Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. The script is never nearly as clever as the premise ought to allow, and the madcap fun is far too frequently derailed by tonal inconsistencies.
  2. The story lights up when world-class performer Chi Cao leaps about as the adult Li, but is marred by lumpy melodrama when the music stops.
  3. An unfunny, manipulative romance about two unlikable people and their prop of a son, the pic mangles the premise of its source material ("Baster," a 1996 short story by Pulitzer-winning novelist Jeffrey Eugenides) in ways that ought to baffle viewers of all sociopolitical stripes.
  4. A riveting account of how a soldier's death in Afghanistan was spun into a web of public lies.
  5. Guediguian's lengthy period yarn features a wide array of characters filmed with his habitual simpatico eye, but loses the dramatic thread in too many plots, too little action and not enough originality.
  6. It stands as a unique film-within-a-film, of significance for the historical value of the raw images, the memories they spur and internal evidence of how the Nazis staged scenes long assumed to be real.
  7. The lame mediocrity of Vampires Suck undeniably reps an advance for writer-directors Jason Friedberg and Aaron Seltzer. By just about any other standard, however, this instantly forgettable trifle is fairly close to worthless.
  8. Director Ryan Murphy's superficial take on Elizabeth Gilbert's phenomenally successful memoir is an exotic junk-food buffet that offers few lasting pleasures or surprises, let alone epiphanies.
  9. A nearly incoherent all-stars-on-deck actioner that plays like "Grown Ups" on nitro or a brutish, blue-collar "Ocean's Eleven."
  10. With Michael Cera in the title role, twentysomethings and under will swiftly embrace this original romancer.
  11. Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.
  12. This dull and humorless production won't reap the same critical support as the work of Miyazaki Senior.
  13. That the taste of Annemarie Jacir's feature debut should be bitter is completely understandable given the untenable Palestinian situation, but the heavy-handed, excessively didactic script plays like a primer for people only vaguely aware of the issues while overly confirmed in their righteousness.
  14. A delightful, well-crafted documentary.
  15. Made mainly by Yanks and New York-based Dominicans, the vibrant film bursts with local color and trades in very specific aspects of criminality, island-style.
  16. A little too well behaved at times, but zips along nicely when its raunchier elements kick in.
  17. This vapid street-dance soap opera boasts the series' flashiest moves and klutziest script yet, like a brilliant acrobat with a speech impediment; it's also one of the few 3D releases since "Avatar" to make compelling use of the format.
  18. The laughs ultimately take a backseat to a convoluted white-collar crime story.
  19. The fourth feature from Canadian writer-helmer Ruba Nadda ("Sabah") has a slightly breathless, old-fashioned feel, calling to mind the cliched fiction found in the type of ladies' magazine the heroine edits.
  20. A well-intentioned family pic about first love that's overly concerned with period details and life lessons, rather than the genuinely sweet characters at its center.
  21. "Boogie Nights" meets "Goodfellas" in Middle Men, a relentlessly sleazy but undeniably intriguing tour of the bottom-feeding netherworld where porn and organized crime do their mutual bump-and-grind.
  22. Crisp handling, some clever twists and a welcome streak of dry humor hold attention throughout
  23. A solid, gorgeous-looking documentary marred only slightly by a tendency to bury the lead -- namely, its subject, George Mallory.
  24. Can't decide if it's a cautionary tale or a lifestyle catalog.
  25. Visceral, torn-from-the-memory filmmaking that packs every punch except one to the heart, Lebanon is the boldest and best of the recent mini-wave of Israeli pics ("Beaufort," "Waltz With Bashir") set during conflicts between the two countries.
  26. Overlong and very Euro-flavored.
  27. "Mundo" saves the full effect for dramatically lit performances at stopovers along the road, climaxing at the jam-packed Luna Park arena in Buenos Aires.
  28. This low-budget curio feels remarkably authentic but lacks a core story structure.
  29. Unfortunately, picture's concept doesn't stretch to 74 minutes.
  30. Even if Matteo Garrone's "Gomorrah" hadn't dramatically raised the bar for mafioso movies, The Sicilian Girl would have repped a mediocre entry in the Cosa Nostra canon and a waste of an extraordinary true story.

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