Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. Revealing without being especially compelling, In Between Days offers a bleak, rigorously naturalistic portrait of an Asian-American teenager's physical and emotional dislocation.
  2. Classy production values and a textured lead performance by Darshan Jariwala are undercut by a lack of real drama in Gandhi My Father.
  3. Ben Gourley packs this excursion with enough contrived quirkiness and latent angst to win over the college crowd, but adds nothing particularly insightful about his generation.
  4. Stereotypes abound, dialogue is conventional and pace scattered. Still, resulting stew is pleasant.
  5. Fortunately, helmer Michele Ohayon ("Cowboy del Amor") treats her tricky subject matter with sufficient sensitivity to keep doc from ever seeming offensively flip or overly sentimental.
  6. As a showcase for rising young star Michael Angarano and Christopher Plummer, pic offers the pleasures of connecting Hollywood traditions and generations in the spirit of Peter Bogdanovich's films about and inspired by the movies.
  7. Its extremely narrow focus on the death throes of an art form, rather than the art itself, limits its appeal.
  8. Overlapping with other recent documentaries, picture nonetheless presents a stimulating argument.
  9. Helmer Bruce David Klein's near-reverential treatment is a nice contrast to the rough-and-tumble of tour life.
  10. Dysfunctional family seriocomedy is well cast, but characters and conflicts lack the sharper definition of similar recent exercises like "Little Miss Sunshine," "The Upside of Anger" and Noah Baumbach's films.
    • 58 Metascore
    • 60 Critic Score
    Picture successfully elaborates on the sorts of color pieces that traditionally precede the race on television.
  11. A pair of beautifully mismatched lead performances elevate a predictable drama to unexpected resonance in The Favor.
  12. Picture raises pithy questions sure to provoke animated discussions pro and con. Credit Davenport for a mostly unbiased presentation that presents her own disenchantment in a balanced manner.
  13. If you've pondered how to order a round of fellatio as one orders a pizza or wondered what gay gentlemen of a certain age talk about, this touching glimpse of faded beauty and looming decrepitude fits the bill.
  14. Undeniably entertaining for its zippy presentation.
  15. Making music, making fun of themselves and making as much political hay as possible, Crosby, Stills, Nash & Young set out to alleviate the public allergy to Iraq War films with CSNY Deja Vu, a doc that seems quite likely to effect a cure.
  16. Culture shock often proves the stuff of comedy, but the sight of a silver-studded, sombrero-topped mariachi band breaking into a rousing rendition of "Hava Nagila" transports diversity into the realm of the surreal.
  17. Its low-key charms are considerable enough to engage venturesome ticketbuyers.
  18. Deeply influential, even to his enemies, Atwater's career is viewed here with fascination and some sympathy.
  19. Bloody and irredeemably misanthropic, Canadian funeral farce Just Buried nonetheless has enough charm to make for a sporadically enjoyable if wildly uneven entry in the growing body of cheeky corpse comedies initiated by Hitchcock's "The Trouble With Harry."
  20. Some may find the result boring or unpolished, but there's poetry -- not to mention a fair dose of comedy -- in the mix.
  21. Gay's the way, but the way's not really gay, in the fluffy and largely entertaining Dostana.
  22. Frank Langella's note-perfect, tour-de-force turn as a man elegantly shaping his own demise is nicely counterpointed by a shambling Elliott Gould as a bird-watching private eye.
  23. Provides some interesting perspectives but also veers dangerously close to vanity project.
  24. As the industry reshapes itself, this drama by helmer Kabir Khan -- with its bold, righteous, anti-Bush administration bent -- could cut out a new constituency for a genre usually devoted to purely escapist entertainment.
  25. Overall tone lies somewhere between Mike Leigh and Ken Loach in performances and look, with a modest tech package.
  26. A skittery, rambling but often absorbing portrait.
  27. Vet helmer David Dhawan's big-budget sitcom is a major, slumdogging step in the right direction, with nosebleed-inducing production values, infectious musical sequences and some astoundingly beautiful actors.
  28. Evocatively fleshed out with surprisingly iconic homemovies, passionate love letters and well-chosen pop tunes, Kleine's homegrown Jewish "Madame Bovary" escapes the navel-gazing boundaries of the personal-diary docu by the sheer force of its evocation of bygone sensuality.
  29. Married offers a positive, if melodramatically heightened, portrait of upper-middle-class African-American life, one broadly appealing enough to satisfy even the Nancy Meyers set, if only they'd give it a chance.

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