Variety's Scores

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For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,166 out of 17837
  2. Mixed: 7,034 out of 17837
  3. Negative: 1,637 out of 17837
17837 movie reviews
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  1. Thirteen
    Deliberately unvarnished shock piece designed to give pause to anyone with a daughter approaching teenhood.
  2. Garden State
    Feels too piecemeal and ultimately inconsequential.
  3. Code 46
    An intriguing but only partly successful co-mingling of film noir and sci-fi.
  4. The Twilight Samurai
    A mellow, stately, contemplative study of a stoic, brave man, but it doesn't deliver in the action department.
  5. Bend It Like Beckham
    Writer-helmer Gurinder Chadha assembles a gallery of broadly played stereotypes into a movie about social attitudes that's more rooted in small-screen sitcom than anything deeper.
  6. The Boondock Saints
    More interested in finding fresh ways to stage execution scenes than in finding meaning behind the human urge for self-appointed righting of wrongs, (the film) is stuffed with effects that have no lasting impact.
  7. Troy
    Despite a sensationally attractive cast and an array of well-staged combat scenes presented on a vast scale, Wolfgang Petersen's highly telescoped rendition of the Trojan War lurches ahead in fits and starts for much of its hefty running time, to OK effect.
  8. Blade: Trinity
    Won't linger in the memory long, but gives pretty good action eye-candy while it's going.
  9. Kingpin
    Peter and Bobby Farrelly aimed low and grossed millions with "Dumb & Dumber," so it shouldn't be surprising that Kingpin, their latest effort, offers a similar mix of pratfalls, gross-out gags and jokes about bodily functions. This time, however, the humor is darker, edgier and occasionally, even more scatological.
  10. Murder at 1600
    What makes the film involving and enjoyable in its first hour is a thick, multilayered plot, a rare sight in mainstream movies nowadays.
    • 86 Metascore
    • 60 Critic Score
    Bonnie and Clyde
    This inconsistency of direction is the most obvious fault of Bonnie and Clyde, which has some good ingredients, although they are not meshed together well.
  12. Bean
    Atkinson, who is in almost every scene, boasts a full-on comic personality that on the cinema screen is a bit daunting at times, and it's an open question as to whether the Carrey crowd will go for this seriously eccentric Brit.
  13. Welcome to Sarajevo
    The film's persistent skimming from one vantage point to another, with no dominant dramatic line until midway through, will unsettle audiences expecting a more regular construction and something on which to hook their emotions over the long term.
  14. Batman Forever
    Yet while Schumacher has largely accomplished the goal of delivering a cinematic comic book, he's also left the movie hollow at its core -- a distinction that may not trouble Saturday-night audiences but that nonetheless dulls the film's impact beyond its sheer and unrelenting visual grandeur.
  15. Interview with the Vampire: The Vampire Chronicles
    But the film also has its turgid, dialogue-heavy stretches, and the leading performances, if acceptable, are not everything they needed to be to fully flesh out these elegant immortals.
  16. The Flintstones
    After lightly going through the motions of a plot, it all ends up in the quarry, where assorted machinery provides the excuse for a parade of slapstick gags and amusement park-like predicaments that seem mostly lumbering.
  17. Monument Ave.
    The only problem is that the great majority of screen time is devoted to the kind of loutish, drunken, small-minded, confrontational macho posturing that, in assorted ethnic stripes, has been paraded across the screen innumerable times in recent years.
  18. Michael Collins
    It is unfortunate when such a difficult, ambitious film doesn't quite pay off after building up so much solid credit, but that is the case here. It is possible that the nature of the history under consideration is as responsible for this as any other single factor.
  19. Walking and Talking
    Eventually, the impression is created of notes for good scenes full of pungent observations and sharp asides, but without fully developed drama or emotion, leaving a sketchy, wispy feeling when all is said and done.
  20. Fallen Angels
    Abetted by the piercing images of lenser Christopher Doyle, the picture has a vivid, nightmarish quality that's more inviting than repellent. But the filmmaker mutes the impact by repeatedly cutting away to other settings, as if he lacked confidence in the power of the moment.
  21. Empire Records
    A soundtrack in search of a movie, Empire Records is one teen-music effort that never finds a groove.
  22. The Truth About Cats & Dogs
    What really makes The Truth About Cats & Dogs special in places however, is Garofalo's dry, self-effacing wit and Thurman's ditzy, old-style Hollywood glamour.
  23. Devil in a Blue Dress
    On its own terms, the plotting of "Devil" is absorbing, and the pieces actually fit together pretty decently. On the other hand, when scenes directly call to mind similar ones in "Chinatown," this effort's stepchild relationship to the classic is forcibly demonstrated.
  24. Fear
    The thriller telegraphs most of its suspense payoffs, and the audience is almost always ahead of the game. What's most disappointing is that the characters begin as well-etched individuals, but are gradually turned into mere plot functions.
    • 64 Metascore
    • 60 Critic Score
    Grand Canyon
    [An] earnest, often moving but not totally successful film.
    • 55 Metascore
    • 60 Critic Score
    Valmont
    Milos Forman's meticulously produced Valmont is an extremely well-acted period piece that suffers from stately pacing and lack of dramatic high points.
  27. Bram Stoker's Dracula
    Francis Ford Coppola's take on the Dracula legend is a bloody visual feast. Both the most extravagant screen telling of the oft-filmed story and the one most faithful to its literary source, this rendition sets grand romantic goals for itself that aren't fulfilled emotionally, and it is gory without being at all scary.
  28. Jefferson in Paris
    This decorous look at the great man's five years as ambassador to France in the period leading up to the French Revolution touches upon much significant history, incident and emotion but, ironically, lacks the intrigue and drama of great fiction.
    • 63 Metascore
    • 60 Critic Score
    Rumble Fish
    Rumble Fish is another Francis Coppola picture that's overwrought and overthought with camera and characters that never quite come together in anything beyond consistently interesting.
  30. Poetic Justice
    Poetic Justice is a hermetic inner-city love story elevated by resonant social commentary.
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