Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. As computer game-derived features go, it sure beats "Lara Croft: Tomb Raider."
  2. An odd concoction: an English-language movie made by Dutch filmmakers working with an American cast on location in Russia and Mexico. That strangeness, combined with sharp casting and affectionate performances, is a big part of "Affair's" charm.
  3. Lacks narrative push...atmospheric drama that casts a minor but distinctive spell.
  4. It's hard to dislike a movie this light-hearted, but there's something terribly ephemeral about it as well; it's a film of complete weightlessness.
  5. A cobwebbed, mummified horror entry that makes obvious, cartoonishly grotesque demands for attention.
    • 39 Metascore
    • 60 Critic Score
    Visually, [the film] often is exhilarating, but it's shapeless and dragged down by corny, melodramatic characters and situations.
  6. Falco, light years from "The Sopranos," is exquisitely vulnerable and her scenes play well with Hutton, in his finest role in years as a good man who knows he's sold out.
    • 72 Metascore
    • 60 Critic Score
    More an absurdist comedy than a horror film, Evil Dead II is a flashy good-natured display of special effects and scare tactics so extreme they can only be taken for laughs.
  7. Purists will find the pic's obviousness disappointing, but there's no question that the film delivers a sufficient shock quotient to satisfy its youthful target audience.
  8. A pleasant but ephemeral spoof that may disappoint Waters' hard-core fans while not recruiting many new devotees.
  9. Solid, straightforward docu should prove a durable broadcast and educational item for years to come.
    • 86 Metascore
    • 60 Critic Score
    A half-baked love story, full of good intentions but uneven in the telling.
  10. Manages to amuse as a cleverly concocted hybrid of conventional romantic comedy and mistaken-identity farce.
  11. A very mild animated entry from Disney with a distinctly recycled feel.
  12. One has no problem praising the bravura acting of the entire ensemble.
  13. A lively, cogent documentary, Tying the Knot fortuitously examines same-sex marriage at precisely the moment the issue is making headlines all over.
  14. Superior family entertainment.
  15. Largely overcomes key cast weaknesses to deliver a jazzy, darkly textured rendering of the ghetto pulp of late African-American ex-con author Donald Goines.
  16. Max
    The film is ultimately too glib in its suggestion that Hitler's discovering his career path was a matter of sheerest chance, even an accident.
  17. A sweethearted trifle.
    • 92 Metascore
    • 60 Critic Score
    Unquestionably a finely observed, deeply felt work, though with some nagging problems in pacing and structure.
  18. Nair's approach never entirely convinces, and the adaptation of the 900-plus-page book becomes increasingly episodic, making this Vanity Fair more a collection of intermittent pleasures than a satisfying emotional repast.
    • 90 Metascore
    • 60 Critic Score
    Director Georges Franju has given this some suspense and not spared any shock details. But the stilted acting, asides to explain characters and motivations, and a repetition of effects lose the initial impact.
  19. Argento fans lusting for a classy slasher movie of the "Suspiria"/"Opera" variety are headed for a disappointing rendezvous with an old-fashioned police thriller, upgraded by serious actors in the main roles.
    • 85 Metascore
    • 60 Critic Score
    A descent into the pit of hell with slim odds of ever returning.
  20. Phantom is easily consumable eye candy, but it contains no nutrients for the heart or mind.
  21. Attempts to delve beneath the surface of Hollywood's rampant narcissism and fascination with technology, but ultimately feels like just one more in the long line of films this year about the business of making movies.
  22. A check-your-brains-at-the-door, almost non-stop actioner that finally wins the viewer over with its sheer single-mindedness.
  23. Although The Postman conveys a thoroughly imagined vision of a future society, its basic concerns are actually far from those of traditional sci-fi, as it quickly comes to feel more like a Western than anything else.
  24. A hip comic curio.

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