For 17,777 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,133 out of 17777
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Mixed: 7,008 out of 17777
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Negative: 1,636 out of 17777
17777
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Chang
Filtering the world's oldest paintings through the latest in cinematic technology, Werner Herzog delivers a one-of-a-kind art-history lesson in Cave of Forgotten Dreams.- Variety
- Posted Apr 25, 2011
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Reviewed by
Justin Chang
While The Dark Knight Rises raises the dramatic stakes considerably, at least in terms of its potential body count, it doesn't have its predecessor's breathless sense of menace or its demonic showmanship, and with the exception of one audacious sleight-of-hand twist, the story can at times seem more complicated than intricate.- Variety
- Posted Jul 16, 2012
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Reviewed by
John Anderson
Michael Winterbottom's The Trip is about 20 minutes too long, but the other 90 are among the funniest in recent memory.- Variety
- Posted Jun 6, 2011
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- Variety
- Posted Jun 5, 2011
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Reviewed by
Andrew Barker
An exquisite, beautifully acted gem of a film, one that should serve as a prelude to bigger things for stars Felicity Jones and Anton Yelchin, as well as director Drake Doremus.- Variety
- Posted Oct 22, 2011
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Reviewed by
Jordan Mintzer
The issues come clashing together in an explosive package that, despite some snafus, remains fairly riveting to the end.- Variety
- Posted Jul 5, 2011
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Reviewed by
Scott Foundas
Markedly grander in scale, although never at the expense of its richly human (and half-human) characters, “Into Darkness” may not boldly go where no “Trek” adventure has gone before, but getting there is such a well-crafted, immensely pleasurable ride that it would be positively Vulcan to nitpick.- Variety
- Posted May 2, 2013
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Peter Debruge
If necessity is the mother of invention, then DreamWorks’ desire to extend the Dragon franchise has propelled the creative team in the most admirable of directions, resulting in what just may be the mother of all animated sequels.- Variety
- Posted May 16, 2014
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Reviewed by
Peter Debruge
Reteaming pop-savvy scribe Diablo Cody with "Juno" director Jason Reitman, Young Adult revels in breaking the rules of safe Hollywood storytelling.- Variety
- Posted Dec 4, 2011
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Leslie Felperin
An exquisitely realized adaptation of Lionel Shriver's bestselling novel. In a rigorously subtle performance as a woman coping with the horrific damage wrought by her psychopathic son, Tilda Swinton anchors the dialogue-light film with an expressiveness that matches her star turn in "I Am Love."- Variety
- Posted Nov 29, 2011
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Ronnie Scheib
Feminist without the arrogance of 20-20 hindsight, vividly precise in its depiction of 18th-century pre-revolutionary France (the filmmakers were allowed to shoot inside Versailles), alive with exuberantly thesped personages and awash in the joy and power of music, the picture is a stunner.- Variety
- Posted Aug 15, 2011
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Reviewed by
Peter Debruge
[Francis] Lawrence and his team have calibrated the entire experience for maximum engagement. And while its pleasures can’t touch the thrill of seeing the Death Star destroyed — not yet, at least — the film runs circles around George Lucas’ ability to weave complex political ideas into the very fabric of B-movie excitement.- Variety
- Posted Nov 12, 2013
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Alissa Simon
Tense and narratively complex, formally dense and morally challenging.- Variety
- Posted Jan 4, 2012
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Reviewed by
John Anderson
Bracingly original, alarming and droll, the righteously ribald Rid of Me should prove a breakthrough for helmer James Westby and his producer and leading lady, Katie O'Grady.- Variety
- Posted Nov 1, 2011
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Reviewed by
Rob Nelson
Focusing on the absurdly ultraviolent tit-for-tat tussles among a trio of Tokyo crime families, the film is a beautifully staged marvel that confidently reasserts Kitano's considerable cinematic gifts.- Variety
- Posted Nov 27, 2011
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Reviewed by
Leslie Felperin
Offering further proof that the latest 3D technology is good for a lot more than just lunging knives and fantastical storylines, Wim Wenders' dance docu Pina reps multidimensional entertainment that will send culture vultures swooning.- Variety
- Posted Dec 21, 2011
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Reviewed by
Justin Chang
Never one to shy away from unlikely sources of comedy, David O. Russell tackles mental illness, marital failure and the curative powers of football with bracingly sharp and satisfying results in Silver Linings Playbook.- Variety
- Posted Sep 18, 2012
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Reviewed by
Peter Debruge
Far more ambitious than "The Hurt Locker," yet nowhere near so tripwire-tense, this procedure-driven, decade-spanning docudrama nevertheless rivets for most of its running time.- Variety
- Posted Nov 27, 2012
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Reviewed by
John Anderson
Destined to rank as one of the major achievements in American documentary, the "Paradise Lost" project comes to a presumed end with Paradise Lost 3: Purgatory.- Variety
- Posted Jan 12, 2012
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Reviewed by
Robert Koehler
Similar in its battlefield passages to last year's Danish-made "Armadillo," Dennis' film scores a layered perspective that follows Marine Sgt. Nathan Harris into combat and back home.- Variety
- Posted Feb 13, 2012
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Reviewed by
Robert Koehler
Jeter's film takes on the quality of a sustained dream, as if the theatrical conceits of Jean Genet were married to a children's story retold via William Faulker's Southern brand of stream of consciousness.- Variety
- Posted Feb 14, 2012
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Peter Debruge
Standing at his balcony, filming the revelry with his iPhone, he seems to be saying that directing is more defiant an act than lighting a firecracker or two. Truth be told, Panahi's poignant "Film" is infinitely more explosive.- Variety
- Posted Feb 27, 2012
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Jay Weissberg
Pablo Larrain's breathtaking visual command makes for enthralling viewing in Post Mortem, a rigorous, formally controlled yet emotionally gripping drama set during Chile's bloody 1973 military coup.- Variety
- Posted Apr 8, 2012
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Reviewed by
Justin Chang
The writer-director's typically eccentric sixth feature is a sustained immersion in a series of hypnotic moods and longueurs, an imposing picture that thrillingly and sometimes maddeningly refuses to conform to expectations.- Variety
- Posted Sep 1, 2012
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Reviewed by
Dennis Harvey
A concise overview's clarity and an epic narrative shape, with a happy ending to boot.- Variety
- Posted Sep 16, 2012
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Reviewed by
Justin Chang
A wise and impeccably controlled drama that finds Russian helmer Andrei Zvyagintsev in outstanding form.- Variety
- Posted Jun 5, 2012
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Reviewed by
Robert Koehler
Departing from two decades' worth of domestic and personal dramas and returning to his roots as Japan's maestro of mayhem, Kinji Fukasaku has delivered a brutal punch to the collective solar plexus with one of his most outrageous and timely films.- Variety
- Posted May 24, 2012
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Peter Debruge
A film of tenderness and humor married to the unlikeliest of subjects.- Variety
- Posted Oct 13, 2012
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Reviewed by
Justin Chang
If the characters’ quandaries at times feel overly circumscribed, they’re also advanced with a bracing emotional directness, devoid of either cynicism or sentimentalism, that touches genuine chords of feeling over the course of the film’s fleet 130-minute running time.- Variety
- Posted May 12, 2014
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Reviewed by
Ronnie Scheib
Tension flows organically from every phase of this dangerous endeavor, making for a highly entertaining outing for operaphiles and operaphobes alike.- Variety
- Posted Jul 16, 2012
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Reviewed by