Variety's Scores

For 17,837 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17837 movie reviews
  1. A potentially provocative idea is played out to diminishing returns.
  2. A notch or two above the level of a TV sitcom, Slums of Beverly Hills, Tamara Jenkins' semi-autobiographical feature directorial debut, is a bawdy, extremely broad comedy.
  3. Despite the intriguing set-up, there's something unambitious and scaled-back about Star Trek Nemesis, so that most of the time it feels like a slightly suped-up episode of the "Next Generation" TV series.
    • 83 Metascore
    • 60 Critic Score
    Love, hate and violence, with little sympathy for the characters, is stirred up during the overlong film.
  4. This rambling and episodic autobiographical saga of three friends coming of age in Inglewood, Calif. (aka The Wood) in the '80s is so determined to be likable that it forgets to be interesting.
  5. Good performances and quirky humor make this slick if less than fully satisfying mix of romantic comedy and mystery an easy sit.
  6. An extremely handsome production that meticulously evokes the 1920s, and a likable male-dominated cast, headed by Matthew McConaughey in his best screen performance to date, only partially compensate for a story that's too diffuse and lacks a discernible point of view that would make it dramatically engaging.
  7. A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.
    • 86 Metascore
    • 60 Critic Score
    A curiously uneven movie.
  8. Gets an ambitious, sometimes inspired but ultimately less than satisfying screen treatment from Roger Avary.
  9. A tasty if wildly far-fetched thriller, Out of Time proves far stronger in its characterizations than in developing genuine suspense.
    • 47 Metascore
    • 60 Critic Score
    A faithful-unto-slavish remake of the 1960 Hitchcock classic, pic contains nothing to outrage or offend partisans of the original, yet neither does it stand to add much to their appreciation.
  10. Sensitive direction and a touching performance from Emile Hirsch in the title role help counter some dramatic naivete and awkward, at times unintentional, humor in The Mudge Boy.
  11. The few who saw the embalmed adaptation of "Snow Falling on Cedars" will recognize the same stifling approach brought to this more accessible material by director Scott Hicks.
  12. A heaping serving of metaphysical gobbledygook wrapped in a physically striking package.
  13. Grim but engrossing.
  14. Middleton's polished writing and amusing observations about the anxieties most people encounter when definitively farewelling their youth help compensate for her standard-issue direction.
  15. Lightweight but likable.
  16. xXx
    A brawny commercial attraction strategically tapping into the auds for extreme sports, spy pix, thrill rides, popcorn actioners and anyone looking to see Diesel kick butt, blow stuff up and/or take his shirt off.
  17. A picture that, even more than the previous two, feels like a bunch of gags tossed together. The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.
  18. A fine group of comic performers manages to keep the screen worth looking at despite the obsessively one-note nature of this curious matchup between MTV Films and producer Scott Rudin.
  19. The material is at heart an intimate allegorical fairy tale about rarefied philosophical concerns.
  20. The broad comedy is somewhat strained and obvious, and the hyper-real atmosphere encourages the cast to slice the prosciutto a little thickly. But the film's sweet-natured ingenuousness proves reasonably contagious.
  21. A work that continually seems on the verge of genuine excitement but sabotages itself at every turn...results will intrigue only those interested in the nooks and crannies of Mamet's career.
  22. Lacking the moral indignation, outrage and militant politics that marked Lee's earlier work, this vibrantly colorful film is a tad too soft at the center, and arguably the director's most mainstream movie.
  23. Even though Frakes is back, Star Trek: Insurrection plays less like a stand-alone sci-fi adventure than like an expanded episode of "Star Trek: The Next Generation."
  24. While the premise has possibilities for some creepy, pulpy fun, writer-director Robert Parigi brings too little style or humor, instead going a more obvious, overwrought route.
    • 80 Metascore
    • 60 Critic Score
    Trying to wring yocks from a deranged couple locked in mortal combat over possession of their house is more suited to film noir than black comedy.
  25. Spectacular song selection gives the docu an appropriate rock 'n' roll swagger and accompanying soundtrack would be a valuable overview of the bands championed by Rodney on the ROQ.
  26. Callahan mostly overcomes its grungy technical quality with entertaining dialogue, nervy confrontation scenes, decent thesping and some truly spectacular shooting on the green velvet.

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