Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. That the film still works as well as it does is due to not only its polished craftsmanship and disarming comedy-of-manners approach, but also its fascinating insights into the conflicted mindset of British society
  2. Evan Jackson Leong’s film makes the most of its superior access and exciting basketball footage, overcoming repetitive stretches by sheer dint of a tremendous underdog story.
  3. Writer-director Lucy Mulloy’s sexy, pulsing debut feature has an undercurrent of ribald comedy that doesn’t entirely prepare the viewer for the harrowing turn it eventually takes, but it nonetheless amounts to a bracing snapshot of desperate youths putting their immigrant dreams into action.
  4. [A] deft assemblage of homemovies, work tapes and interviews is further invigorated by 1980s interviews with Pomus and a dynamite soundtrack of his rock ‘n’ roll perennials.
    • 55 Metascore
    • 70 Critic Score
    National Lampoon’s Vacation is an enjoyable trip through familiar comedy landscapes.
  5. Even at its low ebb, the movie effuses an infectious, mischief-making joy.
  6. A beautifully made rocky-road-to-love comedy in which many obstacles intrude before the right people finally get together, although not in quite the way you might expect.
  7. Much like a work of art, the film invites a range of reactions, though it’s far easier to process than the daubs, doodles and other weird works that now hang all over the country.
  8. Lewder, weirder, louder, leaner, meaner and more winningly stupid than anything its director Nicholas Stoller and star Seth Rogen have ever been involved with before, frat comedy Neighbors boasts an almost oppressive volume of outrageous gags.
  9. Covering a broad swath of liberal economic theory in brisk, simply stated fashion, Inequality for All aims to do for income disparity what “An Inconvenient Truth” did for climate change.
  10. The director commissioned Struzan to paint the one-sheet for his debut, “Sexina: Popstar P.I.,” and while this sophomore effort is no masterpiece, it’s far more deserving of Struzan’s talent.
  11. While no doubt a more evenhanded documentary remains to be made on this issue, the Takatas’ effort is polished and convincing on its own terms.
  12. Both “Ted” movies are, ultimately, one-joke affairs rooted in the idea of taking some emblem of childhood innocence and vulgarizing it.... That joke, though, turns out to be a resilient one, and the chemistry between Wahlberg and MacFarlane is infectiously puerile.
  13. Sometimes a hard-hitting expose, sometimes a big-hearted crowdpleaser, Million Dollar Arm wants it both ways to be sure, but its instincts are mostly right on the money, as are its actors.
  14. Escape From Tomorrow is a sneakily subversive exercise in low-budget surrealism and anti-corporate satire.
  15. Hua Tien-hau’s sentimental, conventionally inspiring film offers good-natured insights on the importance — and the difficulty — of living life to the fullest at any age.
  16. A straightforward account of the show’s journey from conception to rehearsal to Great White Way triumph, it effectively doubles as a traditional let’s-put-on-a-show musical in its own right, albeit one with heavier guitars.
    • 48 Metascore
    • 70 Critic Score
    Drawn from real life, the conflict between cultures is good for both a laugh and a sober thought along the way.
  17. The final days of a band of 1930s Christian rebels in the central Mexican wilderness are depicted with majestic stoicism in Matias Meyer’s elegant ode to independence.
  18. That We Are What We Are steers just shy of silliness even at its most outrageous is in large part thanks to a committed cast of non-disposable character actors.
  19. The film’s rather simplistic cultural juxtapositions, pitting artistic appreciators against status-seeking philistines, work best when narrowly focused on the subject of wine.
  20. Cheerfully gory, derivative and silly, Bounty Killer aspires to nothing more or less than trashy fun for genre fans, and this umpteenth “Mad Max”-style dystopian actioner delivers on that modest but admirable score
  21. Not so much harrowing as achingly reflective.
  22. Filmmakers take a shotgun approach to comedy, inundating the viewer with wisecracks that, more often than not, don't go over. But those that do still add up to lotsa laughs, and the sheer weight of them eventually builds an atmosphere of mild lunacy that it's useless to resist.
  23. Boseman is an empathic presence, and nothing he does smacks of mimicry. He feels Brown from the inside out, the way Brown felt his own distinctive rhythms, and even when the movie itself seems to be on autopilot, Boseman never leaves the captain’s chair.
  24. Charged by alternating currents of nostalgic bemusement and wistful melancholy, TV Man: The Search for the Last Independent Dealer evinces all the amiable enthusiasm and discursive rambling one might expect from a do-it-yourself labor of love.
  25. This engaging if somewhat underwhelming tale of unlikely redemption builds a funny-sad web of intersecting interactions around its strong central perfs.
  26. A thoughtful, detailed chronicle of the Fed’s origins, responsibilities and shifting monetary policies.
  27. Beautiful lensing by Mauro Brattoli and an evocative score Steve Poltz enrich the pic’s flavor as a document of, and a tribute to, an iconic cowboy’s indomitable spirit.
  28. It’s a measure of Benson’s sure, skillful hand with actors that all the relationships in the movie — husband and wife, parent and child — feel lived-in and true, even when the dialogue strains too hard for the meaningful and poetic.

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