For 17,847 reviews, this publication has graded:
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52% higher than the average critic
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4% same as the average critic
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44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | IMAX: Hubble 3D | |
|---|---|---|
| Lowest review score: | Divorce: The Musical |
Score distribution:
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Positive: 9,172 out of 17847
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Mixed: 7,036 out of 17847
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Negative: 1,639 out of 17847
17847
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Joe Leydon
Unquestioning agitprop for vegetarianism, hemp fiber, solar energy, sustainable organic living and other causes espoused by actor-activist Woody Harrelson.- Variety
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Reviewed by
Derek Elley
Plays as a blackly comic slice of mock '70s-style exploitation that flirts with the viewer before applying its chokehold.- Variety
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Reviewed by
Derek Elley
Worthy intentions are drowned by schematic scripting and only OK direction in Silent Waters, an achingly PC drama on how Islamic fundamentalism wrecks families and oppresses women.- Variety
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Reviewed by
David Rooney
This skillfully acted, handsomely crafted frock piece toys cleverly with gender confusion and sexual identity.- Variety
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Reviewed by
Todd McCarthy
Friday Night Lights is the "Black Hawk Down" of high school football movies. As exclusively as Ridley Scott's picture was about combat, this film concerns football and nothing but.- Variety
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- Critic Score
Duff makes an engaging heroine, but her immaculately coifed blonde locks and undiminished lip gloss remind viewers just how much of a star vehicle this actually is.- Variety
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Reviewed by
David Stratton
Though Pieck is to be admired for the rigorousness in telling this chilling story (on what looks like a near zero budget), the film itself remains resolutely unlikable.- Variety
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Reviewed by
Joe Leydon
Unmistakably sympathetic but mostly even-handed documentary.- Variety
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Ronnie Scheib
Must-see docu penetrates a Jenin refugee camp to follow several Palestinian children from laughing little kids in a theater group to grim actors on a grislier world stage.- Variety
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Reviewed by
Deborah Young
Argento fans lusting for a classy slasher movie of the "Suspiria"/"Opera" variety are headed for a disappointing rendezvous with an old-fashioned police thriller, upgraded by serious actors in the main roles.- Variety
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Reviewed by
Dennis Harvey
Getting so close to real-life mental illness, via footage that spans many years, renders Tarnation a uniquely potent experience.- Variety
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Robert Koehler
Commits any number of comedic violations during an aimless pursuit of laughs.- Variety
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Ronnie Scheib
A lively, cogent documentary, Tying the Knot fortuitously examines same-sex marriage at precisely the moment the issue is making headlines all over.- Variety
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Reviewed by
Todd McCarthy
Butler is in no way a hot-headed or contentious piece of agit-prop, unlike so many other election year documentaries; like Kerry himself, the film speaks to the mind, not the emotions.- Variety
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Reviewed by
Todd McCarthy
Notable for Kimberly Elise's ferocious lead performance and for the bigscreen exposure pic affords the charismatic Bishop T.D. Jakes, who plays himself and upon whose works the film is based.- Variety
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Reviewed by
Dennis Harvey
The terrific DIG! offers a unique chance to watch two classic rock band scenarios unfold simultaneously.- Variety
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Todd McCarthy
With the combination of mobster characters and heavily R&B, hip-hop and disco/soul tune orientation of the soundtrack, pic has a more streetwise feel than most animated fare, which is not to say that it has street smarts.- Variety
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Reviewed by
David Rooney
Clever but distancing, this existential comedy bounces along on the backs of its tasty cast, witty writing and stylistic verve.- Variety
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Reviewed by
Brian Lowry
It plays, rather, like an old-fashioned, by-the-numbers drama that solidly connects with most of its well-worn cliches.- Variety
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Reviewed by
Ronnie Scheib
In service of an eerie Japanese ghost story, the spooky atmospherics prove surprisingly compelling.- Variety
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Reviewed by
Dennis Harvey
Sometimes feels like an extended pilot for a smarty-pants broadcast series in the tradition of Michael Moore's "Awful Truth" and "TV Nation" skeins.- Variety
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Reviewed by
Dennis Harvey
Solid, straightforward docu should prove a durable broadcast and educational item for years to come.- Variety
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Reviewed by
Deborah Young
A rare example of indie filmmaking produced outside the Thai studio system, Blissfully Yours takes the good-humored nonsense of director Apichatpong Weeasethakul's first feature, "Mysterious Object at Noon," several steps further into the realm of non-communicative minimalism.- Variety
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Reviewed by
Dennis Harvey
This ostensible spoof of "radical chic" is, like his previous works, at once amusingly outrageous and slightly dull.- Variety
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Reviewed by
Robert Koehler
There are stiff politicians and there are stiff political movies, but the rigidity of the White House-based fairy tale that is First Daughter is in a category even pollsters may have a hard time assessing.- Variety
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Reviewed by
David Rooney
Frequently hilarious but ultimately is a protracted one-joke affair that strays into undisciplined chaos.- Variety
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Todd McCarthy
A noxious little tale of Wall Street types whose amorality knows no limit, Rick takes smarmy knowingness to ludicrous extremes.- Variety
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Reviewed by
Joe Leydon
Warm-hearted but clear-eyed indie effort richly repays audience patience during deliberately paced and provocatively allusive early scenes with a cumulative emotional impact that is immensely satisfying.- Variety
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Robert Koehler
Contains most of the elements of a "Get Shorty"-type romp without the character depth and wit.- Variety
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Reviewed by
Brian Lowry
A spare, streamlined thriller for the conspiracy-minded, Area 51 crowd, The Forgotten perhaps wisely leaves more questions than it answers and for the most part manages to maintain its suspense.- Variety
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Derek Elley
Pic is superbly honed at both script and performance levels, with character taking precedence over action.- Variety
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Reviewed by
Derek Elley
A classic example of a clever idea that could easily have run out of steam halfway. However, co-scripters Pegg and Wright structure it as a classic three-acter (set-up, journey, finale) with enough twists, character development and small set pieces to keep the comedy boiling.- Variety
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Reviewed by
Lisa Nesselson
Compact, ultra-explicit two-character pic about what transpires when a beautiful straight woman hires a handsome gay man to "look" at her is gloriously mannered, proudly pretentious and undeniably compelling.- Variety
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Reviewed by
Todd McCarthy
This intelligently made picture is artful but not arty, political without being didactic.- Variety
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- Variety
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Reviewed by
Lisa Nesselson
A refreshingly unpretentious cocktail of karmic serendipity and a tongue-in-cheek look at Hollywood values vs. ecumenical verities.- Variety
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- Critic Score
Makes its points effectively, but could have benefited from a burst of creativity.- Variety
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Reviewed by
Dennis Harvey
Evaluating this project in conventional feature terms is a lost cause; relevant contexts are purely avant-garde and pornographic. Suffice it to say that helmer's careful attention to framing camera, music and content signal primary allegiance to Art rather than Smut.- Variety
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Reviewed by
Robert Koehler
Pic drifts onto a familiar obstacle course for its wide-eyed hero, but displays a spirited, open-hearted goodness along the way. Combination of warmth, humor, danger and a cosmopolitan take on young, urban Eire sets pic distinctly apart.- Variety
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- Variety
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Reviewed by
David Rooney
This feels like short film material stretched exasperatingly thin but nonetheless casts a certain sad spell, graced by moments of droll observational humor.- Variety
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- Variety
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Reviewed by
Dennis Harvey
A lively, plush but unconvincing potboiler cobbled from familiar pieces of better films (and TV miniseries).- Variety
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Reviewed by
Eddie Cockrell
Managing to be at once epic and intimate, Zelary matches a resilient urban woman against a compassionate rural man in the spectacular Moravian countryside during World War II. Results rep a triumph of regional filmmaking, but in the David Lean tradition.- Variety
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Brian Lowry
Never generates enough laughs to escape the infield. It doesn't help that this is a sports movie that lacks any suspense or dramatic tension about what transpires on the field, and Mac plays such a self-absorbed jerk through most of the film that rooting interest is minimal.- Variety
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Leslie Felperin
Constructed Chinese-box style as a series of films within films, with a faked one about the Loch Ness monster at the center, "Incident" will have maximum impact for the first auds to catch it before its sly central joke gets out.- Variety
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Reviewed by
Justin Chang
By turns pointless and pointlessly mean-spirited.- Variety
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Todd McCarthy
Arresting at first but gradually trails off under the weight of its hyper-derivativeness and anxiety to please.- Variety
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Derek Elley
Talky, repetitive and largely covering the same ground with no new thoughts, Ghost in the Shell 2: Innocence is a major let-down.- Variety
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Justin Chang
A fanciful tennis-themed romance that compounds the old dilemma of "Will he get the girl?" with "Will he get the trophy?" But the answers are too predictable and laughs too scattered for this middling Universal release to generate much in the way of humor or suspense.- Variety
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Reviewed by
David Rooney
As both political satire and noirish murder mystery, this Newmarket pickup may be too meandering and unemphatic for wide consumption.- Variety
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Reviewed by
Lisa Nesselson
Valiant attempt to innovate in the well-trod realm of Boy Meets Girl doesn't quite coalesce despite a thoughtful and distinctive visual approach.- Variety
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Reviewed by
Ken Eisner
More a tribute than a remake, Steven Soderbergh-approved take on Argentine hit "Nine Queens" isn't quite as sharp or surprising as the original, one of the best scam pics of the past decade.- Variety
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Reviewed by
David Rooney
This obsessive love story about a guy seeking closure after being dumped by his Latino boyfriend awkwardly juggles screwball and noir elements with macabre black comedy in a mix that calls for a far lighter, more stylish touch than the obvious one at work here.- Variety
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Reviewed by
Robert Koehler
Because plot is the sum total here, the alarming holes, inconsistencies and impossibilities in Chris Morgan's script corrode this drama of distress.- Variety
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Reviewed by
Robert Koehler
Campbell's performance is attuned to the extremes of unnerving calm and intensely erotic; unlike the pic, she pulls it off.- Variety
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Reviewed by
Scott Foundas
Calamitously uninspired and borderline incoherent, new pic lacks even those fleeting pleasures (namely, a sense of humor) that made the first film a passable popcorn attraction.- Variety
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Reviewed by
David Rooney
Land gives the drama some poignancy, revealing the pain, anger, envy and longing of a girl burdened by life's imbalances. But her character exists in a vacuum, surrounded by stock figures and unconvincing actors.- Variety
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Reviewed by
Dennis Harvey
Goes beyond simple Bush-bashing to paint a horrifying portrait of organized U.S. imperialist expansion and public deception stretching back to the early Reagan era.- Variety
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Leslie Felperin
Gorgeously lensed, photographer-turned-helmer Bruce Weber's heartfelt docu tribute to his dogs, his friends and his friends'dogs.- Variety
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Reviewed by
Robert Koehler
The film is never quite as startling or mysterious as it seems to want to be, leaving it in an uncertain cinematic limbo.- Variety
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Reviewed by
David Rooney
While Muccino has refined his technique over four features and has developed greater insight, his characteristic tendency toward hysteria remains. This keeps the drama fast and compelling, but also makes it slightly wearing at times.- Variety
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- Variety
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Reviewed by
David Rooney
A moderately successful attempt to ape the standard Hollywood teen movie.- Variety
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Reviewed by
Derek Elley
A handsome although dramatically muddled Noodle Western.- Variety
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Reviewed by
Derek Elley
Kang remains a superb technician, but somewhere the movie forgot to pack any genuine emotion along with its ordnance and K rations.- Variety
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Reviewed by
Scott Foundas
All of this was more enjoyable when Bellucci, Cassel and Bohringer were the stars. Hartnett is overly methodical here as Matthew, and Kruger, as in "Troy," is beautiful but lacking in dramatic intensity.- Variety
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Reviewed by
Joe Leydon
Visually uninspired and dramatically overheated, Paparazzi has overall look and feel of generic direct-to-video production.- Variety
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- Variety
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Reviewed by
Todd McCarthy
Nair's approach never entirely convinces, and the adaptation of the 900-plus-page book becomes increasingly episodic, making this Vanity Fair more a collection of intermittent pleasures than a satisfying emotional repast.- Variety
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- Variety
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Reviewed by
Brian Lowry
A plodding and familiar "cop sees what the killer sees" riff that plays like a poorly inflated "The X-Files" episode.- Variety
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Reviewed by
Derek Elley
An astonishing improvement on the original version. With 27 minutes excised, pic emerges from its mind-numbing undergrowth as a memorable -- if still highly specialized -- exercise in personal, '70s-style American filmmaking, with a cohesive feel and rhythm that marks Gallo as a distinctive indie talent.- Variety
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Reviewed by
Joe Leydon
By turns darkly comical, seriously scary and purposefully incendiary, Bush's Brain may seem, depending on your politics, either a shamelessly one-sided assault on a popular U.S. president or a justifiably harsh critique of a politician who personifies the Peter Principle.- Variety
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- Variety
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Reviewed by
Scott Foundas
Sublimely trashy, this conceptual sequel to 1997's surprise hit, "Anaconda," doesn't expect to be taken any more seriously than its schlock predecessor, and keeps its tongue-in-cheek thrills flowing rapidly.- Variety
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Justin Chang
Falls short on nearly every level, from production values to an inexplicable cameo by Whoopi Goldberg.- Variety
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- Variety
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- Variety
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Reviewed by
Scott Foundas
At the picture’s best, it recalls Michael Winterbottom's "24 Hour Party People" in its tribute to the music of the times and the way in which that music provided a voice to a generation of social misfits.- Variety
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Reviewed by
David Stratton
A gentle, sad and at times funny film in the best French tradition of high-quality cinema.- Variety
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Todd McCarthy
Yields up plenty of opportunities for heated confrontations, wild and woolly dialogue and startling violence, which prove diverting in a shallow way.- Variety
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David Stratton
A sober, unsensationalized enactment of a Holocaust incident. Von Trotta keeps sentimentality at bay and, as a result, the film isn't as emotionally wrenching as it might have been.- Variety
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Scott Foundas
Estes' debut feature's strength lies in its crackling intensity, ultra-sharp character insights and an affinity for teenage protagonists who look and sound like real teens.- Variety
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Reviewed by
Derek Elley
An easy-to-digest slice of literate entertainment for upscale and older audiences that lacks a significant emotional undertow to make it a truly involving -- rather than simply voyeuristic -- experience.- Variety
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Jay Weissberg
A calm, rational and utterly devastating point-by-point analysis.- Variety
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Leslie Felperin
Splendidly sinuous twister Red Lights sees Gallic helmer Cedric Kahn ("Roberto Succo") take his game to the next level with this inky comic thriller.- Variety
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Reviewed by
Joe Leydon
Earns points simply for not being bad enough to leave a stain on the screen. Unfortunately, this annoyingly disjointed shocker stumbles badly after promising early scenes, and quickly devolves into a chaotic blur of underdeveloped characters, illogical transitions and standard-issue scary-movie tropes.- Variety
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Reviewed by
Joe Leydon
A mildly pleasant, aggressively retro kidpic that should please undemanding moppets without unduly boring their parents.- Variety
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Reviewed by
Dennis Harvey
An unstable -- if mostly painless -- mix of low comedy, stabs at higher silliness, and schmaltz.- Variety
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Reviewed by
Lisa Nesselson
Fantasy sequences, including animation, keep the melancholy tone from overwhelming the proceedings.- Variety
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Reviewed by
Dennis Harvey
The thing-a-ma-jigs have it out with the whatch-a-ma-call-its -- as several humans scurry and scream between -- in Alien Vs. Predator, the kind of two-for-one dogfight (last repped by "Freddy Vs. Jason") that usually does more to bury a franchise than revive it.- Variety
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Reviewed by
Derek Elley
A no-holds-barred, thoroughly generic follow-up to the medical horror-chiller that wowed German wickets in 2000.- Variety
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- Critic Score
Italy's top bestseller of recent literary history, Giuseppe Tomasi Di Lampedusa's The Leopard comes to the screen in a magnificent film, munificently outfitted and splendidly acted by a large cast dominated by Burt Lancaster. (Review of Original Release)- Variety
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Reviewed by
Todd McCarthy
Tony literary material, a fine cast and intelligent script and direction.- Variety
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Robert Koehler
No cuddly, funky "Pokemon" pocket monsters populate this pic; this game is for the big kids, rife with a ruthless tone, heightened violence and cold calculation. However, fans will put up with a dull tale to finally see their obsession on the bigscreen.- Variety
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Reviewed by
Ronnie Scheib
Ultimately, psychotically inventive pic is a formidable addition to the ever-evolving Maddin oeuvre.- Variety
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Reviewed by
David Stratton
Thanks to amiable lead performances from Miranda Otto and Rhys Ifans, this not very original Aussie comedy about a man making a fresh start in life is a pleasant enough time-waster.- Variety
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Reviewed by
Joe Leydon
Too blandly insubstantial to expand its appeal beyond its target demographic.- Variety
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Reviewed by
Derek Elley
Visceral and sweat-drenched, but also attaining a genuinely epic stature in its final reels.- Variety
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Reviewed by