For 17,810 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,150 out of 17810
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Mixed: 7,023 out of 17810
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Negative: 1,637 out of 17810
17810
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Andrew Barker
The script is never nearly as clever as the premise ought to allow, and the madcap fun is far too frequently derailed by tonal inconsistencies.- Variety
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Reviewed by
Richard Kuipers
The story lights up when world-class performer Chi Cao leaps about as the adult Li, but is marred by lumpy melodrama when the music stops.- Variety
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Reviewed by
Andrew Barker
An unfunny, manipulative romance about two unlikable people and their prop of a son, the pic mangles the premise of its source material ("Baster," a 1996 short story by Pulitzer-winning novelist Jeffrey Eugenides) in ways that ought to baffle viewers of all sociopolitical stripes.- Variety
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Reviewed by
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Reviewed by
Dennis Harvey
A riveting account of how a soldier's death in Afghanistan was spun into a web of public lies.- Variety
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Reviewed by
Jordan Mintzer
Guediguian's lengthy period yarn features a wide array of characters filmed with his habitual simpatico eye, but loses the dramatic thread in too many plots, too little action and not enough originality.- Variety
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Reviewed by
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Reviewed by
Todd McCarthy
It stands as a unique film-within-a-film, of significance for the historical value of the raw images, the memories they spur and internal evidence of how the Nazis staged scenes long assumed to be real.- Variety
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Reviewed by
Joe Leydon
The lame mediocrity of Vampires Suck undeniably reps an advance for writer-directors Jason Friedberg and Aaron Seltzer. By just about any other standard, however, this instantly forgettable trifle is fairly close to worthless.- Variety
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Reviewed by
Justin Chang
Director Ryan Murphy's superficial take on Elizabeth Gilbert's phenomenally successful memoir is an exotic junk-food buffet that offers few lasting pleasures or surprises, let alone epiphanies.- Variety
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Peter Debruge
A nearly incoherent all-stars-on-deck actioner that plays like "Grown Ups" on nitro or a brutish, blue-collar "Ocean's Eleven."- Variety
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Reviewed by
Peter Debruge
With Michael Cera in the title role, twentysomethings and under will swiftly embrace this original romancer.- Variety
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Reviewed by
Rob Nelson
Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.- Variety
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Reviewed by
Leslie Felperin
This dull and humorless production won't reap the same critical support as the work of Miyazaki Senior.- Variety
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Reviewed by
Jay Weissberg
That the taste of Annemarie Jacir's feature debut should be bitter is completely understandable given the untenable Palestinian situation, but the heavy-handed, excessively didactic script plays like a primer for people only vaguely aware of the issues while overly confirmed in their righteousness.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Made mainly by Yanks and New York-based Dominicans, the vibrant film bursts with local color and trades in very specific aspects of criminality, island-style.- Variety
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Reviewed by
Richard Kuipers
A little too well behaved at times, but zips along nicely when its raunchier elements kick in.- Variety
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Reviewed by
Justin Chang
This vapid street-dance soap opera boasts the series' flashiest moves and klutziest script yet, like a brilliant acrobat with a speech impediment; it's also one of the few 3D releases since "Avatar" to make compelling use of the format.- Variety
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Reviewed by
Peter Debruge
The laughs ultimately take a backseat to a convoluted white-collar crime story.- Variety
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Reviewed by
Alissa Simon
The fourth feature from Canadian writer-helmer Ruba Nadda ("Sabah") has a slightly breathless, old-fashioned feel, calling to mind the cliched fiction found in the type of ladies' magazine the heroine edits.- Variety
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Reviewed by
Andrew Barker
A well-intentioned family pic about first love that's overly concerned with period details and life lessons, rather than the genuinely sweet characters at its center.- Variety
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Reviewed by
Todd McCarthy
"Boogie Nights" meets "Goodfellas" in Middle Men, a relentlessly sleazy but undeniably intriguing tour of the bottom-feeding netherworld where porn and organized crime do their mutual bump-and-grind.- Variety
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Reviewed by
Dennis Harvey
Crisp handling, some clever twists and a welcome streak of dry humor hold attention throughout- Variety
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Reviewed by
Andrew Barker
A solid, gorgeous-looking documentary marred only slightly by a tendency to bury the lead -- namely, its subject, George Mallory.- Variety
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- Variety
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Reviewed by
Derek Elley
Visceral, torn-from-the-memory filmmaking that packs every punch except one to the heart, Lebanon is the boldest and best of the recent mini-wave of Israeli pics ("Beaufort," "Waltz With Bashir") set during conflicts between the two countries.- Variety
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- Variety
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Reviewed by
Ronnie Scheib
"Mundo" saves the full effect for dramatically lit performances at stopovers along the road, climaxing at the jam-packed Luna Park arena in Buenos Aires.- Variety
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Reviewed by
Ronnie Scheib
This low-budget curio feels remarkably authentic but lacks a core story structure.- Variety
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Reviewed by
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Reviewed by
Ronnie Scheib
Unfortunately, picture's concept doesn't stretch to 74 minutes.- Variety
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Reviewed by
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Reviewed by
Ronnie Scheib
Even if Matteo Garrone's "Gomorrah" hadn't dramatically raised the bar for mafioso movies, The Sicilian Girl would have repped a mediocre entry in the Cosa Nostra canon and a waste of an extraordinary true story.- Variety
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