For 17,825 reviews, this publication has graded:
-
52% higher than the average critic
-
4% same as the average critic
-
44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
-
Positive: 9,159 out of 17825
-
Mixed: 7,029 out of 17825
-
Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Justin Chang
This maddening yet deftly made, and finally disarming, documentary comes through with enough heart and hilarity to sell its celebrity-stalking shenanigans to genuinely moving effect.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Even though it sprints along a well-trod path through familiar territory, Saint Ralph remains surprisingly compelling.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
With equal measures of rock-the-house vigor and in-your-face attitude, Four Brothers proves usually potent and consistently enjoyable as an old school approach to what might best be described as the urban-Western genre of slam-bang, balls-out action-revenger.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
Result is always watchable, occasionally creepy and teasingly pitched halfway between a genre riff and a genuine scarefest.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Consistently engaging due to the wealth of generally unfamiliar archival footage, which reveals social trends, sweeping overview should provoke healthy debate.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Departing less from his horror bailiwick than he did with "Music Of The Heart" in 1999, Wes Craven retains shocks but dispenses with scares in the negligible Red Eye.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
A handsome package whose atmospherics outclass merely serviceable plot and character elements.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
A suitably unfussy tribute to a band that disdained even the slightest rock-star flash, We Jam Econo tells the story of the Minutemen, whose regrettably brief but brilliant career did much to expand punk's parameters during the early 1980s.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Lisa Nesselson
Slick kidnapping yarn starts off like a bat out of hell and never sags.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Eddie Cockrell
Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Convincing as a portrait of a marginal man gone beyond the emotional pale.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Joe Leydon
Unvarnished verisimilitude, visceral impact and vividly evoked emotional and physical extremes distinguish Hooligans, the impressive debut feature by German-born helmer Lexi Alexander.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Words sometimes fail, but energy and enthusiasm triumph in Music From the Inside Out, a docu that quizzes members of the Philadelphia Orchestra about their relationship to music.- Variety
- Read full review
-
-
Reviewed by
Dennis Harvey
Thumbsucker (like "Donnie Darko") is more likely to prosper in the long haul as a home-format cult fave than in its initial arthouse tour. Both offer eccentric humor within a fairly somber overall tone, support-cast surprises, and (to a lesser degree in Thumbsucker) fable-like, hyperreal elements.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
"Too decent to be president" was the label stuck to former senator and 1972 presidential candidate George McGovern, the self-effacing subject of Stephen Vittoria's One Bright Shining Moment. If "decent" means "polite," then the movie makes no effort to emulate its subject.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Scott Foundas
A handsome, compelling drama, about the African-American elite settling in the Hamptons, that more than stands on its own.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A respectable literary adaptation but lacks dramatic urgency and intriguing undercurrents.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
A muted but nicely observed study of a Russian woman's gradual estrangement from her domineering Memphis music-legend husband.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
What makes Serenity refreshing is its avoidance of CGI, which gives the pic a much more human dimension; the evident chemistry between the cast; and a humor that doesn't rely simply on flip one-liners.- Variety
- Read full review
-
Reviewed by
-
- Critic Score
Henry Fonda and Jason Robards relish each screen minute as the heavies, and Charles Bronson plays Clint Eastwood's 'man with no name' role. (Review of Original Release)- Variety
- Read full review
-
-
Reviewed by
Scott Foundas
Pic makes up in strong performances and wry observation what it sometimes lacks in narrative drive. Result is a perceptive (and unexpectedly moving) portrait of lives in crisis.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
While the director's avid fans may be disappointed, upscalish mainstream auds, particularly women, will eat up this well-acted, emotionally focused adaptation of Jennifer Weiner's popular novel.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Ronnie Scheib
Documaker Daniel Peddle also works as a casting director, and so it is small wonder his crisp, concise, intimate portrait of six very different, self-styled "aggressives" -- women who stress their masculine sides -- should reveal in each a curious integrity and beauty.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Derek Elley
The Dark Hours surmounts some of the problems of its weak dialogue through a commanding performance by lead Kate Greenhouse and some grisly, genre-style violence.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Dennis Harvey
Routine in some aspects, but compensates via psychologically sharp writing and performances.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Todd McCarthy
Once again making a diverting but insubstantial movie look better than it is, Downey, with haggard charm to burn, is winning all the way. Kilmer is riotous at times as an impeccably groomed, businesslike guy keen to assert his orientation at every opportunity.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Sincere but fairly soft piece of ennobling journalism that gives a positive spin to some of Africa's seemingly intractable problems.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
John Anderson
Entertaining and substantial enough to attract at least a portion of the Michael Moore audience.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert Koehler
Debuting helmer Ti West taps into the realist-horror spirit of mentor and exec producer Larry Fessenden, and makes a scarier pic than any by his master.- Variety
- Read full review
-
Reviewed by
-
-
Reviewed by
Brian Lowry
Bigger, louder and considerably less charming than its predecessor…Still, there are enough crowd-pleasing moments amid the frenetic action.- Variety
- Read full review
-
Reviewed by