Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. Enjoyable but mostly surface-level as it recounts the highs or lows (it’s sometimes debatable which is which) of his career while maintaining a respectfully awed distance from his inner life, it’s a film for fans that could mint some new ones — given Cantona’s own still-irresistible presence as a talking head and storyteller.
  2. Smart, droll and dazzling to look at and listen to, writer-director Tony Gilroy's effervescent, intricately plotted puzzler proves in every way superior to his 2007 success "Michael Clayton."
  3. Intelligent scripting, solid thesping and eye-catching location shooting aren't enough to make a compelling modern film of The Painted Veil.
  4. In keeping with “Evil Dead” tradition, there’s also an abundance of bloody mayhem that increases exponentially until a hugely satisfying and splatterific climax.
  5. It
    As spine-tingling as a number of individual scenes are, the film struggles to find a proper rhythm. Scene-to-scene transitions are static and disjointed, settling into a cycle of “…and then this happened” without deepening the overall dread or steadily uncovering pieces of a central mystery. Curiously, It grows less intense as it goes.
    • 69 Metascore
    • 80 Critic Score
    Trading Places is a light romp geared up by the schtick shifted by Dan Aykroyd and Eddie Murphy.
  6. The film is shocking and upsetting, but never truly gets under the skin the way this kind of material often can. Whatever reservations are prompted by Haneke's approach, his direction is controlled and edgy. [20 May 1997, p.52]
    • Variety
  7. Debuting writer-director Anusha Rizvi manages to wrest a lively feature out of a gravely serious issue, capturing the desperation of India's village farmers, as well as the nation's shift from agriculture to industrialization, without losing sight of the entertainment principle.
  8. A lovely slice of everything and nothing.
  9. The Francises are aces behind the camera, displaying an elegant sense of composition that makes their subject visually ravishing. Andreas Kapsalis' gorgeous score lends doc a grand quality.
  10. An amusing slice of existential whimsy with an Eastern European bent, Cold Souls posits a world in which humans can have their souls extracted and implanted in each others’ bodies.
  11. The final product feels like if the greatest musician in the world tried to write a classic in 15 minutes. Yet, “How to a Build a Girl” dares to argue that reinventing yourself doesn’t make you a poseur ... It’s a young person’s jam that will hit the right teen like a thunderbolt.
  12. Fiennes, in his beautifully grave way, slows the poem down for us, speaking the words with rapt deliberation, so that we live in their moment.
  13. There’s something undeniably exciting about Pusić’s vision, which confronts serious subjects with disarming irreverence. But her creative choices are peculiar, to say the least.
  14. With the actors so convincing in their roles and with Xin especially able to command the screen despite the often miserable un-glamor of her surroundings, the film becomes a rich portrait of a connection that was once so tender and now just revolves in a slowly decaying orbit around the broken axis of his resentment and her guilt.
    • 69 Metascore
    • 60 Critic Score
    Richardson's is a technical triumph, but somewhere along the line he has lost the heart and the throb that made the play an adventure. The film simultaneously impresses and depresses.
  15. In the end, Alone Together is a love story — about the love between Charli and her fans.
  16. Even just the rooftop of this vast, scabbed Phnom Penh apartment complex seems to have a thousand stories to tell — it’s perhaps little wonder that Neang’s melancholic, perplexed, slightly ponderous feature debut gets a little lost navigating them.
  17. An elaborately nested reflection on creative license, story ownership and art imitating life imitating art, Bitter Christmas is so exhaustively Almodóvarian, the viewer occasionally has to fight their way into its circular hall of mirrors. For those who do, there’s much fun to be had here.
  18. Contrived excess is rarely as entertaining as it is in the ironically titled Just Another Love Story, a furiously overheated romantic thriller from Danish writer-helmer Ole Bornedal.
  19. Like many such movies, The Vigil leans heavily on jump scares, and is arguably more effective during its tense buildup than in the climactic events.
  20. When you watch a documentary, some talking heads are more arresting than others, and Joanna Harcourt-Smith, seated before Morris’ camera, seems like a supporting player who’s been elevated to the lead.
  21. In revisiting his darkly comic 1998 ensembler "Happiness," Todd Solondz may have made his best film with Life During Wartime.
  22. As a literal origin story about how we live today, it’s a captivating history lesson with global appeal.
  23. Within its bounds, Q Ball offers proof that rehabilitative programs like this one offer more than just a chance for prisoners to show athletic excellence; they also provide an opportunity for individual growth.
  24. The screenplay’s seams show so glaringly, and the finish is so tonally mismatched, that notwithstanding audience identification and the inevitable “loosely inspired by real events” tagline, Papicha feels conspicuously manipulative.
  25. Ranging over familiar material, but made vivid by Morris’ fecund associations and invigorating stylistic flourishes.
  26. As a summation of her remarkable achievements to date in public life, Nathan Grossman’s film is reasonably thorough, and sometimes rousing, amply showcasing Thunberg’s candid gifts as a truth-to-power speaker. Yet as a portrait of the girl behind the cause, it’s cautious and rarely illuminating, speckled with moments of domestic intimacy that nonetheless feel carefully vetted.
  27. The well-structured film goes beyond issues of sexuality, giving nuanced consideration to broader questions of love and loss, family and friendship, trust, lies and deception.
  28. Breezy, enjoyable romp gratifyingly zigzags in directions that aren't apparent at the outset and features some intriguingly personal subtext for longtime Woody watchers.

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