Variety's Scores

For 17,779 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17779 movie reviews
  1. It’s like “The Sopranos,” as seen through Meadow’s eyes. And though we’re all familiar with the lesson that the cost of vengeance is a never-ending circle of violence, Colonna’s retelling lands like a bullet in the head.
  2. Familiar in its general trajectory, but unusually raw and ragged in its emotional architecture, Mond’s fraught portrait of a mother and son in crisis sports a pair of knockout performances by Cynthia Nixon and “Girls” alumnus Christopher Abbott.
  3. It Follows is remarkably effective for most of its running time, ratcheting up the tension, then stinging the audience periodically with one of those jolts that sends everyone levitating a couple inches above their seats. But the excitement wears off after a point.
  4. The beauty of the documentary is that Mitchell invites the audience to share in the transformational quality — the life force — that he experienced in Black cinema.
  5. That uncommon and all-too-welcome gift — like some kind of fragile wildflower, emerging tentatively through cracks in the concrete: a film about kindness.
  6. More akin to European art films than to American indies, “Palace” prioritizes mood over plot. Tsang allows her experienced actors plenty of breathing space to convey the melancholy of their existence in situations where dreams are more likely to be deferred than to come true, but are necessary nevertheless.
  7. Portraying a cutthroat business in which little is “fair,” Don’t Think Twice acknowledges the bloodshed, but applies the razor with enough empathetic delicacy to earn its cautiously upbeat fade.
  8. Kuosmanen’s unassuming yet immaculate command of tone and form here would impress at any stage of his career, but it’s entirely remarkable in a first feature.
  9. Both sharp and fleet, Sweeney Todd: The Demon Barber of Fleet Street proves a satisfying screen version of Stephen Sondheim’s landmark 1979 theatrical musical.
    • 83 Metascore
    • 90 Critic Score
    Firsttime teaming of Cary Grant and Audrey Hepburn, a natural, gives the sophisticated romantic caper an international appeal, plus the selling points of adventure, suspense and suberb comedy.
  10. Sweet Dreams finds and sustains a delicate balance, seizing on small moments of hope in a place where the horrors of 1994 are in many ways still an open wound.
  11. If the hero’s dire situation is a ticking clock, Lojkine’s intelligent and empathetic film places us right alongside him, with each cog of circumstance and each gear of good fortune grinding against him at every turn.
    • 83 Metascore
    • 80 Critic Score
    The charm of this fascinating Toho production, stylishly directed by Akira Kurosawa, is the personality of the hero, powerfully played by Toshiro Mifune.
  12. In the Summers is the type of personal, confidently executed first outing that should hopefully put the filmmaker on an auspicious track to produce other keenly humanist work.
  13. Managing to be both extremely rational and extremely humane, the film works so well thanks to an intelligent, superbly understated script and a feel for naturalism that extends beyond mere performance.
    • 83 Metascore
    • 80 Critic Score
    Stewart brings real flavor and appeal to the role of Lin, in a lean, concentrated portrayal.
  14. This ingeniously executed study in cinematic minimalism has depth, beauty and poise.
  15. An aptly intense and innovative study of pioneering rock poet Nick Cave, 20,000 Days on Earth playfully disguises itself as fiction while more than fulfilling the requirements of a biographical documentary.
  16. This occasionally transcendent opus finds Diaz’s formal powers — not least his own incisive monochrome lensing — at full strength.
  17. Inshallah a Boy moves like a sleek thriller, but is full of the unsolved mysteries and dangling question marks of real life.
  18. Beautifully detailed and deftly structured, every scene in The Apostle logically leads to the next one, each elaborating on the central theme of religious redemption.
  19. RRR
    The movie is such an irresistible and intoxicating celebration of cinematic excess that even after 187 minutes (including intermission or, as the title card announces, “InteRRRval”), you are left exhilarated, not exhausted.
  20. Brandishes the sort of intelligent wit and bracing nastiness that will make it more appealing to discerning adults than to teens who just want to have fun.
  21. Deconstructs time and space with Einstein-caliber dexterity in the service of a delectably disturbing tale of revenge.
  22. With his “Rocky” spinoff, Creed, writer-director Ryan Coogler confirms every bit of promise he displayed in his 2013 debut, “Fruitvale Station,” offering a smart, kinetic, exhilaratingly well-crafted piece of mainstream filmmaking, and providing actor Michael B. Jordan with yet another substantial stepping stone on his climb to stardom.
  23. A powerful, slow-burning portrait of human fallibility.
  24. A movie for the age, and a keeper for the ages, Pride & Prejudice brings Jane Austen's best-loved novel to vivid, widescreen life, as well as making an undisputed star of 20-year-old Keira Knightley.
    • 82 Metascore
    • 90 Critic Score
    In the journey from stage to screen this chapter from the life of Franklin Delano Roosevelt loses none of its poignant and inspirational qualities, none of its humor and pathos.
  25. Quietly intelligent and respectable.
  26. The film pulls no punches, takes no prisoners and flies in the face of feel-good pictures.

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