Variety's Scores

For 17,831 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17831 movie reviews
  1. Mikkelsen impresses here as a warm-hearted man who finds himself caught up in a situation way beyond his control.
  2. The clearest achievement of Dolan’s typically self-indulgent eye-popper comes in equating its gender-bending protagonist’s metamorphoses with those in any relationship that lasts for years.
    • 69 Metascore
    • 70 Critic Score
    Linklater springs these seemingly random encounters together with a fluid, on-the-move style. Basic problem, given the absence of storyline, is that interest quickly rises and falls by virtue of who happens to be on screen.
    • Variety
  3. A portrait of an invisible man, Herman's House is a raised voice in the constitutional debate over solitary confinement.
  4. Furious 7 provides both a satisfying chapter in the movies’ preeminent gearhead soap opera and a tactful, touching memorial to Walker.
  5. For a certain type of contemplative teen girl, its sensitive handling of heavy material will surely prove affecting, though the picture sometimes veers too far to the sleepy end of low-key.
    • 43 Metascore
    • 70 Critic Score
    The Francis Coppola script and Jack Clayton's direction paint a savagely genteel portrait of an upper class generation that deserved in spades what it got circa 1929 and after.
    • Variety
    • 44 Metascore
    • 70 Critic Score
    Revenge of the Nerds shows more than enough smarts to deserve a passing grade.
    • Variety
  6. Although the pacing is more laidback than in “Au revoir Taipei,” the humor more rooted in believable (if bizarre) real-life situations than in slapstick shenanigans, the comic timing remains spot-on and the jokes fetchingly offbeat in an utterly Taiwanese way.
  7. Meticulously crafted by Ecuadorian helmer Sebastian Cordero and his team, this futuristic tale of astronauts searching for signs of life near Jupiter was ostensibly shot using cameras positioned aboard their spacecraft; their video diaries have been cannily reassembled into something coherent and genuinely compelling on their own low-key terms, if a touch over-earnest at times.
  8. After establishing its fresh and relatable origin story, the movie gets bogged down with a relatively generic villain’s power-hungry schemes. Still, there’s enough that’s new and different about Big Hero 6 to get excited about, especially for those still too young for Marvel’s more intense live-action fare.
    • 70 Metascore
    • 70 Critic Score
    Most striking in “Honey” are closeups of the bees in their hives, symbiotically working together in creating their new queen: Imhoof rightfully spends time detailing the extraordinary nature of bee social structure.
  9. Berg’s blunt, pummeling style offers few nuances and makes no apologies, but his broad brushstrokes have clearly found an ideal canvas in this grimly heroic rendering of hell on earth.
  10. If the emotional mathematics don’t quite add up, enough diversion is provided by pic’s broader comic setpieces to paper over the cracks.
  11. While written epilogues provide upbeat updates on the subjects’ endeavors, the overall impression is one of a draining uphill struggle for relatively little personal reward given the enormous stakes involved in the planet’s continued ecological destruction.
  12. An entertaining profile of the self-avowed participatory journalist and his tumultuous life and times.
  13. A fast, fizzy and frenetically entertaining extension of the manic gaming franchise.
  14. To the extent that Adele’s hunger for affection resonates with audiences, what emerges is a powerful — if implausible — romance.
  15. The director retains his controlled style even as he moves toward a more traditional narrative mode.
  16. A sly, insidious and intermittently hilarious domestic thriller.
  17. Jimmy P. is never better than when its two leads share the screen, a relationship all the more resonant and moving for Desplechin’s refusal to make it cutesy or contrived.
  18. A delightfully intricate battle of wits and wills in which the question of who’s directing/seducing/torturing whom remains constantly shifting open to interpretation.
  19. Close encounters of the charming kind infuse The History of Future Folk, which will likely be remembered as the first neo-hipster Brooklyn sci-fi movie.
  20. There’s much to admire in the film’s elegantly classical tempo and the way Omirbayev achieves so much with so little.
  21. Helmers Mike Lerner and Maxim Pozdorovkin... don’t quite get to the issues behind the trio’s infamous performance at the historic Christ the Savior Cathedral in Moscow last year, but the young women’s vulnerability and defiance make for stirring viewing.
    • 50 Metascore
    • 70 Critic Score
    Always is a relatively small scale, engagingly casual, somewhat silly, but always entertaining fantasy.
  22. It takes pains to make the political personal, forging the viewer’s identification with Scahill by making persistent use of his voiceover narration and keeping him oncamera throughout.
  23. Gallic helmer Eric Valette (“State Affairs”) invests this giddily implausible crime yarn with a propulsive sense of energy.
  24. Despite its dubious inhabitants, the film consistently entertains by throwing the kinds of curves one should see coming but doesn’t.
  25. Mike Leigh has made one of his most modest pictures, although one that offers quite a few laughs and other quirky pleasures.

Top Trailers