Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. The potent imagery never meshes with narrative logic in Agnieszka Wojtowicz-Vosloo's first feature, promising more than it can deliver.
  2. Strings an improvised tale around Tehran's underground indie-rock scene. Good-looking, shot-on-the-fly fifth feature by Bahman Ghobadi ("Half Moon," "Turtles Can Fly," "A Time for Drunken Horses"), which blends exciting musical performances with an undernourished narrative.
  3. Irresistibly good-natured even when it's cheesy.
  4. Isn't as much fun as its predecessor, but by the time the smoke clears, it'll do.
  5. Painting by numbers often gets a bad rap: While it takes little originality to fill in the romantic-comedy blanks, even a simple, competent job can sometimes feel like a breath of fresh air.
  6. The Infidel takes some all-too-predictable detours into moralizing and sentimentality, but remains consistently sharp as long as it sticks to its acerbic tone and saucy comic sensibility.
  7. Both cartoonish and cerebral, and studded with in-jokes referencing multicultural life in "la belle ville" and classic cinema, the colorful pic stretches its premise a bit thin over nearly two hours.
  8. Despite the tale's real-life basis and a solid Ed Harris as their fictive equivalents' alcoholic dad, Touching Home emerges as a formulaic triumph-over-odds tale with too little distinguishing detail.
  9. Its fun first hour soon gives way to a leaden, expository approach that unwisely favors emotional stakes over speculative-fiction smarts.
  10. The tone of Reel Injun is respectfully serious, though well short of angry, while focusing on how the stereotypical depictions of marauding redskins affected the self-images of Native Americans.
  11. Religious overtones, however, could make this the rare mainstream feature that connects with the faith-based entertainment market.
  12. With Michael Cera in the title role, twentysomethings and under will swiftly embrace this original romancer.
  13. The writer discovers a people physically and psychologically worn down by decades of dictatorship, sanctions, war and occupation.
  14. Guediguian's lengthy period yarn features a wide array of characters filmed with his habitual simpatico eye, but loses the dramatic thread in too many plots, too little action and not enough originality.
  15. Not without charm and bearing easy appeal to very young viewers.
  16. Devil is nothing very special or original, but it gets the job done briskly and economically.
  17. It's a predictable date-night diversion.
  18. The pain feels cushioned and secondhand, the characters are not terribly sympathetic or interesting other than for their misfortune, and the film shows little interest in analyzing the situation other than to point fingers at greedy CEOs.
  19. While 21st-century effects and a cutting-edge dance score make this a stunning virtual ride, the underlying concept feels as far-fetched as ever.
  20. Western audiences familiar with "Blood Simple" will get a kick out of the reinventions.
  21. From a performance p.o.v., Aselton and Shepard hold the screen well and are most watchable, and Aselton does a fluid directing job within the limited challenge she set for herself production-wise.
  22. This frisky adaptation of the Steven Levitt-Stephen Dubner bestseller on human behavior by the numbers adds up to a revelatory trip into complex, innovative ideas and altered perspectives on how people think.
  23. Given the linear, one-track nature of the plot, Scott and Bomback prove surprisingly effective at delivering a well-rounded experience, going out of their way to fill in the personalities of their two leads.
  24. Tightly wound and crafted, with robust performances by Kristin Scott Thomas and recurrent Spanish Don Juan Sergi Lopez, the picture offers a rough, no-frills take on a story as old as France itself.
  25. Despite the considerable impediment of a premise arguably even sillier than that of the original "Red Dawn," helmer Dan Bradley's long-delayed remake of John Milius' 1984 kids-vs.-Commies adventure delivers enough thrilling action sequences and rock-'em, sock-'em fantasy-fulfillment to amp its B.O. potential.
  26. Charting the presence of prominent Jewish major leaguers in every decade, their relationship to the world of big-time ball and the careers of such greats as Hank Greenberg and Sandy Koufax, helmer Peter Miller's historical docu strikes out a stadium-load of assumptions.
  27. Based loosely and playfully on Jane Austen's "Sense and Sensibility," From Prada to Nada is a predictable but pleasant comedy.
  28. Barreling into the intersection of horror, comedy and religious sanctimony, Satan Hates You is a clever collision of flamboyant gore and social commentary that never goes too far with anything save mordant wit.
  29. As a character study and revelation of a possible answer to addiction, the docu rocks. But Negroponte's low-res video camera, trivializes the film's already crude approximations of psychedelic experiences and its recordings of shamanistic rituals.
  30. As it is, No Strings Attached is content to be sweet rather than edgy, to make you go "awww" instead of "hmmm."

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