For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.- Variety
- Posted Jul 12, 2013
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Reviewed by
Charles Gant
A riveting tale of a onetime vivacious personality, described by those who knew her as "stunning," "lovely," and "very well liked," but who nevertheless died alone, friendless and seemingly missed by nobody.- Variety
- Posted Aug 2, 2012
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Reviewed by
Leslie Felperin
Although laid out with such clarity that any layperson could catch the gist of what's being discussed, Side by Side is not afraid to get nitty-gritty about more technical matters.- Variety
- Posted Aug 13, 2012
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Reviewed by
John Anderson
Amy Berg's clear, captivating, indignant film carves out its own significant place in criminal-justice cinema, makes new and startling revelations into the triple-murder mystery, and is visually spectacular to boot.- Variety
- Posted Nov 25, 2012
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Reviewed by
Peter Debruge
Here, the visuals outdo anything we’ve seen before, to such a degree that we might almost overlook the subtler innovations in the character animation: the nuances of expression on both the human and reptilian faces, and the wonderful nonverbal tactics these artists use to convey emotional intricacies neither Hiccup nor Toothless have had to communicate before, all of which pays off in an unforgettable final scene.- Variety
- Posted Jan 2, 2019
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Reviewed by
Ronnie Scheib
The kinetically shot concert footage captures the volatile dynamic between performers and audience, as Mick Jagger's provocative posturing is followed by fans storming the stage.- Variety
- Posted Oct 24, 2012
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Reviewed by
Peter Debruge
The circumstances may be contrived, but the characters feel refreshingly genuine.- Variety
- Posted Nov 14, 2013
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Reviewed by
Boyd van Hoeij
A stellar performance by Alan Cumming as the cross-dressing crooner-cum-caretaker is the picture's most marketable asset.- Variety
- Posted Dec 4, 2012
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Ronnie Scheib
Imamura's square-framed, black-and-white imagery, in all its various stylistic incarnations, proves as compelling through the docu's myriad detours as in any of his better-known psychological thrillers.- Variety
- Posted Nov 16, 2012
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Peter Debruge
While Leon’s script can’t help but be episodic as the characters scheme their way out of one scrape after another, their shenanigans are compulsively watchable, brimming with enough details to make this modest film grow large in the memory.- Variety
- Posted Mar 15, 2013
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Jay Weissberg
Even more than in "Our Beloved Month of August," Miguel Gomes begins Tabu in a seemingly ridiculous vein and unexpectedly shifts to something surprisingly enriching and poetic.- Variety
- Posted Dec 14, 2012
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Reviewed by
Peter Debruge
Assembled from three years’ worth of visits to one of the world’s most volatile hot zones, the format of Stolen Seas is as every bit as exciting as its content, raising beguiling questions about how the team managed to acquire the footage so stunningly interwoven by editor Garret Price.- Variety
- Posted May 24, 2013
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- Critic Score
Performances by the earnest Fox, the lunatic Lloyd, the deceptively passionate Lea Thompson, and, particularly, the bumbling-to-confident Glover, who runs away with the picture, merrily keep the ship sailing.- Variety
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- Critic Score
Recovers the style, wit and grandiose fantasy elements of the original. The simplicity of plot, and the wide expansiveness of its use of space, are a refreshing change from the convoluted, visually cramped and cluttered second part.- Variety
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- Variety
- Posted Jul 9, 2013
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- Critic Score
Bruce Beresford's sensitive direction complements Alfred Uhry's skillful adapation of his Pulitzer Prize-winning play.- Variety
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Reviewed by
Peter Debruge
The beauty of the footage is undeniable, and the aimlessness never overstays its welcome as the film documents that strange stretch in our lives when nothing seems to matter more than the present moment, suspended in a sort of idle immortality.- Variety
- Posted Mar 18, 2013
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Reviewed by
Rob Nelson
Skillfully adapted from Tim Tharp's novel, evocatively lensed in the working-class neighborhoods of Athens, Ga., and tenderly acted by Miles Teller and Shailene Woodley, this bittersweet ode to the moment of childhood's end builds quietly to a pitch-perfect finale.- Variety
- Posted Feb 28, 2013
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Reviewed by
Scott Foundas
This two-ton prestige pic won’t win the hearts of highbrow critics or those averse to door-slamming, plate-smashing, top-of-the-lungs histrionics, but as a faithful filmed record of Letts’ play, one could have scarcely hoped for better.- Variety
- Posted Sep 13, 2013
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Reviewed by
Justin Chang
It’s a rich, glorious mess, and its underlying craftsmanship is apparent in the characters’ beautifully delineated relationships, each with its own jangly rhythm and distinct feel.- Variety
- Posted Dec 4, 2013
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Reviewed by
Justin Chang
Precision-honed performances and a nonsensationalistic approach distinguish this impressive first feature from French helmer Alexandre Moors, which avoids pat explanations as it offers a speculative glimpse into murderous minds.- Variety
- Posted Mar 18, 2013
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Reviewed by
John Anderson
One of the assets of Stranger Things is its air of mystery, and the actors give the indelible impression that they have much locked away inside.- Variety
- Posted Apr 5, 2013
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Reviewed by
Leslie Felperin
Repulsive and sublimely beautiful, arguably celebratory and damning of its characters, it’s hideous and masterful all at once, “Salo” with sunburn.- Variety
- Posted Apr 23, 2013
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Reviewed by
Peter Debruge
This compelling human drama finds fresh energy in the inspirational-teacher genre, constantly revealing new layers to its characters.- Variety
- Posted Apr 10, 2013
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Reviewed by
Boyd van Hoeij
The unknown cast is aces, and Moshe inscribes his loquacious film in the Western tradition without overdoing the references to the classics.- Variety
- Posted May 2, 2013
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Reviewed by
John Anderson
To call Lake Bell a magnetic, intelligent, blithely screwball leading lady in the Carole Lombard tradition might be selling her short. With In a World… , a rollicking laffer about the cutthroat voiceover biz in Los Angeles, she proves herself a comedy screenwriter to be reckoned with.- Variety
- Posted Apr 23, 2013
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Reviewed by
Scott Foundas
Cooper seems to make actors feel safe and willing to expose themselves in ways they ordinarily might not, and time and again he takes scenes to places of unexpected emotional power.- Variety
- Posted Nov 10, 2013
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- Variety
- Posted Apr 30, 2013
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Reviewed by
Boyd van Hoeij
A gossamer debut feature that compensates for its lo-fi look with glimpses of profound humanism.- Variety
- Posted May 2, 2013
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Reviewed by
Boyd van Hoeij
Jean-Francois Laguionie’s consistently enjoyable, inventive and beautifully crafted tale is a color riot suitable for all ages.- Variety
- Posted May 9, 2013
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