Variety's Scores

For 17,810 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17810 movie reviews
  1. Although not entirely successful, this intriguing, above-average genre effort still reps an ambitious and resourceful debut for helmer/co-writer Scott Schirmer.
  2. Alluring if not especially illuminating.
  3. The majesty and imperiled status of the world’s aquatic life are vividly captured in Mission Blue.
  4. Connor and co-director Michael Worth allow Fort McCoy to proceed at an unhurried pace, giving Stoltz ample opportunity to subtly convey undercurrents of guilt and anger percolating beneath his character’s affable exterior.
  5. Runs through spy-movie cliches with such dogged obligation that it often plays like a YouTube compilation of scenes from older, better thrillers, generating little overall tension and only occasionally approaching basic coherence.
  6. The writer-director-producer’s pulsing, pencil-etched, pastel-hued animation style is a pleasure to behold as ever.
  7. Suitable for teens — lies somewhere between indignant expose and unusually tasteful exploitation picture, with shower scenes and sweaty young delinquents aplenty.
  8. Zagar’s thesis — that overpowering media exploitation determined its legal outcome early on — is introduced in the very first shot, then hammered home harder the longer the pic goes on.
  9. The mix of raucous buffoonery and violent mayhem isn’t exactly seamless, and the laugh-out-loud moments come with conspicuously less frequency during a third act that suggests a rough draft for “Bad Boys 3.”
  10. The Giver reaches the screen in a version that captures the essence of Lowry’s affecting allegory but little of its mythic pull.
  11. The film deserves more than just a passing grade, and is a good deal better than any plot synopsis might make it sound.
  12. Neither the script’s up-to-the-minute signifiers nor its cheekily self-aware humor can entirely dispel a formulaic feel.
  13. A spunky yet surprisingly sad portrait of a sexually liberated man held captive by his past, forever chasing and trying to rewrite his own legend.
    • 76 Metascore
    • 80 Critic Score
    Though shy on background info, the docu offers a fascinating portrait.
  14. Into the Storm can make it rain like nobody’s business, but when it tries to be smart, it comes out all wet.
  15. After a seductively moody intro, Michael Walker's domestic thriller devolves into a cartoonish attack on the filthy rich.
  16. Even at its most purplish and highfalutin (mostly in the “Her” section), “Eleanor Rigby” always aims for something sincere, and when Benson pulls back a bit — and stops trying to show us how much Freud he’s read and how many Bergman films he’s seen — the movie becomes vastly more engaging.
  17. At its core is a most affecting portrait of two people who love each other, but may no longer be able to live as one, and it is mostly a pleasure to spend two, or three, or five hours in their company.
  18. This is the sort of numbskull non-entertainment that considers it worthwhile to fly in a martial-arts superstar like Jet Li and have him sit around firing a machine gun, pausing every so often to deliver the most awkward line readings of his career.
    • 50 Metascore
    • 70 Critic Score
    An above-average martial-arts actioner that reinforces Donnie Yen’s “Man With No Name” ambience.
  19. Neither a particularly good movie nor the pop-cultural travesty that some were dreading.
  20. Fittingly, though, given the uniformly regurgitated feel, the projectile-vomit effects are superb.
  21. It’s the trench imagery itself that’s the primary attraction here, and it proves more than worth the wait.
  22. Despite all that it withholds, The Strange Little Cat ultimately proves a far more revealing form of family portrait.
  23. Unfortunately, Drunktown’s Finest too often suffers from stilted performances and scripting.
  24. A slender but polished dramedy.
  25. Boseman is an empathic presence, and nothing he does smacks of mimicry. He feels Brown from the inside out, the way Brown felt his own distinctive rhythms, and even when the movie itself seems to be on autopilot, Boseman never leaves the captain’s chair.
  26. A film that should but doesn't get under your skin and give you the creeps.
  27. An enjoyable if never electrifying record of his Unity Through Laughter stand-up tour.
  28. The sophomore effort from Jake Paltrow (“The Good Night”) gets so bogged down in its primal tale of murder and revenge that the most intriguing elements become little more than futuristic window dressing.

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