For 17,828 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,160 out of 17828
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Mixed: 7,031 out of 17828
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Negative: 1,637 out of 17828
17828
movie
reviews
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- By Critic Score
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Reviewed by
Todd McCarthy
Nunez achieves a rare, and rarely earned, emotional depth that rewards the moderate demands he makes on contemporary viewers' short attention spans.- Variety
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Enter Charles Grodin, who upstages all involved via his savagely comical portrayal of a CIA agent.- Variety
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Reviewed by
Emanuel Levy
Mounted as an art film and is likely to divide both critics and the helmer's fans.- Variety
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Emanuel Levy
Steve Zahn shines throughout Mark Illsley's feature debut, Happy, Texas, elevating this eccentric small-town comedy a notch or two above its level of writing.- Variety
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Reviewed by
David Rooney
While it's a little shapeless and dramatically overwrought, the film remains entertaining thanks to its fascinating subject, sharp visuals and fiercely proud central performance.- Variety
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Robert Koehler
De Niro's reunion with helmer Michael Caton-Jones doesn't stoke the same fire as their previous pere-fils drama, "This Boy's Life," partly because De Niro's latest portrayal of a troubled cop feels so familiar.- Variety
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Todd McCarthy
The lack of a plausible leading lady is enough to sink what is otherwise an eye-catching, although heavily '90s-style, telling of one of history's most frequently filmed stories.- Variety
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Reviewed by
Todd McCarthy
A perfectly respectable kid-friendly family offering.- Variety
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David Stratton
The briefest of the three pics, it's also the least successful, suggesting that this kind of character-driven comedy isn't the genre with which Belvaux is most comfortable. Still, there are delightful sequences and ideas and the film carries a great deal more substance and resonance when placed alongside the other two in the series.- Variety
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Derek Elley
Solidly entertaining for those who like their dialogue crisp and with a main verb in every sentence.- Variety
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Ken Eisner
Consistently amusing, candy-colored sex romp -- about romantic match-ups in Madrid that go both wrong and right.- Variety
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Reviewed by
Todd McCarthy
It's exceedingly linear structure, while unavoidable, renders it rather methodical and shallow in characterization.- Variety
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Reviewed by
Todd McCarthy
Roos’ talent for vivid, jump-off-the-screen dialogue remains unquestioned, but his direction is considerably more spotty.- Variety
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Reviewed by
Todd McCarthy
Director Alan Rudolph achieves fresh as well as humorous insights into family life and strategies for keeping a damaged relationship from expiring. But a tiresome final act proves trying.- Variety
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David Rooney
Refreshingly devoid of flashiness or artificially pumped-up action, this consistently gripping, well-constructed police thriller… showcases a tightly controlled performance from Kurt Russell.- Variety
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David Stratton
Haroun's film is both touching and, ultimately, almost perversely optimistic.- Variety
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Dennis Harvey
Plays out in quite a different offscreen context than did last year's similarly themed sleeper "Startup.com."- Variety
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David Stratton
A cumulatively devastating and visceral insight into the horrors of war.- Variety
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Joe Leydon
A golden opportunity to witness the "unplugged," after-hours George W. Bush at his most congenial. "George" offers a portrait of a gregariously charming and self-mocking fellow who's perfectly at ease in his own skin, and who's no less slick and savvy a politician for being willing to make himself the butt of jokes.- Variety
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Derek Elley
A solid slice of entertainment without reaching the psychological depths promised by the subject matter.- Variety
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Todd McCarthy
Breezy, often self-mocking tone proves fresh and invigorating.- Variety
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Sharply written, with a lavish look and top-drawer effects adding to the appeal of its large and talented cast, pic achieves a nice balance of fondness and satiric snap, character laughs and goofy action.- Variety
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Reviewed by
David Stratton
Too often goes off on a tangent with unessential anecdotes and then fails to deliver in more important areas.- Variety
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Lisa Nesselson
Huppert's mastery aside, this is a European Art Film writ large, complete with classical music, gorgeously filmed landscapes, expository voiceovers, poetic transitions and only a ghost's footprint of a story.- Variety
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Todd McCarthy
Has a jaunty, cosmopolitan air that proves appealing for considerable stretches, and Chin's love of cinema and mostly humorous approach to weighty themes will win points with buffs who have seen the same films the director has.- Variety
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Todd McCarthy
Gussied up with a host of filmmaking tricks in an attempt to keep things lively, this intensely acted little exercise just doesn't have enough going for it, with the exception of gradually growing interest in lead Colin Farrell.- Variety
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Derek Elley
An enjoyably trashy blend of impressive special effects, low-key refs to Landis's movie, and sudden moments of horror breaking the jokey tone.- Variety
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David Stratton
With a glowing performance by Sarah Polley as the doomed woman, this Spanish-Canadian co-prod, filmed in English, is surprisingly adept at avoiding the worst cliches and most manipulative elements inherent in such a story.- Variety
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Reviewed by
Todd McCarthy
A constantly imaginative, stylistically lively but dramatically inert chronicle of cultural and sexual rebellion.- Variety
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Emanuel Levy
Beautifully detailed and deftly structured, every scene in The Apostle logically leads to the next one, each elaborating on the central theme of religious redemption.- Variety
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