Variety's Scores

For 17,832 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17832 movie reviews
  1. While not quite the “art” it’s billed to be, if the perfect con is about diverting one’s focus, then this one keeps you distracted till the end.
  2. Mistaken for Strangers, a documentary about indie group the National, comes off like an exercise in self-deprecation. As much a diary film as a rockumentary, it almost compulsively veers away from its ostensible subject.
  3. The writer-director’s stress on the small, degrading details that attend yearning as well as her protagonist’s desperation and self-deception make it more mood piece than straightforward narrative, but the ultra-confident production proves that Hittman’s a talent to watch.
  4. Even when he’s dealing with this boilerplate material, Collet-Serra brings an understated intensity and a subtle emotional pull to every scene, aided immeasurably by actors who invest their roles, big and small, with just the right degree of conviction.
    • 70 Metascore
    • 70 Critic Score
    Fatal Assistance is a powerful indictment of the aid process, though Peck lets Haitian politicos off too lightly, and the voiceovers would be better on paper.
  5. Wan has a gift that most slam-bang horror directors today do not: a sense of the audience — of their rhythm and pulse, of how to manipulate a moment so that he’s practically controlling your breathing.
  6. The film has been skillfully realized as a commercial entertainment on a huge scale, and it is often surprisingly beautiful.
  7. Awful Nice carves out all the touchy-feely stuff that makes Judd Apatow movies run two reels too long in favor of a jump-cut style that eliminates the fat and keeps the jokes coming.
  8. A stirring, broad-strokes account of the founding of Brazil’s Xingu National Park... Boasting breathtaking cinematography, remote, rarely seen locations and charismatic thesping.
  9. Under Johnson’s patient, observant direction, a relationship that might sound ridiculous on paper lives and breathes with surprising tenderness and plausibility onscreen.
  10. Giving not an inch to any sort of readable moral paradigm, this third installment in Potrykus’ Grand Rapids-set animal trilogy (including his 2010 short “Coyote” and his 2012 feature “Ape”) proves as fascinating as it is off-putting.
  11. Aiming more for bemused chuckles than for convulsive laughter, Plotnick and his actors deftly evoke a faux Me Decade ambiance throughout Space Station 76.
  12. The extent to which it’s hilarious and revelatory, however, may depend on viewers’ degree of prior intimacy with all things Harmonic.
  13. 97-year-old Detroit fixture Grace Lee Boggs doesn’t just explode the docile-Asian-female stereotypes Lee set out to question with her earlier pic; she makes an inspiring case for self-determination and intellectual fortitude regardless of background.
  14. It’s not so common to find an ensemble of this caliber so enthusiastic to work together, and that chemistry comes across.
  15. For those who know the strip well, The Peanuts Movie should feel like the first day of a new school year, reunited with a classroom full of familiar faces.
  16. [A] loosely structured, always informative, sometimes illuminating portrait docu.
  17. Scripter Wittliff and Spanish helmer Emilio Aragon (“Paper Birds”) hit the sweet spot between galloping and sauntering while unfolding the movie’s plot, an interlocking chain of coincidences, encounters and colorful supporting characters that often recalls the twisty storylines of Elmore Leonard.
    • 51 Metascore
    • 70 Critic Score
    Out of traditional horror material consisting of red herrings, sudden shock movements into frame, etc, helmer Amy Jones develops some very stylish sequences.
  18. Neither as striking nor as fundamentally scary as its predecessor, this pumped-up, robustly crafted pic is still quite a ride.
  19. The film’s truest and most meaningful chemistry is generated by Ellie and Charlie, two individuals who are so fun to hang out with that they justify even the film’s flimsiest narrative setups.
  20. A formulaic and functional documentary that nevertheless proves effective at getting the message out about America’s addiction to unhealthy food.
  21. This globe-trotting debut effort by helmer Aaron Yeger and his producing team offers a vivid mix of visual evidence, historical commentary and survivor testimonies. It’s less successful trying to integrate the struggles of today’s Roma, which merits a docu of its own.
  22. This fascinating but uneven pic has a conceptual rigor that doesn’t always translate into compelling viewing or even a smooth narrative whole. Nevertheless, it reps a strong debut from tyro helmer-writer Nadav Lapid.
  23. Alain Gsponer’s well-crafted romantic comedy, glides along on the sheer power of rising German star Daniel Bruhl’s boyish charm.
  24. [A] meticulous postmortem.
  25. The filmmakers etch the character dynamics so astutely that we never doubt the credibility of even the most ill-considered actions.
  26. Hentoff presides over a film rich in the sounds and occasional sights of legendary cultural figures, from Lenny Bruce and Malcolm X to Bob Dylan and Coleman Hawkins.
  27. [A] good, middlebrow adaptation — which, despite being scripted by Banville himself, sacrifices much of the novel’s structural intricacy for Masterpiece-style emotional accessibility.
  28. While not necessarily the definitive cinematic account of Chavez’s life or the UFW movement, Cesar’s Last Fast provides a well-crafted, sometimes stirring encapsulation.

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