Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. Does a lot with little, milking a single location and minimal dialogue for deadpan humor, tension, and macabre payoff.
    • 36 Metascore
    • 60 Critic Score
    Substantially better than its predecessor, even while staying strictly within the genre's well-defined boundaries.
  2. Chinese thesp Gong Li goes for a striking career makeover in Zhou Yu's Train, a sensual, slickly packaged slice of Euro-style metaphysical cinema centered on a free-thinking woman and the two men in her life.
  3. Lane transforms this seriocomic saga of a devastated American divorcee who impulsively purchases a Tuscan villa, thereby changing her life, into a spellbinding display of emotional transparency.
  4. Eventually pic turns into a formula slasher over-indebted to the usual "Texas Chainsaw" and "Halloween" models. But until then, Mena's direction (if not his script) suggest he's ready for bigger-budget assignments.
  5. Looks set to unsettle as many conservative auds as it will delight nihilistic film buffs.
  6. Although uneven and too deliberately obscure in meaning to be entirely satisfying, result remains sufficiently intriguing and startling to bring many of Lynch's old fans back on board for this careening ride.
    • 71 Metascore
    • 60 Critic Score
    Only intermittently bright. Too much homage to Yank musicals and comedies point up the lack of polish.
  7. As a series of action set pieces, the movie is frequently gripping and always highly watchable. However, when the movie strays into weirder territory --- where, one feels, Jeunet's heart really lies --- there's a growing feeling of inadequacy.
  8. Too slim to make much impression outside fests, this nevertheless reps another solid outing by former art director Huo Jianqi.
  9. Well cast, engagingly played and directed with a stylistic pedal to the metal, Human Traffic is a lot of energy adding up to very little.
  10. An undemanding dramedy.
    • 56 Metascore
    • 60 Critic Score
    Ferrario has fun with antique footage and exhibits from the museum, but there's a lack of urgency or sufficient charm to engage.
    • 60 Metascore
    • 60 Critic Score
    The film's total appeal may be undercut by a script that rarely feels inspired.
  11. All the trappings of an energetic, extreme-sports adventure, but ends up more of a creaky "Pretty Woman" retread, with the emphasis on self-empowering schmaltz and with the big-wave surfing that gives pic its title seemingly an afterthought.
  12. A minor affair, a confection based on dalliances and the way a set of sophisticated theater people handle them, that lacks true distinction.
  13. May score higher with parents than the kids they bring in tow. Writer-director Tim McCanlies' ("Dancer, Texas Pop. 81") feel-good celebration of youth and old age enriching each other is carefully leavened with humor.
  14. Visually glorious and sometimes moving, but comes coated with a thick hoarfrost of irony.
  15. Takes plenty of liberties with the material and never generates much genuine excitement, but provides an agreeable ride without overloading it with contemporary filmmaking mannerisms.
  16. Cheesy homage to a level of horniness Austin Powers could only imagine will be a dream movie for many a teenage boy.
  17. Paper-thin plot serves as a pretext for rousing gospel numbers in The Fighting Temptations, which straddles styles and eras to get everybody's toes tapping.
  18. The picture comes up short in several departments, notably in pacing and in giving a strong sense of why this man became such a legend.
  19. Replete with smart, capable characters and crimes so bizarre that they lend the film a suspiciously lurid nature, this tony suspenser is hampered by the presence of a villain who is all too obvious from the very beginning.
  20. The picture's constant forward movement and breezy sense of amusement about itself provide a certain mild sort of diversion.
  21. The sense of evil overkill is entirely representative of the picture itself, which repeatedly looks ready to blow all its fuses due to sensory overload.
    • 66 Metascore
    • 60 Critic Score
    Makes its points effectively, but could have benefited from a burst of creativity.
  22. Small children who will accept it as rock-'em, sock-'em excitement with a touch of gender-specific empowerment, and hipper teens and grown-ups who can appreciate the whole thing as a semisatirical hoot.
  23. Thanks to amiable lead performances from Miranda Otto and Rhys Ifans, this not very original Aussie comedy about a man making a fresh start in life is a pleasant enough time-waster.
  24. Takes a notorious true story about a loyal soldier-turned-bank robber, and pumps it up into charged if uneven entertainment.
  25. Compensating for the technical faults is the writer-director's unmistakable and undiluted need to express the issues he feels are at the heart of his community.

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