Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
    • 58 Metascore
    • 70 Critic Score
    Throughout, director Joe Dante and writer Eric Luke load the proceedings with references to sci-fiers of an earlier day, such as War of the Worlds, This Island Earth, Journey to the Center of the Earth and many others, but this is nothing compared to what happens when the trio of youngsters finally take off into outer space and make contact with an alien race.
  1. Genially cartoonish but also rather sweet.
  2. The Drop is at once upfront and highly effective in its manipulations, tugging at our heartstrings even as it flicks away at our nerves.
  3. One could argue that “Mockingjay” didn’t really merit being split in two (and surely a single three-hour movie could be made of it), but we benefit from the fact that the film has been given room to breathe, which allows for subtle character moments...and the gradual building of suspense during the actual siege in the Capitol.
  4. Those who have had their fill of the director’s impressionistic musings will find his seventh feature as empty as the lifestyle it puts on display; for the rest of us, there’s no denying this star-studded, never-a-dull-moment cinematic oddity represents another flawed but fascinating reframing of man’s place in the modern world.
  5. Clumsy storytelling decisions, however, can’t entirely get in the way of a good story, and it’s when Suite francaise focuses on the simplest human dynamics of its yarn that it forges a sincere emotional connection.
  6. While never as gripping as a good piece of fiction, Goold’s treatment actually manages to improve on the book, even if that meant fabricating a few things along the way.
  7. A lively comic jamboree that’s sometimes smarter than it is funny and hits about as often as it misses, but is, on balance, a good deal of fun.
  8. Perhaps the cleverest thing about Barker-Froyland’s delicately contrived debut is how uncontrived she manages to make it seem.
  9. A sweetly amusing ode to the underdog sports movies that proliferated during that widely derided decade.
    • 76 Metascore
    • 70 Critic Score
    A story of perseverance and survival in hell on earth, The Killing Fields represents an admirable, if not entirely successful, attempt to bring alive to the world film audience the horror story that is the recent history of Cambodia.
  10. If the narrative progression feels too tidy and circumscribed, Shelton’s talent for bringing out the best in her actors remains satisfyingly intact.
  11. It’s naughty, campy and wildly uneven.
  12. Snyder has set a Sisyphean task for himself. That this very long, very brooding, often exhilarating and sometimes scattered epic succeeds as often it does therefore has to be seen as an achievement.
  13. Camp X-Ray is most commendable for believably depicting the U.S. military from a female’s point of view.
  14. Works better as a series of well-conceived, impeccably timed and executed physical gags, with light dustings of pathos, than as the story of a woman sacrificing her artistic identity on the altar of motherhood.
  15. The constant, genial comic undercurrent of teenspeak exchanges, penned by the writing team of helmer Meyer and Luke Matheny, contrasts satisfyingly with Kingsley’s wry musings and the more serious treatment given to David’s evolving maturity.
  16. Unexpectedly but effectively cast in a role that plays to his sullen strengths, Pitt has a palpable, playful rapport with Arianda, a Tony-winning Broadway ingenue whose warm, expressive features and tinderbox comic timing recalls the young Marisa Tomei.
  17. Cleverly complex, if not quite as scary or memorable as one might have hoped.
  18. Rossato-Bennett’s over-the-top narration often sounds cloying and banal... But the filmmaker succeeds in providing context, medical and historical, in between awakenings.
  19. What gives the story its moment-to-moment buoyancy is the pleasure of watching two actors working brilliantly in tandem.
  20. The screenwriter/playwrights have processed the characters’ last words in ways that imbue them with as much humanity as possible.
  21. This is neither an indictment nor an endorsement but simply a refreshing departure from the combative tone of contemporary politics and political coverage.
  22. While the subject remains something of an enigma offstage, this absorbing and deftly crafted documentary compels interest throughout.
  23. Director Josh Boone is hardly the most distinctive cinematic stylist, but he’s smart enough to let his scenes linger for a few beats longer than most mainstream directors would, and seems to trust his actors to carry their own dramatic weight.
  24. Boorish and crass, homophobic and misogynistic, the very definition of sloppy seconds — par for the course where the present generation of male-driven, R-rated, “Hangover”-aping franchise comedies are concerned. That it somehow manages to send you out of the theater feeling tickled rather than sullied may be a mystery as impenetrable as the cosmos.
    • 59 Metascore
    • 70 Critic Score
    Being a picture of extravagant proportions, even its few flaws are king-sized, but the plusses outweigh by far the minuses. It is a throwback to the wild, wacky and wondrous time of the silent screen comedy, a kind of Keystone Kop Kaper with modern conveniences.
  25. The pacing gradually accelerates after a leisurely first act, so that The Attorney easily sustains interest, and often stirs emotions.
  26. At more than two hours, The Dance of Reality unquestionably has its longueurs, but on balance it is alive with enough images and ideas for several movies — as if Jodorowsky were afraid he might have to wait 20 more years before making another.
  27. Planes: Fire & Rescue is a slight but improbably successful example of a movie that, despite its profusion of chrome and steel, somehow succeeds in touching something human.

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