Variety's Scores

For 17,825 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17825 movie reviews
  1. By turns whimsically humorous and intelligently sentimental, but also infused with a pungent air of working-class realism.
  2. Hits its stride from the opening scenes and continues hilariously for a while, before declining into more of same. Its undeniable appeal lies in shocking frankness shackled to irony, a combo that should attract indie lovers with psychoanalytic leanings and droll senses of humor.
  3. 4
    Its bawdy comedy, bravura sound design and uncanny atmosphere will turn on auds with a taste for deeply oddball fare and baffle others.
  4. A spectacular performance by teenage thesp Ellen Page elevates this disturbing slice of designer shocksploitation into a film that's impossible to dismiss on principle.
  5. An imaginative, humorous and truthful contemplation of human reaction to the inexplicable.
  6. Because it's bolstered by proud memories of Vietnam vets who turned against the war, Sir! No Sir! rings with an exultant, even elated tone.
    • 73 Metascore
    • 70 Critic Score
    Sexual compulsion accelerates adolescent angst in the arty Down Under drama, but while Shortland shows a notable eye for detail, her distracted approach to narrative and an attitude to her characters that's cold as the movie's snowfields make pic most likely to be embraced by serious-minded fest auds.
  7. A thoroughly winning and unexpectedly observant lark about the antics of seven Latino skateboarding pals in South-Central Los Angeles.
  8. This earnest weepie plays like "The Karate Kid" with a pro-literacy agenda, pushing all the right emotional buttons yet hitting quite a few wrong ones in the process.
  9. For all its far-fetched formulations, this new entry maintains more of a dramatic throughline and has the bonus of a villain played with unsparing meanness by Philip Seymour Hoffman.
  10. Less accessible than recent "Cafe Lumiere," picture will appeal strongly to fans.
  11. A wildly inventive, highly cinematic director's showcase that looks likely, at least in the West, to enthuse fans of Asian -- especially Korean -- genre movies more than general auds.
  12. Result is imperfect and overlong, but hugely ambitious and often breathtaking.
  13. Thanks to its simple construction, Wolfgang Petersen's large-scale liner moves reasonably well, though anyone with the faintest memory of its 1972 predecessor will wonder where most of the plot went.
  14. The result, though it delivers only in fits and starts, is still sharper and more inventive than most comicbook-adapted fare, and eventually gets the job done as far as action buffs are concerned.
  15. A sure-fire audience-pleaser, Scott (son of Garry) Marshall's winning comedy bow could have been titled "My Big Fat Jewish Bar Mitzvah."
  16. May be naive and narratively simple, but it's prime fare for the always underserved family audience.
  17. Flavorsome performances by a seasoned cast, held in check by Grant's traditional but well-crafted, always cinematic direction.
  18. Spooky, intellectually titillating and darkly funny picture is definitely the kind of film where the less you know going in, the better.
  19. Deals in sometimes queasy areas of underage sexuality and emotional extremes; again, deftness and confidence ultimately put across a screenplay (this time by Anthony S. Cipriano) overloaded with sensational incident.
  20. Periodic bursts of cleverness brighten the festivities, but they're too few and far between, and the trademark humor that appeals to adults and kids often misfires.
  21. Viewers who like their conclusions tidy may rebel, but those who relish outstanding performances in the service of an intriguing idea will be entertained.
  22. For a guerrilla-style, no-budget Yank indie to even tackle issues of jihad terror and naive Western thinking is noteworthy in itself, but Gamazon and Dela Llana inflame the issues with a gutsy, athletic filmmaking package that shows what can be done with a minimum of tools.
  23. Fast, dumb fun.
  24. The picture's deepest fascination lies in the soldiers' complicated reactions to the war, perceived simultaneously as funny, horrific, stirring and traumatic.
  25. One of the world's great cities comes vibrantly alive through its music and musical denizens in Crossing the Bridge: The Sound of Istanbul.
  26. Compelling but traditional feature.
  27. Pumping high-performance gas back into the series after a second lap sputter, third entry stays in high gear most of the way with several exhilarating racing sequences, and benefits greatly from the evocative Japanese setting.
  28. A genuinely clever kidpic that should delight moppets, please parents -- and maybe tickle a few tweens.
  29. Nacho Libre strikes a delicate balance of whimsy and absurdity that may surprise auds primed to expect wall-to-wall slapstick.

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