For 17,837 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,166 out of 17837
-
Mixed: 7,034 out of 17837
-
Negative: 1,637 out of 17837
17837
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Todd McCarthy
A potentially provocative idea is played out to diminishing returns.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Emanuel Levy
A notch or two above the level of a TV sitcom, Slums of Beverly Hills, Tamara Jenkins' semi-autobiographical feature directorial debut, is a bawdy, extremely broad comedy.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
Despite the intriguing set-up, there's something unambitious and scaled-back about Star Trek Nemesis, so that most of the time it feels like a slightly suped-up episode of the "Next Generation" TV series.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Love, hate and violence, with little sympathy for the characters, is stirred up during the overlong film.- Variety
- Read full review
-
-
Reviewed by
Robert Koehler
This rambling and episodic autobiographical saga of three friends coming of age in Inglewood, Calif. (aka The Wood) in the '80s is so determined to be likable that it forgets to be interesting.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Good performances and quirky humor make this slick if less than fully satisfying mix of romantic comedy and mystery an easy sit.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Emanuel Levy
An extremely handsome production that meticulously evokes the 1920s, and a likable male-dominated cast, headed by Matthew McConaughey in his best screen performance to date, only partially compensate for a story that's too diffuse and lacks a discernible point of view that would make it dramatically engaging.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Scott Foundas
Gets an ambitious, sometimes inspired but ultimately less than satisfying screen treatment from Roger Avary.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A tasty if wildly far-fetched thriller, Out of Time proves far stronger in its characterizations than in developing genuine suspense.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
A faithful-unto-slavish remake of the 1960 Hitchcock classic, pic contains nothing to outrage or offend partisans of the original, yet neither does it stand to add much to their appreciation.- Variety
- Read full review
-
-
Reviewed by
David Rooney
Sensitive direction and a touching performance from Emile Hirsch in the title role help counter some dramatic naivete and awkward, at times unintentional, humor in The Mudge Boy.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
The few who saw the embalmed adaptation of "Snow Falling on Cedars" will recognize the same stifling approach brought to this more accessible material by director Scott Hicks.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A heaping serving of metaphysical gobbledygook wrapped in a physically striking package.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
David Rooney
Middleton's polished writing and amusing observations about the anxieties most people encounter when definitively farewelling their youth help compensate for her standard-issue direction.- Variety
- Read full review
-
Reviewed by
-
- Variety
- Read full review
-
-
Reviewed by
Robert Koehler
A brawny commercial attraction strategically tapping into the auds for extreme sports, spy pix, thrill rides, popcorn actioners and anyone looking to see Diesel kick butt, blow stuff up and/or take his shirt off.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A picture that, even more than the previous two, feels like a bunch of gags tossed together. The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A fine group of comic performers manages to keep the screen worth looking at despite the obsessively one-note nature of this curious matchup between MTV Films and producer Scott Rudin.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
The material is at heart an intimate allegorical fairy tale about rarefied philosophical concerns.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
The broad comedy is somewhat strained and obvious, and the hyper-real atmosphere encourages the cast to slice the prosciutto a little thickly. But the film's sweet-natured ingenuousness proves reasonably contagious.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
A work that continually seems on the verge of genuine excitement but sabotages itself at every turn...results will intrigue only those interested in the nooks and crannies of Mamet's career.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Emanuel Levy
Lacking the moral indignation, outrage and militant politics that marked Lee's earlier work, this vibrantly colorful film is a tad too soft at the center, and arguably the director's most mainstream movie.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Even though Frakes is back, Star Trek: Insurrection plays less like a stand-alone sci-fi adventure than like an expanded episode of "Star Trek: The Next Generation."- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
David Rooney
While the premise has possibilities for some creepy, pulpy fun, writer-director Robert Parigi brings too little style or humor, instead going a more obvious, overwrought route.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Trying to wring yocks from a deranged couple locked in mortal combat over possession of their house is more suited to film noir than black comedy.- Variety
- Read full review
-
-
Reviewed by
Phil Gallo
Spectacular song selection gives the docu an appropriate rock 'n' roll swagger and accompanying soundtrack would be a valuable overview of the bands championed by Rodney on the ROQ.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Callahan mostly overcomes its grungy technical quality with entertaining dialogue, nervy confrontation scenes, decent thesping and some truly spectacular shooting on the green velvet.- Variety
- Read full review
-
Reviewed by