For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
David Rooney
This is a fresh, spirited drama, charming and unpretentious. It mines a similar vein to recent Latino-themed pics such as "Raising Victor Vargas" and "Real Women Have Curves."- Variety
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Ronnie Scheib
Briskly paced humor and/or pathos flow organically from situation and characters.- Variety
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Robert Koehler
Enough action, a tiny pinch of sex and some campy moments from Morgan Fairchild.- Variety
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Joe Leydon
Fresh cast, a formulaic but engaging storyline, and a smoking soundtrack from rap and hip-hop luminaries.- Variety
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- Variety
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Reviewed by
Todd McCarthy
A bizarre story of intrigue, magic and murder in turn-of-the-century Vienna casts a considerable spell in The Illusionist.- Variety
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John Anderson
Achieves magic--something sorely missing from so many movies these days--and does so via a philosophy of respect, but not reverence, for what's come before it; it never recycles, it just reimagines.- Variety
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Jay Weissberg
A hard-hitting, ultimately tragic tale of the struggle for identity among Kurdish emigres in urban Germany.- Variety
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Jonathan Holland
This loosely-structured pic feels authentic, its underdramatized script resolutely nonjudgmental.- Variety
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Robert Koehler
Handling both directing and cinematography duties, Core invests both with a clearly impassioned sense of place, period and perspective regarding this fanfare for common men.- Variety
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- Critic Score
A simple, low-budget, contempo dramedy -- with plenty of clever plot reversals.- Variety
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Reviewed by
John Anderson
An unabashed tribute to Judge's life, struggles and Christian mission, does a good job of communicating what made Judge an inspiring figure to many, while making his life's work accessible and understandable.- Variety
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Dennis Harvey
Gyllenhaal, in her most substantial role since "Secretary," does a fine, unshowy job of limning Sherry's faults without alienating the viewer or pleading for sympathy.- Variety
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John Anderson
Neo Ned may be ludicrous on paper, but it has what fans of independent film are looking for -- atmosphere, humanity and just a dash of fantastic drama.- Variety
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John Anderson
A crowd-pleasing, uplifting, feel-good and not-so-rare hybrid -- the sports/prison movie -- in which Los Angeles gangbangers are taught the virtues of trading violence on the streets for violence on the field.- Variety
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Lisa Nesselson
All-American adaptation by Paul Haggis of Gabriele Muccino's 2001 Italian hit "L'Ultimo bacio" is chummy, consensual and always watchable in Tony Goldwyn's polished rendition of emotional messiness.- Variety
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Robert Koehler
Alternately breezy and profound, pic hits enough emotional chords to connect with audiences, which will be charmed by a newly mature Joshua Jackson, a deeply aged Donald Sutherland and a friskily romantic Juliette Lewis.- Variety
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Phil Gallo
To track the transformation of John Lennon from adored Beatle to government-stalked peace advocate is David Leaf's stated intention for The U.S. vs. John Lennon, and the pic persuasively chronicles an artist sticking to his guns through activism.- Variety
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Robert Koehler
Sloppy but unconcerned about it, pic offers a trip back in time to a pre-PC and feminist era when men were sexist Neanderthals, women supported them from the sidelines and the guy with the biggest mouth scored.- Variety
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- Variety
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Reviewed by
Todd McCarthy
With Mexican star Gael Garcia Bernal energetically playing a vulnerable graphic artist with a hyperactive imagination and little confidence with women, picture has an overriding quality of sweetness that will prove endearing to audiences, especially younger females.- Variety
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Lisa Nesselson
A melancholy actioner that shines a new light on film noir. A sort of "The Third Man" for the 21st century, chiaroscuro curio's level of graphic invention is exceeded only by its pleasingly mournful approach.- Variety
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Todd McCarthy
In the end, The Last King of Scotland is much better when it plays it cool and amusing than when it tries to ramp up outrage and indignation.- Variety
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Joe Leydon
The overlong but involving drama has obvious cross-generational appeal.- Variety
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- Variety
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John Anderson
Picture is targeted at the already initiated, but directors Steve Cantor and Matthew Galkin deftly resolve one often glaring problem with tribute documentaries -- making those who might not care do so.- Variety
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Todd McCarthy
Like "In the Bedroom," Little Children, at well over two hours, is somewhat long for an intense, intimate drama, and arguments could run many ways concerning what could be tightened or excised.- Variety
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Robert Koehler
Falling short of being truly memorable but sharper than the general slagheap of comedies.- Variety
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Dennis Harvey
Often grotesque, though never in the "Sick and Twisted" juvenile gross-out mode, dreamlike feature is as lovingly crafted as it is unsettlingly sour-sweet, with Mark Growden's avant-garde folk score in perfect synch.- Variety
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Ronnie Scheib
Basically conservative yet titillatingly "eccentric" British laffer could succeed in the "Full Monty" import slot.- Variety
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