For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
By turns whimsically humorous and intelligently sentimental, but also infused with a pungent air of working-class realism.- Variety
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Reviewed by
Deborah Young
Hits its stride from the opening scenes and continues hilariously for a while, before declining into more of same. Its undeniable appeal lies in shocking frankness shackled to irony, a combo that should attract indie lovers with psychoanalytic leanings and droll senses of humor.- Variety
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Reviewed by
Leslie Felperin
Its bawdy comedy, bravura sound design and uncanny atmosphere will turn on auds with a taste for deeply oddball fare and baffle others.- Variety
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Todd McCarthy
A spectacular performance by teenage thesp Ellen Page elevates this disturbing slice of designer shocksploitation into a film that's impossible to dismiss on principle.- Variety
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Reviewed by
Richard Kuipers
An imaginative, humorous and truthful contemplation of human reaction to the inexplicable.- Variety
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Reviewed by
Robert Koehler
Because it's bolstered by proud memories of Vietnam vets who turned against the war, Sir! No Sir! rings with an exultant, even elated tone.- Variety
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- Critic Score
Sexual compulsion accelerates adolescent angst in the arty Down Under drama, but while Shortland shows a notable eye for detail, her distracted approach to narrative and an attitude to her characters that's cold as the movie's snowfields make pic most likely to be embraced by serious-minded fest auds.- Variety
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Reviewed by
Robert Koehler
A thoroughly winning and unexpectedly observant lark about the antics of seven Latino skateboarding pals in South-Central Los Angeles.- Variety
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Justin Chang
This earnest weepie plays like "The Karate Kid" with a pro-literacy agenda, pushing all the right emotional buttons yet hitting quite a few wrong ones in the process.- Variety
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Todd McCarthy
For all its far-fetched formulations, this new entry maintains more of a dramatic throughline and has the bonus of a villain played with unsparing meanness by Philip Seymour Hoffman.- Variety
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Jay Weissberg
Less accessible than recent "Cafe Lumiere," picture will appeal strongly to fans.- Variety
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Derek Elley
A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.- Variety
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Reviewed by
Scott Foundas
Result is imperfect and overlong, but hugely ambitious and often breathtaking.- Variety
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Reviewed by
Brian Lowry
Thanks to its simple construction, Wolfgang Petersen's large-scale liner moves reasonably well, though anyone with the faintest memory of its 1972 predecessor will wonder where most of the plot went.- Variety
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Justin Chang
The result, though it delivers only in fits and starts, is still sharper and more inventive than most comicbook-adapted fare, and eventually gets the job done as far as action buffs are concerned.- Variety
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Ronnie Scheib
A sure-fire audience-pleaser, Scott (son of Garry) Marshall's winning comedy bow could have been titled "My Big Fat Jewish Bar Mitzvah."- Variety
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John Anderson
May be naive and narratively simple, but it's prime fare for the always underserved family audience.- Variety
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Derek Elley
Flavorsome performances by a seasoned cast, held in check by Grant's traditional but well-crafted, always cinematic direction.- Variety
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Reviewed by
Lisa Nesselson
Spooky, intellectually titillating and darkly funny picture is definitely the kind of film where the less you know going in, the better.- Variety
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Reviewed by
Dennis Harvey
Deals in sometimes queasy areas of underage sexuality and emotional extremes; again, deftness and confidence ultimately put across a screenplay (this time by Anthony S. Cipriano) overloaded with sensational incident.- Variety
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Reviewed by
Brian Lowry
Periodic bursts of cleverness brighten the festivities, but they're too few and far between, and the trademark humor that appeals to adults and kids often misfires.- Variety
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Lisa Nesselson
Viewers who like their conclusions tidy may rebel, but those who relish outstanding performances in the service of an intriguing idea will be entertained.- Variety
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Robert Koehler
For a guerrilla-style, no-budget Yank indie to even tackle issues of jihad terror and naive Western thinking is noteworthy in itself, but Gamazon and Dela Llana inflame the issues with a gutsy, athletic filmmaking package that shows what can be done with a minimum of tools.- Variety
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- Variety
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Reviewed by
Ronnie Scheib
The picture's deepest fascination lies in the soldiers' complicated reactions to the war, perceived simultaneously as funny, horrific, stirring and traumatic.- Variety
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Derek Elley
One of the world's great cities comes vibrantly alive through its music and musical denizens in Crossing the Bridge: The Sound of Istanbul.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Pumping high-performance gas back into the series after a second lap sputter, third entry stays in high gear most of the way with several exhilarating racing sequences, and benefits greatly from the evocative Japanese setting.- Variety
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Reviewed by
Joe Leydon
A genuinely clever kidpic that should delight moppets, please parents -- and maybe tickle a few tweens.- Variety
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Reviewed by
Joe Leydon
Nacho Libre strikes a delicate balance of whimsy and absurdity that may surprise auds primed to expect wall-to-wall slapstick.- Variety
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Reviewed by