For 17,825 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
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| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,159 out of 17825
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Mixed: 7,029 out of 17825
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Negative: 1,637 out of 17825
17825
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Leslie Felperin
Picture represents a powerful, pertinent but not entirely perfect debut for British visual-artist-turned-feature-helmer Steve McQueen, who demonstrates a painterly touch with composition and real cinematic flair, but who stumbles in film's last furlough with trite symbolism.- Variety
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Dennis Harvey
The picture wobbles a bit before emerging a successful low-key satire of literary fraud and morbid personality cults.- Variety
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Todd McCarthy
Highlighted by the star's vastly entertaining performance, this funny, broad but ultimately serious-minded drama about an old-timer driven to put things right in his deteriorating neighborhood looks to be a big audience-pleaser.- Variety
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Dennis Harvey
Winningly unpretentious tale uses a wispy romantic narrative as a vehicle for attractive original tunes.- Variety
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David Rooney
Sluggish, uneven and lacking in rhythm, it nonetheless has enough pathos and winning humor.- Variety
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Leslie Felperin
A simpler and more taut, if slightly less interesting version of the oblique but mesmerizing studies of family life in fetid, hothouse atmospheres the Argentine helmer offered up in "La cienaga" and "The Holy Girl."- Variety
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Ronnie Scheib
Distinguishes itself from such last-fling-before-the-wedding comedies as "The Hangover" with the grittiness of its Texas locales and the smug intelligence of its unapologetically narcissistic protagonist.- Variety
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Eddie Cockrell
TV scribe Kundo Koyama's first bigscreen script peppers the proceedings with rich character detail and near-screwball interludes that shouldn't fit but somehow do.- Variety
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Brian Lowry
The Proposal won't catch any bouquets for originality, but in terms of a bended-knee pitch for the affections of women -- including Ryan Reynolds’ boyish charms, a hip granny and even a beyond-adorable puppy -- this romantic comedy pretty much pulls out all the stops.- Variety
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Todd McCarthy
The bawdy jokes score big points, but it's the rueful acknowledgement of adolescent embarrassment and humiliation that most distinguishes Superbad, another ultra-raunchy and commercial sex comedy from the Judd Apatow laugh factory.- Variety
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Lisa Nesselson
Though almost laughably intricate in its plotting, this thoroughly Gallic adaptation of Harlan Coben's novel reps an entertaining sophomore outing for thesp-turned-director Guillaume Canet.- Variety
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Todd McCarthy
In the end, though, it's Crowe who must carry the most freight, which he does with another characterization to relish. Still bulky, although not as much so as in "Body of Lies," long-tressed and somewhat grizzled, he finds the gist of the affable eccentricity, natural obsessiveness and mainstream contrarianism that marks many professional journalists.- Variety
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Dennis Harvey
Sean Penn delivers a compelling, ambitious work that will satisfy most admirers of the book.- Variety
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Alissa Simon
In what's essentially a six-hander, the casting is aces. All actors turn in fine, naturalistic perfs, but it would be remiss not to remark on 83-year-old Thanheiser's profoundly moving turn as the grandfather.- Variety
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Derek Elley
The seductive, sensory prose of Patrick Suskind's bestseller, "Perfume," reaches the screen with loads of visual panache but only intermittent magic.- Variety
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Todd McCarthy
This very New York tale is old-fashioned in good ways that have to do with solid storytelling, craftsmanship and emotional acuity.- Variety
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Dennis Harvey
Laden with more than enough profane humor to warrant its R rating, this is nonetheless a formulaic crowd-pleaser.- Variety
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Todd McCarthy
Wood's powerlessness to break out of the emotive straightjacket hands the picture to his Russian costars on a platter, and they run with it.- Variety
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Richard Kuipers
While thesping is not the main game here, having a cast of bright young things certainly helps, and Quaid gets in a few nice John Wayne-like moments as the no-nonsense boss.- Variety
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Todd McCarthy
Lack of depth, complexity or strangeness make this a relatively routine entry for the director.- Variety
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Todd McCarthy
Undeniably funny, outrageous and boundary-pushing, this further documentation of Sacha Baron Cohen's sheer nerve will draw an abundant share of "Borat" fans.- Variety
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Ronnie Scheib
Fascinating study of free enterprise in free fall. While it may disappoint thrill-seekers, "Girlfriend" should still delight Soderbergh fans and niche auds.- Variety
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- Variety
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John Anderson
With a circus parade of mourning Brits and enough appalling circumstances to set proper Englishness back to the Dark Ages, Death at a Funeral pits decorum against sex, drugs and dysfunction.- Variety
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Derek Elley
Austen nuts may rend their frocks, and Bollywood buffs may split their cholis, but there's an immensely likable, almost goofily playful charm to Bride & Prejudice that finally wins the day.- Variety
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Robert Koehler
Both an inspirational sports movie and an unexpected multi-level urban drama that plays by its own clock.- Variety
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Joe Leydon
Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.- Variety
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Dennis Harvey
Casual, engaging documentary doesn't attempt a Hinduism 101 lesson, instead going for an impressionistic mix of on-the-fly spectacle and human interest.- Variety
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David Stratton
Although writer-director Khientse Norbu breaks no ground in unfolding two parallel stories about young men seeking fresh horizons, he creates believable characters -- and has the great benefit of living in a country that provides seldom-seen locations at the top of the world.- Variety
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Joe Leydon
In an era when similar genre pics increasingly resemble videogames, musicvideos or glossy commercials, the blunt, brawny simplicity of helmer Jean-Francois Richet's storytelling style seems positively novel.- Variety
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