Variety's Scores

For 17,847 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
17847 movie reviews
  1. Material that might have turned to standard dysfunctional family treacle in other hands is given stirring poignancy, warmth and emotional insight in Shona Auerbach's assured first feature.
  2. A well-meaning but schematic drama about three generations of Chinese women in America.
  3. Put together by Tucker and his co-director/editor wife Petra Epperlein without a hint of artifice, docu offers up its sounds and images bluntly, and they are very much sounds and images worth having as part of the record.
  4. Endowed with captivating simplicity, gentle humor, rich humanity and infectious generosity of spirit.
  5. Attempts the miraculous but achieves the adequate.
  6. A whimsical piece of deadpan drollery, Whisky plays like Aki Kaurismaki, South American style.
  7. At nearly six hours, pic's extreme length lets Giordana and screenwriters Sandro Petraglia and Stefano Rulli build up a novelistic rhythm, pulling the audience so deeply and forcefully into their story that it becomes like a enveloping dream; when it's over, parting with the characters is truly sweet and sorrowful.
  8. This amusingly light (but oh-so-gut-busting) reverie on one man's titanic efforts to rise to the top ranks in the very unofficial sport of competitive scarfing goes down quickly as a good example of documaking on freakish behavior and freakier subcultures.
  9. Except for Eisenberg's superb comic timing and his ability to make the familiar seem interesting, the high school scenes play like "Scream" outtakes.
  10. An ungainly hodgepodge of vaudeville-style comedy, turgid soap-operatics, and joyful epiphanies of gospel-flavored uplift.
  11. More than passably amusing.
  12. A vibrant, immediate treatise on love and cultural identity in a complex new world of fluid borders and deep suspicions in the stunning new Czech drama Up and Down.
  13. A self-contained master class on cinema.
    • 65 Metascore
    • 60 Critic Score
    A diverting, if unspectacular, Brazilian drama centered on an aging female detective.
  14. Has more flash than finesse.
  15. Ghobadi in this pic displays a complete command of his art as he shifts between -- and even blends -- wrenching tragedy and amusing comedy.
    • 54 Metascore
    • 60 Critic Score
    Uneven though it is, Because of Winn-Dixie, based on Kate Di Camillo's novel, is tough to dislike.
  16. This adaptation of the graphic novel "Hellblazer" blazes few new trails and bogs down in a confusing narrative muddle.
  17. The net result is a truly numbing experience.
  18. The punishment seems out of all proportion to the "crimes" committed, so that the film becomes no simplistic pro-feminist tract but is, on the contrary, more complex and disturbing.
  19. The most emotionally satisfying pic to date by Korean iconoclast Kim Ki-duk.
  20. Unconvincing poser.
  21. Not so much a Hitler movie as a portrait of a totalitarian machine's spiritual and emotional collapse, Downfall is a cumulatively powerful Goetterdammerung centered on the last 10 days of the bunkered Fuehrer and those around him.
  22. Small but charming film.
  23. Despite its faltering touch with the story's darker, more melodramatic threads, Her Majesty nonetheless proves winning overall thanks to a predominant emphasis on nostalgia, whimsy (heroine's royal audience fantasies include one full-on production number) and droll-to-broad humor.
  24. Varda renders the political personal and the personal universal.
  25. Strongly recalls Hong Kong kung-fu movies of the late '60s and '70s, with physical grit, over-the-top heroics and inventive fight choreography providing the entertainment.
  26. Austen nuts may rend their frocks, and Bollywood buffs may split their cholis, but there's an immensely likable, almost goofily playful charm to Bride & Prejudice that finally wins the day.
  27. Considerably heavier on romance than comedy, Hitch stitches together relatively few laughs but generates enough goodwill and energy.
  28. Has a gaudy pop-culture personality that perfectly suits its subject.
  29. In the central role, Castellitto's powerfully focused performance manages to keep the complex drama grounded.
  30. A charming look at the mildly eccentric man who gained modest feature-page celebrity for his familiarity with San Francisco's tropical parrot flock.
  31. So insubstantial that it practically evaporates on screen, Pooh's Heffalump Movie likely will play best with toddlers and pre-schoolers easily amused by bright colors, merry songs and lovable, huggable toon animals.
  32. An often genuinely funny mockumentary.
  33. An especially dramatic, if needlessly frantic, work of polemical reportage on racism in America.
  34. Kore-eda sketches the inner, spiritual and emotional lives of the children with subtlety and sensitivity, delivering the goods after a seemingly directionless first half.
  35. Trendy influence of insidiously creepy Japanese horror pics is felt in almost every frame of Boogeyman. The effectively atmospheric and unusually involving thriller tells the story of a distraught young man's protracted duel of wits with the eponymous evildoer.
  36. An intriguingly racy premise -- plays out to listless, unsatisfying effect.
  37. A routine memory piece about long-buried family secrets that bubble back to the surface to wreak havoc.
  38. Munch's usual stylishness and casual storytelling tenor lend persuasion to this curious drama about two brothers, both teen music idols, who demonstrate an incestuous attraction.
  39. An absorbing homage to obscure but fascinating late '70s-early '80s German stage artiste Klaus Nomi.
  40. Distinguished by some unusually fine performances, but the lack of a satisfactory third act diminishes overall result.
  41. Tender, sensitive Sunset Story sidesteps a maudlin tone for a wide-ranging account of two fragile but opinionated retirees.
  42. A noteworthy piece on a difficult subject.
    • 60 Metascore
    • 80 Critic Score
    One of the most impressive films to come out of Sweden in the past year. Ace acting, powerful direction and engaging storylines.
  43. Fiction writer and debuting helmer Mary Kuryla is clearly after a Big Statement on abuse and strength of character, but falls short by creating a self-destructive monster in lieu of a sympathetic protagonist.
  44. A supremely elegant, meditative thriller.
  45. Although writer-director Khientse Norbu breaks no ground in unfolding two parallel stories about young men seeking fresh horizons, he creates believable characters -- and has the great benefit of living in a country that provides seldom-seen locations at the top of the world.
  46. Fans of the source material probably won't be switching platforms to catch this bizarre Lions Gate pickup, and non-fans definitely won't.
  47. A routine haunted child psychothriller gussied up with A-list casting.
  48. Documentary's visual wonders and well-pitched enthusiasm happily outstrip its clunkily ingenuous ain't-science-fun narrative.
  49. Glacially paced, self-consciously acted and narratively risible.
  50. A general lack of drama, a low-budget documentary feel and an ultraslim storyline are more than compensated for by a sterling script and performances.
  51. Pedantic, humorless and one-sided -- qualities that won't encourage exposure beyond the activist left.
  52. Riveting and timely.
  53. Are We There Yet? traps the affable Ice Cube in a dismal kiddy slapstick saga that even his considerable charisma can do little to enhance.
    • 66 Metascore
    • 70 Critic Score
    Sweetly entertaining but bland biopic.
  54. Fine, gritty, contempo love story.
  55. An intricate, fetchingly lensed tale of historical speculation framed as a plausible thriller.
  56. Snappy, affecting documentary.
  57. While the director's penchant for extended silences and stagy character positioning make it all seem rather studied, the drama nonetheless is compellingly unsettling.
  58. Offers a fast, efficient and richly satisfying look at an iconoclastic artist and his groundbreaking work.
  59. In an era when similar genre pics increasingly resemble videogames, musicvideos or glossy commercials, the blunt, brawny simplicity of helmer Jean-Francois Richet's storytelling style seems positively novel.
  60. Richly human in focus, the drama steadily cranks up its political and emotional charge.
  61. Both an inspirational sports movie and an unexpected multi-level urban drama that plays by its own clock.
  62. Elektra proves no more than fitfully satisfying, a character-driven superhero yarn whose flurry of last-minute rewriting shows in a disjointed plot.
  63. Frisky and funny enough to please pre-teens, but still witty enough to amuse even those parents who don't recognize Dustin Hoffman, Whoopi Goldberg and other notables among the unseen vocal talents.
  64. No stereotype is left unheralded and no heartstring left untugged in this freely adapted remake of Jean Dreville's mostly forgotten "La cage aux rossignols"
  65. Craft connoisseurs won't be disappointed with the splendidly executed result. However, everyone else is likely to wonder what the fuss about given the plot's dated cyborgs-and-supercomputers hijinks.
  66. Casual, engaging documentary doesn't attempt a Hinduism 101 lesson, instead going for an impressionistic mix of on-the-fly spectacle and human interest.
  67. A leisurely and lovingly observed character study about a detective, his home life, and a crook who plays cat-burglar-and-mouse with the cop.
  68. The writer discovers a people physically and psychologically worn down by decades of dictatorship, sanctions, war and occupation.
  69. An unsatisfying supernatural thriller with an effectively unsettling build-up and a frustratingly muddled pay-off.
    • 46 Metascore
    • 30 Critic Score
    Despite good thesping, particularly from Belton, it's hard to imagine why anyone would want to spend time with this trio.
  70. Pic's nastiness is so insistent, one-dimensional and excessive it risks self-parody.
  71. The pic plays like one long chase. Nevertheless, fashioned with ultra-sophisticated means, Sky Blue will be a must-see for anime fans around the world.
  72. A pedigree cast elevates old-fashioned material and lackluster screenwriting.
  73. Penn's magnetism and hesitant line delivery create what interest there is, although the whole picture suffers from a central figure who can never get it together on any level.
  74. Despite a series of disclaimers about the treatment of Jews in the 16th century, there's even less disguising onscreen than onstage that this is an uncomfortably anti-Semitic play and somewhat problematic for contempo audiences.
  75. An often lively comedy-drama that lands some nice jabs at the mega-corp ethos, In Good Company makes for pretty good company until going soft when it counts.
  76. fFat-footed and ham-handed in its attempt to reconstitute a popular '70s TV cartoon show as a full-length, family-skewing feature.
  77. Though pic boasts decent perfs, potent atmospherics and eye-catching visuals, both psychology and plot are bargain-basement.
  78. A stunningly crafted work from first-time feature director Nicole Kassell.
  79. Radiates a warm humanity and uplifts the spirit. Subtle rather than sentimental, it lacks easy tears though attentive viewers will find it lacerating enough.
  80. Documentarian Jessica Yu employs everything from animation and voiceover thesping to archival documents and eyewitness accounts while examining Henry Darger, a self-taught artist who has been posthumously lionized as a visionary genius.
  81. Sumptuous pic version, which evokes the original show while working as a movie in its own right, is lit by a radiant, vocally lustrous perf by teenaged Emmy Rossum.
  82. Te laughs "Fockers" generates are the type you feel embarrassed about almost immediately afterward.
  83. The genocide of some one million Rwandan Tutsis by their Hutu neighbors remains a disgraceful and too-little-known episode in recent world history. Alas, Terry George's ineffectual Hotel Rwanda only partly rectifies that problem, taking what ought to have been a complex, powerful inquiry and simplifying it to a story about the resilience of the human spirit.
  84. The film sways awkwardly back and forth between prickly humor and pathos, rarely ringing true in either register.
  85. Has a perverse fascination, despite some technical clumsiness and stiff thesping.
  86. It's raffish, flashy, energetic, entertaining and not very deep.
  87. Shows both how far Hollywood's tech departments have advanced in 40 years and how shallow the pool of solid action thesps has become.
  88. A dramatic triumph.
  89. Short on real drama and incident and long on tedium.
  90. An enormously entertaining slice of biographical drama, The Aviator flies like one of Howard Hughes' record-setting speed airplanes.
  91. Snicket's macabre tale of three newly orphaned siblings has been lavishly visualized. But for all its elaborate splendor, production pic lacks the feeling and imagination that have distinguished the best recent kidpics.
  92. Staying at the top of his game when most of his contemporaries have long since hung up their gloves, Clint Eastwood delivers another knockout punch with Million Dollar Baby.
  93. A meandering, semi-improvised tale of a terminal Gotham loser who works as Santa when he bombs as an actor.
  94. A film destined to divide Manoel de Oliveira's fans but also to win him new ones, A Talking Picture is his simplest, most linear story in memory.
  95. Despite an excessively meandering final act, the drama's three intertwined stories have a cumulative impact, their affecting sadness matched by meticulously composed visual poetry.

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