Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. This complex, compassionate film finds both wicked humor and, less expectedly, transcendent hope in America’s gaudy fixation with Christmas spirit.
  2. What the film lacks in context it gains in visceral eyewitness value.
  3. Pray deftly maintains the integrity and momentum of his story’s various strands while moving backward and forward in time, and from one discreet subtopic to another, his segues as unpredictable as they are imperceptible.
  4. Anchored by a fine and flinty performance from Mia Wasikowska, director John Curran’s gorgeously rendered adventure saga succeeds not only in capturing the harshness and wild beauty of Davidson’s journey, but also in mapping a delicate interior pathway into the heart of this most atypical explorer.
  5. What’s remarkable about Scott’s genuinely imposing Old Testament psychodrama is the degree to which he succeeds in conjuring a mighty and momentous spectacle — one that, for sheer astonishment, rivals any of the lavish visions of ancient times the director has given us — while turning his own skepticism into a potent source of moral and dramatic conflict.
  6. With Boyhood, Linklater has created an uncanny time capsule, inviting auds to relive their own upbringing through a series of artificial memories pressed like flowers between the pages of a family photo album.
  7. Now and then, Winterbottom nudges the movie in the direction of narrative... But even when it’s just ambling about, The Trip to Italy casts a warm, enveloping spell.
  8. “Maps” is the most overtly comedic screenplay Cronenberg has ever directed, but he hasn’t tailored his lensing or editing style to fit. The laughs come anyway.
  9. Binoche leaves audiences with the same exhilarating feeling here — of having witnessed something precious and rare — answering the challenge of Assayas’ script by revealing a character incredibly closer to her soul.
  10. The Internet’s Own Boy is a beautifully crafted film that opens a window on a world not everyone has entered yet, and exposes ways in which both the legal system and the U.S. government is lagging hopelessly behind technology.
  11. Blending smart fantasy elements, broad comedy, tender romance and an atypically slow-burning apocalypse, the directorial debut of “I Heart Huckabees” co-writer Jeff Baena is charming, thoughtful and laugh-out-loud funny.
  12. Love Is Strange never feels anything less than authentic, like a true story shared by close friends.
  13. The movie absolutely delivers on the sheer moment-to-moment pleasures fans have come to expect, from dynamite dialogue to powder-keg confrontations.
  14. It’s a familiar tale, but one told by Perry with immense filmmaking verve and novelistic flourish, and acted by an exceptional ensemble cast.
  15. At every turn, we can sense what’s going on behind Kumiko’s doleful, downcast eyes; Kikuchi pulls us deeply into her world.
  16. With remarkable warmth and immediacy, Green and co-scripter Keogan have managed to capture the beauty of an obviously flawed family, one neither too perfect nor too demographically balanced to ring true, and imbue it with a sense of plenitude that seems to flow as much from the sun-drenched land itself as from the quirkily particular personalities involved.
  17. Lensed with a complete absence of frills that perfectly suits its honest, unvarnished tone, The Overnighters presents an indelible snapshot of a despairing moment in American history, as men abandon homes, families and dreams to stake their claim in an ever-shrinking land of opportunity.
  18. For all the obvious pleasure Vogt takes in bending and splintering the surface reality of the film, all his formal strategies issue directly from Inrgid and her fragile, profoundly human psyche.
  19. '71
    A vivid, shivery survival thriller that turns the red-brick residential streets of Belfast into a war zone of unconscionable peril.
  20. Equal parts suspenseful road movie, persuasively detailed period drama and emotionally resonant coming-of-age story, The Retrieval is an outstanding example of regional indie filmmaking accomplished with limited resources and an abundance of skill.
  21. Despite the staggering range of material Watermark manages to present — Burtynsky’s five-year undertaking is certainly the most encompassing survey any one artist has ever dedicated to the subject — it’s still just the tip of the metaphorical iceberg.
  22. Beneath the Harvest Sky offers a heartbreakingly authentic, vividly realized account of adolescent frustration and yearning.
  23. Consistently fascinating and suspenseful.
  24. Boasting spectacular performances from Duplass and Elisabeth Moss as a husband and wife on the brink of separation, this incredibly assured directorial debut of Charlie McDowell essentially turns the idea of a two-hander upside down and inside out.
  25. The power of performing arts to restore hope to damaged young lives is marvelously captured in Still I Strive.
  26. What Zemeckis delivers here is an entirely different brand of spectacle from that which audiences have come to expect from recent studio tentpoles, sharing a true story so incredible it literally must be seen to be believed, as opposed to imaginary feats full of impossible CG creatures.
  27. It’s uncanny how much Dolan’s style and overall solipsism have evolved in five years’ time, resulting in a funny, heartbreaking and, above all, original work — right down to its unusual 1:1 aspect ratio — that feels derivative of no one, not even himself.
  28. Visually stunning even in its most banal moments and emotionally perceptive almost to a fault.
  29. Less a portrait of an individual than of an unchecked culture where the lure of staggering profits eliminates ethics, Universe subtly exposes the pernicious effects of deregulation and does so in an ingeniously cinematic manner.
  30. If “Compton” is undeniably of the moment, it’s also timeless in its depiction of how artists and writers transform the world around them into angry, profane, vibrant and singular personal expression.

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