For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Debruge
An uproarious odd-couple remake of Francis Veber's hit French farce "The Dinner Game."- Variety
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Dennis Harvey
Religious overtones, however, could make this the rare mainstream feature that connects with the faith-based entertainment market.- Variety
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Rob Nelson
This fawning docu goes to lengths to portray the octogenarian Playboy magazine founder as among the greatest figures of 20th-century American popular culture, while only cursorily acknowledging his status as a pioneering softcore pornographer.- Variety
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Joe Leydon
A faster, funnier follow-up in which CGI-enhanced canines and felines effect a temporary truce to combat a common enemy.- Variety
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Jay Weissberg
The story regurgitates the usual trappings of underdog tales, milking stereotypes as well as tear ducts.- Variety
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Todd McCarthy
Although too devoted to matters literary, theatrical, operatic and sexually outre to make it with general audiences, this adaptation of Jonathan Ames' novel exudes the sort of smarts and sophisticated charm specialized audiences seek.- Variety
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Joe Leydon
With a mix of sly humor, homespun grace and affecting poignancy, Get Low casts a well-nigh irresistible spell.- Variety
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Dennis Harvey
This entertaining docu by "When We Were Kings'?" Leon Gast is more eccentric personality portrait than the in-depth scrutiny of celebrity-culture madness afforded by fellow Sundance preem "Teenage Paparazzo."- Variety
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Ronnie Scheib
Despite the presence of Glen Matlock, Steve Dior and a handful of other punk rockers, plus a slew of oblique eyewitness who lurked around before and after the fact, the documentary soon bogs down in tiresome minutiae.- Variety
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Justin Chang
As a fierce superspy and mistress of many disguises, Jolie represents the one indisputably kickass element in this brisk, professionally assembled but finally shrug-inducing thriller.- Variety
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Justin Chang
It's not the personal, distinctive portrait of misfit girlhood it could have been.- Variety
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Ronnie Scheib
An edgier Richard Linklater for a less privileged generation, mumblecore helmer Frank V. Ross captures his characters' dead-end disaffection not through stasis, but through nervous activity.- Variety
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John Anderson
A politically urgent picture, it will also literally scare the breath out of what will certainly be a worldwide audience.- Variety
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Todd McCarthy
It's juicy, fascinating stuff, well orchestrated by Carion and finely thesped -- especially by Kusturica.- Variety
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Todd McCarthy
In revisiting his darkly comic 1998 ensembler "Happiness," Todd Solondz may have made his best film with Life During Wartime.- Variety
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Ronnie Scheib
The documentary sometimes bears an eerie resemblance to Claire Denis' brilliant "White Material" in its tense evocation of menace stalking the periphery of the frame.- Variety
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Ronnie Scheib
Spoken Word benefits from an improbably perfect storm of production circumstances: The muscular, balanced script, the brainchild of an unusual alliance between professional poet Joe Ray Sandoval and TV writer William T. Conway, consistently plays to Nunez's strengths.- Variety
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Richard Kuipers
Supplies no end of shock, but an underdeveloped emotional core keeps the viewer at arm's length.- Variety
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Justin Chang
If Inception is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's filmmaking -- an activity devoted to constructing a simulacrum of reality, intended to seduce us, mess with our heads and leave a lasting impression. Mission accomplished.- Variety
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- Variety
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Reviewed by
Jay Weissberg
A lovely, soulful feature from multihyphenate Pedro Gonzalez-Rubio that plays on the border between documentary and fiction.- Variety
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Ronnie Scheib
Pappas' scattershot musings on the social, political and metaphysical implications of extended healthy seniority come off as positively crystalline compared with the random natterings of the director's friends and neighbors, who are invited to chime in.- Variety
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Derek Elley
With very little dialogue, and even less plot, five chapter stops lend the movie a skeletal structure: "Wrath," "Silent Warrior," "Men of God," "The Holy Land" and "Hell." But any discussion of the Dark Ages conflict between paganism and Christianity is reduced to just grunts or insults.- Variety
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Justin Chang
The magic here feels machine-made and depressingly state-of-the-art.- Variety
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Rob Nelson
Sparked by wonderfully lived-in performances from Julianne Moore and Mark Ruffalo, The Kids Are All Right is alright, if not up to the level of writer-director Lisa Cholodenko's earlier pair of new bohemian dramas, "High Art" and "Laurel Canyon."- Variety
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Dennis Harvey
Perfs are adequate in a movie lacking much use for better ones, though Brody disappoints by using the stock sotto voce rasp of the uber-macho action hero who really, really means business.- Variety
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Peter Debruge
There's nothing like a little world domination to melt the most dastardly evildoer's heart. Since villains so often steal the show in animation, Despicable Me smartly turns the whole operation over to megalomaniacal rogue Gru.- Variety
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Boyd van Hoeij
This subpar Nordic crimer, leaves ample room for improvement for the inevitable U.S. remake.- Variety
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Eddie Cockrell
A curious young helmer tracks down the profanity-spewing subject of a two-decade-old viral video with results at once scabrously funny and uncomfortably poignant.- Variety
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Boyd van Hoeij
A sequel to the Spanish cult hit that offers an explanation for something that was far more effective when left largely unexplained.- Variety
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