mayhem
    The movie’s mostly just meant to be fun, and that it is, skewing young while giving lifelong fans (including those who grew up on the Turtles) plenty to geek out about.
  14. Happiness for Beginners
    Well-behaved to a fault, Happiness for Beginners is sweet but a little tentative.
  15. Medusa Deluxe
    This kinetic if not-quite-novel presentation doesn’t entirely patch over the weaknesses of Hardiman’s script, with its exhausting whirl of characters more colorful than they are shaded, and plotting that eventually runs out of compelling diversions from the matter at hand.
  16. Haunted Mansion
    While the visual effects are surprisingly weak for a film of this scale, the script (from “Ghostbusters” writer Katie Dippold) proves far better than anyone might expect, establishing an emotional foundation for what might otherwise be a gimmick-driven haunted house movie.
  17. Our Body
    Simon’s nonjudgmental, empathetic curiosity is the film’s great strength. But it’s also shocking that still now, in 2023, it can be such a revelation, as women, to see “Our Body” portrayed without sexualization and without stigmatization — without, in a word, shame.
  18. Sympathy for the Devil
    The tension that should fire up this joint throughout never quite catches hold, because there are never any tangible stakes. These characters and their crisis remain just a premise, too incompletely worked out to either generate urgent suspense or enter the realm of surreal fantasia as Cage did in a long-ago road nightmare, “Wild at Heart.”
  19. Corner Office
    Like head-in-the-clouds Orson, Back’s debut feature imagines more for itself than others can see, though only the latter has earned a shot at another job.
  20. Return to Dust
    A later-life love story of the gentlest kind, Li Ruijun’s Return to Dust is an absorbing, beautifully framed drama that makes a virtue — possibly too much a virtue — of simplicity.
  21. The Beanie Bubble
    Tonally, the movie walks a tricky line between easy-target satire and female-empowering corporate case study, falling into the overcrowded junk-culture nostalgia-porn category so recently represented by “Tetris,” “Air,” “BlackBerry” and “Flamin’ Hot.”
  22. Stephen Curry: Underrated
    With enough fresh stories to keep basketball fanatics engaged and a coda that every soccer mom will appreciate, this is a film that’s worthy of its subject.
  23. Cobweb
    Director Samuel Bodin’s first theatrical feature is atmospheric, and departs from stock slasher conventions just enough to make for an entertaining if unexceptional scarefest.
  24. Oppenheimer
    Even when "Oppenheimer” settles down into a more realistic, less phantasmagorical groove (which it does fairly quickly), it remains every inch a Nolan film. You feel that in the heady, dense, dizzying way it slices and dices chronology, psychodrama, scientific inquiry, political backstabbing, and history written with lightning.
  25. Barbie
    By showing a sense of humor about the brand’s past stumbles, it gives us permission to challenge what Barbie represents — not at all what you’d expect from a feature-length toy commercial.
  26. Mutt
    While Feña’s journey may contain some contrivances, the way this young man adapts to each predicament feels authentic and emotionally potent. That’s a testament to Lungulov-Klot, who succeeds in placing vivid characters in slightly heighted situations — amplifying our connection in the process — without sacrificing the sense of realism that makes “Mutt” so relatable.
  27. Fremont
    In its final moments, the potency of Fremont sneaks up on you. You go in reluctant and even skeptical, and come out wondering how and why you’re moved to tears.
  28. Pretty Problems
    The result is a fresh mix of social satire and relationship dissection with a saving dollop of heart.
    • 83 Metascore
    • 90 Critic Score
    Have You Got It Yet? The Story of Syd Barrett and Pink Floyd
    It’s not just the thoroughness but the intimacy of the interviews that gives this film its definitiveness.
  30. The Miracle Club
    The movie’s nothing special, but it’s worth checking out just for the cast.
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