Variety's Scores

For 17,828 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17828 movie reviews
  1. A fine cast further illuminates a felicitous script.
  2. Delightful coming-of-age comedy-drama.
  3. Working from a formulaic script by Steven E. De Souza, Hark employs a variety of visual stratagems to keep the action fast and flashy.
  4. At this stage, Pritikin shows considerably more aptitude for writing than for directing, and the exuberant eruptions of humor lead one to suspect he should try for outright comedy next time and forget the sentiment.
  5. Quaid's effortlessly compelling and engagingly earnest performance keeps pic grounded in down-to-earth reality.
    • 53 Metascore
    • 70 Critic Score
    A lovely, albeit imperfect fable marked by strong performances and infused with glorious bursts of soulful fado folk music.
  6. A terrific multigenerational cast brings a subtle, mordant, frequently funny tale of family secrets vividly to life.
  7. The characters in The Thomas Crown Affair are cool -- too cool, in fact, for the film to develop much of a pulse.
  8. A tortured reflection on the complex relationship between love, sex, desire and obsession, distinguished by courageously raw performances from leads Mark Rylance and Kerry Fox.
  9. The psychological dimensions of the story remain underrealized, but the loaded central premise and intimate focus the film sustains combine for a very involving and dramatic piece of crime lore.
  10. While plot mechanics aren't wildly imaginative, pic nonetheless delivers requisite jolts in an above-average package.
  11. A fantastical romp with a buoyant pace, exotic locations, a finger-popping score, appealing leads and spicy cooking demonstrations.
  12. A good, old-fashioned suspenser.
  13. Ron Howard has never before made a picture this raw and alive. At the same time, this tale of the desperate pursuit of the kidnappers of young women makes for a fundamentally grim and unpleasant experience.
  14. Accomplished, emotionally involving film.
  15. The most nonconfrontational and thus accessible title in the Dogma lot to date, and will speak the international language of proletariat love to arthouse auds who go for such fare.
  16. Easy on the eye and effortlessly entertaining across almost 2½ hours.
  17. The film is, at times, emotionally riveting -- yet also has an institutional feeling, largely because it attempts to cover too much ground in too little time.
  18. An ensemble seriocomedy that's initially loose to a fault, but gradually wins one over with its shaggy charm -- and by the close has grown more ambitious, and poignant, than initial reels lead you to expect.
  19. An extremely silly but effective enough romp for family audiences.
    • 73 Metascore
    • 70 Critic Score
    A fanciful and funny bush league sports story where the only foul ball is its overuse of locker-room dialog.
  20. An unusually sober and serious-minded telling of Alexandre Dumas' classic tale, this handsome costumer is routinely made and comes up rather short in boisterous excitement.
  21. Tries to mix the messy realities of mismatched relationships with the structural neatness of a musical-comedy view of the world, with mild, occasionally diverting results.
    • 72 Metascore
    • 70 Critic Score
    As high tech, rock hard and souped up as an action film can be.
  22. This least affected of their (Haases) movies is also the most dramatically and emotionally convincing.
  23. Virtually bursts with visual goodies, and writer-director Stephen Sommers scarcely allows the actors, or the audience, a moment to take a breath during the nonstop action of the final hour.
  24. Full of charm, entertaining enough as it unfolds, good looking, but not especially memorable in retrospect.
  25. This slyly humorous, cleverly constructed comedy-drama wends its way through different takes on similar time frames to a warm, inclusive ending.
  26. All the main characters make a telling contribution to the claustrophobic web of feelings the drama comprises.
  27. Careens from decade to decade, and from relative dramatic realism to frequent hilarity, in often-winning fashion.

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