Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Tremendous emotional force and uncompromising honesty.
  2. Films exist for different reasons, and the indisputable raison d'etre for About Schmidt is to showcase Jack Nicholson giving a master class in the art of screen acting.
  3. What the film lacks in context it gains in visceral eyewitness value.
    • 85 Metascore
    • 70 Critic Score
    Ironic realism is striven for and achieved in the writing, production and direction. An audience will quite easily pull for the crooks in their execution of the million-dollar jewelry theft around which the plot is built.
  4. A dazzlingly lensed, highly stylized meditation on heroism.
  5. Although limited in scope, the feature documentary debut of TV news veteran Cary Bell benefits greatly from the infectious personality of its subject, Abigail Evans.
  6. The film balances a bristling political conscience against its tenderly observed domestic drama.
  7. It’s a film of great tragedy, but one so rooted in beating humanity that you can’t help but be left furious, in addition to teary-eyed.
    • 85 Metascore
    • 90 Critic Score
    George Stevens handles the story and players in a manner that gives his production and direction a tremendous integrity. The casting is exceptionally good and the male stars have never been seen to better advantage.
  8. The movie has won year-end attention (it made this year’s Oscar documentary short list), and once you let yourself glide onto its wavelength, it’s got a cosmically becalmed addictive quality.
  9. A graceful, touching sampler of dilemmas few viewers are likely to have experienced, even as they become ever-more-common reality for the less fortunate in many nations.
  10. Food is the subject, the objective and the driving motor of this scantly plotted but utterly captivating love story.
  11. The concert film has never looked or sounded classier than Jonathan Demme's superbly crafted Neil Young: Heart of Gold.
  12. Hong’s film and his radiant star are not made for melancholy, and so instead they laugh — at the absurdity of hoping for some castle in the air when there’s so much life all around you, always, right in front of your face.
  13. Though the sheer scope of the material overwhelms “Pariah” director Dee Rees at times, she finds shoots of optimism among the mire that couldn’t be more welcome at a moment when the country seems more divided than ever.
  14. This radically intimate exploration of the desperately fraught concept of “passing” — being Black but pretending to be white — ought to be too ambitious for a first-time filmmaker, but Hall’s touch is unerring, deceptively delicate, quiet and immaculate, like that final fall of snow.
  15. On one hand, the cartoon is never afraid to be cute, but more importantly, it’s committed to being real.
  16. The film’s form is glancing, exploratory, open to the moment. Yet Nanfu Wang captures things that other documentaries leave out, like the private emotions bred by policies of neglect. And her theme, in the end, is larger than you think. It’s that big governments failed to control the virus because their real investment was in controlling everything else.
  17. As cinematographer and editor in addition to writer, director and producer, Vasyanovych is very much in charge of a vision whose aesthetics are rigidly controlled. The ironically titled “Atlantis” may well alienate some viewers with its austerity, but those willing to tough it out will feel rewarded.
  18. The opening frames of Honeyland are so rustically sumptuous that you wonder, for a second, if they’ve somehow been art-directed.
  19. Despite some imaginative packaging too often proves a drag in more than the sartorial sense. Taking Mitchell's sketchy book far too seriously, the movie grows leaden between its terrific songs.
  20. The film’s big scene is upsetting and unforgettable, one of those movie moments you can’t unsee and which seems destined to haunt you for years to come.
  21. The Japanese director’s gorgeous new feature, is the rarest type of film, not merely good enough to remind you what cinema can be, but great enough to remind you what life can be.
  22. Audaciously giving itself license to do whatever it wants, Leos Carax's narratively unhinged, beautifully shot and frequently hilarious Holy Motors coheres -- arguably, anyway -- into a vivid jaunt through the auteur's cinematic obsessions.
  23. Skipping some of the more predictable narrative obstacles we’ve come to expect from the coming-out drama, this sexy, thoughtful, hopeful film instead advances a pro-immigration subtext that couldn’t be more timely amid the closing borders of Brexit-era Britain.
  24. Led by performances imbued with barely concealed sorrow, regret and longing to come to terms with that which has been lost, Kaili Blues affords a view of people, and a nation, caught in between a haunting yesterday and — as implied by the film’s conclusion — a hopeful tomorrow.
  25. Clint Eastwood has crafted a tense, hard-edged, superbly dramatic yarn that is also an exceedingly intelligent meditation on the West, its myths and its heroes.
  26. A beautiful, complex work that challenges viewers to mentally sift interior and exterior journeys.
  27. Broinowski commits the crucial error of hanging around way too long once all key questions have been answered.
  28. A fascinating and heartfelt documentary.

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