Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Love’s commentary on modern relations may be more complex and chewy than just “live and let live,” but the film’s calm embrace of whatever works for the individual is refreshingly humane, rhetorically exciting and more than a little hot.
  2. Without undue contrivance or melodrama, Er Gorbach overlaps escalating marital tension with the larger war closing in on the couple to claustrophobic life-or-death effect, building to a finale of staggering savagery.
    • 83 Metascore
    • 60 Critic Score
    Dramatic episodes are vividly etched, without benefit of lightness. It’s heavy fare throughout.
  3. Offering further proof that the latest 3D technology is good for a lot more than just lunging knives and fantastical storylines, Wim Wenders' dance docu Pina reps multidimensional entertainment that will send culture vultures swooning.
  4. The film wrings an almost bizarre amount of political, humanistic and spiritual substance out of this limited frame. Kendall’s eye for untold stories, as well as his instinct for catching evocatively framed images on the fly, mark him as a name to watch.
  5. This small, tough film provides no easy solutions.
    • 83 Metascore
    • 90 Critic Score
    Distinguished by superb ensemble acting, intelligent writing and stunning design.
    • Variety
  6. In attempting to make his first film for all ages, Martin Scorsese has fashioned one for the ages. Simultaneously classical and modern, populist but also unapologetically personal, Hugo flagrantly defies the mind-numbing quality of most contempo kidpics.
  7. As always, Techine is excellent at exploring “tiny” personal flashes that assume larger meaning when placed against the broader historical context.
  8. Phil Lord and Christopher Miller irreverently deconstruct the state of the modern blockbuster and deliver a smarter, more satisfying experience in its place, emerging with a fresh franchise for others to build upon.
  9. Though the movie sounds irredeemably depressing on paper, there’s a real warmth to the central relationship that lifts “Ladybird” above similar-sounding exercises in Brit self-loathing.
    • 83 Metascore
    • 100 Critic Score
    Pitch-perfect, terrifically written.
  10. The picture is single-mindedly devoted to pushing the audience's buttons, and who better than Raimi to do the honors?
  11. Taxidermia sets a benchmark for body horror in the cinema.
  12. This slow but brilliantly sustained journey into madness is fronted by a remarkable performance from Ralph Fiennes and superb backup from Miranda Richardson in a triple role.
    • 83 Metascore
    • 70 Critic Score
    Woody Allen uses New York City as a backdrop for the familiar story of the successful but neurotic urban over-achievers whose relationships always seem to end prematurely. The film is just as much about how wonderful a place the city is to live in as it is about the elusive search for love.
  13. An agreeably meandering exercise that brings some clever French New Wave fillips and structural repetitions to Hong's characteristically boozy party. Rougher but more approachable than his previous "Oki's Movie."
  14. The film’s turn toward the tragic is hardly untelegraphed, but its emotional blows still land with crushing precision.
  15. [A] deft assemblage of homemovies, work tapes and interviews is further invigorated by 1980s interviews with Pomus and a dynamite soundtrack of his rock ‘n’ roll perennials.
  16. What emerges, finally, is a film that gives an urgent, original voice to a people too frequently marginalized in both movies and society at large.
  17. Wohlatz’s sensitivity to language, the way it’s used and how the ability to express oneself literally changes the manner in which we deal with the world around us, is subtly yet rigorously demonstrated, not just with the words and tenses themselves but how they’re spoken.
  18. The engaging and defiantly hand-crafted, offbeat experiment Bait may be black and white, but its insights, thankfully, come in subtly graded shades of gray.
  19. It may not be wholly successful, but it certainly is bleakly fascinating to witness a master filmmaker paint so subtle and soothing a portrait of humanity, only to finally, bitterly remind us that there is no soothing nature – human or otherwise – when there’s a bullet in its belly.
  20. With Crossing, writer-director Levan Akin wants to open our eyes to the easily overlooked.
  21. So, is it all just high-concept pornography? Well, yes and no. The majority of the runtime consists of sex scenes, but they are punctuated with slogans which flash onscreen during and after the action, almost like demonstration placards at a march in support of sexual and political liberation.
  22. The Friend’s House Is Here is defined not by the many constraints that it battled during its production, but by the artistic vision of the resulting work.
  23. This first documentary directed by Ethan Hawke happily sidesteps any vanity-project pitfalls, granting full expression to Bernstein’s wise and witty commentary on a craft that he’s spent decades honing — as well as the proper application of that craft when the demands of art are often outweighed by the pressures of commerce.
  24. A treat, a delicious blend of perversity, playfulness and deadly passion concealed beneath the tranquil, moneyed surface of the Swiss bougeoisie.
  25. Certain moments in the film resemble nothing so much as attending a school reunion, being buttonholed by an old acquaintance and shown snapshots of the grandkids. A complacently conservative acceptance sometimes seems to blanket all of 56 Up, as if maturity entails a serene blessing of the status quo.
    • 83 Metascore
    • 80 Critic Score
    Distinguished by intelligence, wit and violence but is lightly wounded by some ill-fitting moments.

Top Trailers