Variety's Scores

For 17,777 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17777 movie reviews
  1. Blue Film is an unabashed provocation, but not a hollow one. Its dual protagonists — one a convicted pedophile, one a hyper-macho fetish camboy — don’t invite uncomplicated sympathy, so it’s just as well Tuttle is more interested in understanding them, exposing their respective damage in articulate detail, and letting the audience take things from there.
  2. Pacing is on the button, and the film moves inexorably, without any flat moments, toward the suspenseful, if morally indefensible, finale.
  3. As the audience is taken in by this intimate and well-observed drama, the rug gets pulled from beneath them by revealing the violence and strife that was simmering underneath. It’s a trick so devastating that it completely upends the movie, elevating it into a deeply humanist narrative.
  4. A Real Pain is an easy watch, a buddy movie rooted in the existential fun of verbal sparring. Yet it has an emotional kick that sneaks up on you.
    • 85 Metascore
    • 70 Critic Score
    Competent and experienced hand of the director is apparent throughout this production, which is a smart one and executed in a business-like manner from start to finish.
    • 85 Metascore
    • 40 Critic Score
    Roeg's bag is photography, but pretty pictures alone cannot sustain - and, in fact, inhibit - this fragile and forced screen adaptation of a James Vance Marshall novel.
  5. A dense, emotionally satisfying portrait of a man, a time and a place.
  6. The result offers mixed levels of satisfaction, most successful in capturing the protagonist’s leap into adulthood and her increasing reliance on the forthright, independent-minded women around her.
  7. Come for the arch, bitchy humor promised by the title and the director’s general social media brand; stay for the unabashed sweetness of the enterprise; leave with the distinct sense that there’s more to Firstman than his online persona.
  8. Audiences looking for something fresh and different, not to mention a head trip, will find it in Waking Life.
  9. As a movie, The Green Knight feels like it was scraped out of the deepest, muddiest archaeological sediment of the Age of Chivalry.
  10. Destined to rank as one of the major achievements in American documentary, the "Paradise Lost" project comes to a presumed end with Paradise Lost 3: Purgatory.
    • 85 Metascore
    • 80 Critic Score
    The film’s nervewracking quality is consistent with its content. Nicholson’s performance is a remarkably varied and daring exploration of a complex character, equally convincing in its manic and sober aspects.
    • 85 Metascore
    • 100 Critic Score
    An outstanding motion picture...It’s still raw, tough dramatic stuff of great entertainment pull for adult ticket buyers. Only a few will find it too strong for their effete tastes. Importantly, the distaffers will like it.
  11. A pounding, pulsating thriller that provides an almost constant adrenaline surge for nearly two hours.
  12. With its accelerated rhythm, relentless flow of incident and wizard-war endgame, "Part 2" will strike many viewers as a much more exciting, involving picture than the slower, more atmospheric "Part 1."
  13. A wholly delightful talkathon.
  14. Athlete A is a testament to their perseverance, and to the courage of all those who stood up in court to face the man who had violated their humanity. But it’s also a testament to the obsession that gave cover to their abuse — to a culture that wanted winners at any cost.
  15. This deliberately paced psychological drama builds an ever-tightening knot of tension around an excellent Michael Shannon, here playing a family man slowly driven mad by apocalyptic visions that could be paranoid, prophetic or both.
  16. For a healthy stretch, The Salesman is even more low-key, minimal, and contained than the earlier Farhadi films. Yet the writer-director’s technique is just as assured as before. Every shot is in place, every line leading to an outcome that feels quietly up for grabs.
  17. Belzberg's unsparing camera sometimes portrays a level of cruelty that tests viewers' tolerance, but her fearless aesthetic is also a measure of the film's brilliant indictment of any society that can allow its most vulnerable to slip into oblivion.
  18. A sensitive, intimate, enormously touching drama.
  19. Surprisingly lacks a feeling of personal urgency and insight that would have made it a distinctive, even unique contribution to the considerable number of films that deal with the war in general and Holocaust in particular.
  20. The film’s gaze is arguably as mocking as it is dazzled — with the macho posturing and hero-worship of Roca Rey a tacit source of comedy — while Serra, living up to his reputation for challenging arthouse fare, doesn’t flinch in his presentation of animal abuse and suffering.
  21. Dahomey is a striking, stirring example of the poetry that can result when the dead and the dispossessed speak to and through the living.
  22. Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless — which is not at all the same thing as scareless.
  23. There are scenes in Spielberg’s version that will melt you, scenes that will make your pulse race, and scenes where you simply sit back and revel in the big-spirited grandeur of it all.
    • 85 Metascore
    • 50 Critic Score
    The film is technically and physically handsome, all the more so for being mostly location work, but lacks a cohesive and reinforced sense of story direction.
  24. Song of the Sea is differentiated not only by its rich visual design — grayer and more subdued than “The Secret of Kells,” yet still a marvel to behold — but also by its ethereal musical dimension, another collaboration between composer Bruno Coulais and Irish folk band Kila.
  25. Amy
    Hardly innovative in form, but boasting the same depth of feeling and breadth of archival material that made Kapadia’s “Senna” so rewarding, this lengthy but immersive portrait will hit hard with viewers who regard Winehouse among the great lost voices not just of a generation, but of an entire musical genre.

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