Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. A fascinating story, albeit with some missed opportunities in the telling.
  2. Enjoyable, if sometimes scattered, comic exploration of the quest for integrity and depth in a world wowed by artifice and superficiality.
  3. A smart and snappy drama tinged with dark humor and brimming with self-confidence.
  4. Affectionate spoof merits appreciation as a not-so-dumb salute to another era's ultra-dumb genre conventions.
  5. Baker does an amazingly sensitive job with the ticklish part and is joined in this by Read, who is superlative as his inquisitive young son.
  6. A polished genre piece with superior fright elements.
  7. The teaming of Samuel L. Jackson and Kevin Spacey, two of the most highly regarded actors around, in perfectly fitting roles that call for a battle of wits and wills, proves to be a shrewd piece of casting, and the best element of The Negotiator.
  8. A fascinating portrait of an era, as well as of a unique public servant.
  9. Crialese's first feature in his native Italy is a small but distinctive drama that displays a firm command of his cast, an arresting visual sense and an admirable avoidance of facile sentiment or cliche.
  10. Artfully evokes the physical realities of Irish poverty, but mostly misses the humor, lyricism and emotional charge of Frank McCourt's magical and magnificent memoir
  11. Credibly and absorbingly relates the tale of journalistic fraud perpetrated by young writer Stephen Glass at the New Republic five years back.
  12. Although it falls far short of fulfilling its full potential as a dark comedy of desperation, Dead Man on Campus is a modestly amusing trifle that merits a passing grade as lightweight entertainment.
  13. Richardson, who gracefully sways through a memorable drunk scene, and Quaid, whose megawatt smile has never been more dazzling, are disarmingly charming as the parents. And that's important; if the actors were any less engaging, the audience might not be so forgiving of their characters.
  14. Unfolds at a leisurely but enjoyable pace, its dramatic contrivances never pushed too hard.
  15. The movie essentially mirrors the non-diva, down-to-earth personalities on which their act is based, and which include a sizable amount of self-parody.
  16. A zippy, frothy confection that emerges as agreeable middle-range Woody.
    • 77 Metascore
    • 70 Critic Score
    Alda is perfect casting as a successful TV comedy producer, whose pompous attitude and easy romantic victories with women (including Farrow) exasperate Allen.
  17. At its best, Garbus' account quietly depicts a set of wasted lives, and a closing image of Allen's plywood casket carted away by a bulldozer is emblematic of the tragedy.
  18. Lazin has without question skillfully assembled an entertaining, strongly narrative nonfiction package.
  19. Summer of Sam is never less than absorbing but feels just a bit like yesterday's news, both narratively and cinematically.
  20. Noteworthy for its detail and evenhandedness.
  21. For all its careful plotting, some viewers may find the exercise ultimately hollow and nasty, but thesps make the experience completely worthwhile.
  22. Sublimely pointed in its idealistic simplicity yet willfully scruffy in presentation -- much like the enduring Young's best music.
  23. Respectable when it should be thrilling, honorable when it should be rough and ready.
  24. Visceral and sweat-drenched, but also attaining a genuinely epic stature in its final reels.
    • 75 Metascore
    • 70 Critic Score
    An unpleasantly gripping thriller... Interesting Hitchcockian guilt transference territory and Mann's grip on his material is tight and sure. Director is at all times preoccupied by visual chic.
  25. A borderline pretentious, overly inflated picture.
  26. A rough, gritty, often scabrously humorous tribute.
  27. The younger casting brings a freshness to the material and, with Allen as the weird mentor, there are plenty of laughs, even if the pacing's slow and the running time over-extended.
  28. An extremely enjoyable neo-screwball comedy about attractive opposites on the road.

Top Trailers