Variety's Scores

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For 17,765 reviews, this publication has graded:
  • 52% higher than the average critic
  • 4% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 IMAX: Hubble 3D
Lowest review score: 0 Divorce: The Musical
Score distribution:
  1. Positive: 9,125 out of 17765
  2. Mixed: 7,004 out of 17765
  3. Negative: 1,636 out of 17765
17765 movie reviews
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  1. Adored
    Slipping from fantasy to soap opera without any authorial control, pic's best hope is to be recognized as some kind of cult movie of badness.
  2. Hellboy
    Has more than enough across-the-board appeal to attract mainstream auds unfamiliar with source material.
  3. Home on the Range
    An engagingly rambunctious toon Western that likely will attract herds of family auds, if not multitudes of teens and tweeners, to megaplex corrals.
  4. Son frère
    Todeschini has the most physically demanding role, with a gaunt face and ravaged body that utterly convinces of the brutality of the ailment.
  5. The United States of Leland
    Hoge shows no particular directorial style, bringing a bland, anonymous look to the generic Southern California suburban locations.
  6. Marathon
    Marathon constitutes a brilliant but demanding finale to veteran Iranian helmer Amir Naderi's New York trilogy ("Manhattan by Numbers," "ABC Manhattan").
  7. Tamala 2010: A Punk Cat in Space
    The kind of tale where even viewers who didn't miss a frame will feel as if they entered in the middle, muddled but amusing account of an adorable yet profanity-prone feline who travels through time and space is fueled by irony and incongruity.
  8. Two Men Went to War
    Solidly crafted, strongly cast pic doesn't hit a thoroughgoing comic tone.
  9. Mayor of the Sunset Strip
    Spectacular song selection gives the docu an appropriate rock 'n' roll swagger and accompanying soundtrack would be a valuable overview of the bands championed by Rodney on the ROQ.
  10. Never Die Alone
    Largely overcomes key cast weaknesses to deliver a jazzy, darkly textured rendering of the ghetto pulp of late African-American ex-con author Donald Goines.
  11. Scooby Doo 2: Monsters Unleashed
    Sequel is louder and more elaborate (and even slightly longer) than predecessor, but the law of diminishing returns has caught up with this franchise.
  12. The Ladykillers
    The souffle falls a little flat in The Ladykillers, a Coen brothers black comedy in which the humor seems arch and narrative momentum doesn't kick in until the final third.
  13. Jersey Girl
    A bland slab of sentimental hokum that proves even the most smart-alecky of indie auteurs can turn warm and fuzzy on occasion.
  14. Ned Kelly
    An impressively staged, dark-toned revisiting of the life and times of Australia's boldest and most charismatic outlaw.
  15. Dogville
    An artistically experimental, ideologically apocalyptic blast at American values that is as obvious in intent as it is murky in aesthetic achievement.
  16. Raja
    Intriguing, provocative and very well acted.
  17. The Gatekeeper
    Actor-turned-director John Carlos Frey, who also stars, knows how to push the right sentimental buttons in what ultimately amounts to a pedestrian actioner, a cliched compendium of Anglo villains and Mexican martyrs.
  18. Bon voyage
    A rousing, well-crafted romp packed with ingenuity, duplicity, close calls and heroic gestures, Bon Voyage is true to its title.
  19. Taking Lives
    A somber, absorbing thriller that treads familiar psycho serial killer terrain with style. Elegantly made and comparatively restrained in cramming sick and grisly stuff down the audience's throat.
  20. Intermission
    Borderline grungy but highly entertaining comedy-drama.
  21. Dawn of the Dead
    More palatable than "Texas," Dawn also seems even less necessary, given how effectively the original was reworked last year in Danny Boyle's "28 Days Later."
  22. Eternal Sunshine of the Spotless Mind
    If films about coping with memory loss and/or reverse-order storytelling now constitute a mini-genre, then Eternal Sunshine of the Spotless Mind is arguably the best of the lot.
  23. Divan
    Offers a testimonial to the devastation caused in Hungary by the Holocaust, a glimpse into the richness of Yiddish folklore, a passive-aggressive assault on the patriarchal fastness of Hasidic orthodoxy and a vast self-reflexive joke.
  24. Noi the Albino
    An inspired mix of realism, humor and metaphor.
  25. Maestro
    Josell Ramos' docu expounds the joys of clubbing to the uninitiated while regaling aficionados with testimonials about brilliant pioneer deejays and the invention of the tweeter cluster.
  26. Spartan
    A work that continually seems on the verge of genuine excitement but sabotages itself at every turn...results will intrigue only those interested in the nooks and crannies of Mamet's career.
  27. Knafayim Shvurot
    This poignant film about an Israeli family rendered dysfunctional by the sudden death of the husband and father is a strongly emotional experience despite its tendency toward cryptic dramatics.
  28. Secret Window
    The resourceful actor (Depp) invigorates Secret Window with a playful personality and wryly humorous aplomb not front-and-center in the script, making the psycho-suspenser more compelling than it might otherwise have been.
  29. Distant
    An arthouse film par excellence, a consummately made study of loneliness and frustration.
  30. Agent Cody Banks 2: Destination London
    Mildly diverting caper.
  31. NASCAR: The IMAX Experience
    Surprisingly, the large format and three-dimensional technology do little to heighten the excitement of the races. In the end, docu is less a film with real behind-the-scenes insight and more a serviceable, if routine, promo package for the (very) bigscreen.
  32. Wilbur Wants to Kill Himself
    Given its impressive balance of charm and bite, it looks like anything but suicide.
  33. Games People Play: New York
    This artless, unpolished venture adds a heavy sex-and-skin factor to a poorly defined game show, lurching awkwardly between exploitative voyeurism, maudlin confessions and self-consciously risque titillation.
    • 43 Metascore
    • 40 Critic Score
    This Ain't No Heartland
    Given Horvath's multi-tasking, pic is unsurprisingly rough. Nonetheless, for a professional photographer, his DV lensing is disappointing.
  35. Ghost River
    Huppert's mastery aside, this is a European Art Film writ large, complete with classical music, gorgeously filmed landscapes, expository voiceovers, poetic transitions and only a ghost's footprint of a story.
  36. Hidalgo
    Tells an old-fashioned boys' adventure yarn in an equally old-fashioned way.
  37. Starsky & Hutch
    Blessed with sporadic moments of cheeky fun, isn't painful but seldom advances beyond costumes and hairstyling in terms of creativity.
    • 49 Metascore
    • 60 Critic Score
    The Reckoning
    Has its flaws, among them a certain self-righteousness and a complicated storyline, but it is never less than gripping thanks to its gifted international cast.
  39. Down by Love
    A terrific performance by young actress Patricia Kovacs makes the high-stakes gamble of Down by Love -- a light psychodrama almost entirely centered on one character in an apartment -- into an engrossing 90-odd minutes.
  40. Red Trousers: The Life of the Hong Kong Stuntmen
    An awkward blend of documentary and genre pic.
  41. James' Journey to Jerusalem
    There's a fable-like quality to this first feature by documaker Ra'anan Alexandrowicz that packs just as much punch as a more "serious," didactic movie while entertaining the viewer at the same time.
  42. Collateral Damages
    Casts a somewhat different light on the trauma of 9/11 and particularly on its long, devastating aftermath.
  43. Club Dread
    A stunningly unfunny farce that makes the worst of a stale concept.
  44. Greendale
    Sublimely pointed in its idealistic simplicity yet willfully scruffy in presentation -- much like the enduring Young's best music.
  45. Tube
    A check-your-brains-at-the-door, almost non-stop actioner that finally wins the viewer over with its sheer single-mindedness.
  46. Twisted
    A dreary, weary psychosexual thriller that's neither sexy nor thrilling.
  47. Dirty Dancing: Havana Nights
    Superficial but entertaining new pic offers equal parts freshness and kitsch appeal set to a pulsating Latin soundtrack.
  48. Goodbye Lenin!
    This triumph of historical verisimilitude in the service of solid storytelling requires no detailed knowledge of the period to be appreciated as the moving story of a son's unconditional love for his mother.
  49. Risk/Reward
    Lacking the overall drama of "Startup.com" or "e-Dreams," pic more than compensates with skillful presentation and the fascinating power of its subjects, femme movers and shakers who perform high-wire juggling acts between their personal and professional lives every day.
  50. Confessions of a Burning Man
    This not particularly well shot/organized feature isn't very engaging on the human level, either.
  51. Alila
    An ensemble drama laced with lighter moments that depicts the vitality, resilience and moral dilemmas of the people of Tel Aviv, the film is absorbing and at times moving.
  52. The Passion of the Christ
    If an age produces the renditions of classic stories that reflect those times, then The Passion of the Christ, which is violent, contentious, emotional, extreme and highly proficient, must be the Jesus movie for this era.
  53. Our Father
    Haroun's film is both touching and, ultimately, almost perversely optimistic.
  54. Teknolust
    While it's stylishly designed and shot in startling colors on digital high-definition cameras, this feels like yesterday's futuristic news, and it's more likely to surface as a video/DVD curiosity than a theatrical draw.
  55. Big Animal
    A rueful yet gentle fable about the price of individuality and the value of dignity that preserves the intellectually stimulating spirit of Kieslowski's best work while tapping into a universally understandable vein of low-keyed absurdist comedy.
  56. Against the Ropes
    Think of Against the Ropes as a "Rocky" story -- if, that is, the vintage is somewhere between "Rocky IV" and "V," and the action centered around the Burgess Meredith character as played by Meg Ryan wearing "Barbarella" outfits.
  57. Clifford's Really Big Movie
    Harmless tale of the giant pooch helping out some itinerant performing animals while longing for home will go down smoothly with the preschool faithful, but anyone over 5 will feel antsy even given the brief running time.
  58. EuroTrip
    Promising young cast flounders amid comic material that's staler than week-old bread.
  59. Confessions of a Teenage Drama Queen
    Minimally funny comedy feels like a Disney Channel pic that got boosted to theatrical after Lohan scored a hit opposite Jamie Lee Curtis in the "Freaky Friday" remake.
  60. Kitchen Stories
    The film appears consistently poised to go deeper but instead hangs back, making it less substantial than it might have been. Yet the sweet-natured story's gentle humor and poignancy should draw appreciative audiences.
  61. Welcome to Mooseport
    Lacks the antic energy and inspired imagination that might have put this over as a sharp-witted community comedy in the Preston Sturges vein.
  62. Lost Boys of Sudan
    A potent, engrossing look at several young refugees from Sudan's disastrous, endless civil war who've been relocated to the U.S.
  63. After the Life
    It certainly wraps the trilogy on a very powerful, emotionally draining note. It's refreshing to see the precision and audacity with which Belvaux and his excellent cast succeed in imbuing the increasingly familiar story with completely new angles, insights and nuances.
  64. Charlie: The Life and Art of Charles Chaplin
    A throughly researched and extremely informative survey of the life and work of one of the great figures of world cinema, Richard Schickel's Charlie: The Life and Art of Charles Chaplin is a must for lovers of cinema.
  65. The Code
    Gallic gangster actioner fuses many disparate generic and stylistic conventions, but, although script by co-star Samy Naceri's brother was purportedly pared down from several hundred pages, it still bears the weight of its pretensions.
  66. The Seagull's Laughter
    A sprightly, enjoyable comedy-drama from veteran Agust Gudmundsson that's buoyed by a raft of excellent distaff performances.
    • 86 Metascore
    • 70 Critic Score
    The Umbrellas of Cherbourg (re-released)
    It takes nerve to make a pic in which all dialog is sung. Also, there is no dancing and this is not a filmed operetta or opera. [review of original release]
  68. Love Object
    While the premise has possibilities for some creepy, pulpy fun, writer-director Robert Parigi brings too little style or humor, instead going a more obvious, overwrought route.
  69. 50 First Dates
    Schneider hams it up as a paunchy middle-aged Hawaiian stoner in an eyebrow-raising ethnic caricature that more than once calls to mind Mickey Rooney's unfortunate Japanese turn in "Breakfast at Tiffany's."
  70. Robot Stories
    Greg Pak understands the short form well, mercifully avoiding blatant O'Henry twists while pulling off neat reversals of expertly set-up genre expectations.
  71. Highwaymen
    Lean, mean and stripped for speed, Highwaymen fires on all cylinders as an edgy and unnerving road-kill thriller.
  72. An Amazing Couple
    The briefest of the three pics, it's also the least successful, suggesting that this kind of character-driven comedy isn't the genre with which Belvaux is most comfortable. Still, there are delightful sequences and ideas and the film carries a great deal more substance and resonance when placed alongside the other two in the series.
  73. Osama
    Apart from its historical interest, this tragic tale of religious extremism and misogyny is a very good film able to catch audiences up emotionally.
  74. The Lost Skeleton of Cadavra
    Affectionate spoof merits appreciation as a not-so-dumb salute to another era's ultra-dumb genre conventions.
  75. Miracle
    Key to drama's success is the artful underplaying by Kurt Russell in the lead role of Herb Brooks.
  76. Barbershop 2: Back in Business
    A less raucous and more serious-minded neighborhood comedy than its entertaining predecessor.
  77. Catch That Kid
    Feels like a prolonged episode of "Power Rangers" minus the colorful costumes. Whatever charm the original had was clearly lost in translation, resulting in a tedious exercise that 6- to 10-year-olds may find mildly diverting.
  78. The Return
    Constructed like an eerie, metaphorical thriller, this tense, riveting character study offers viewers nearly two hours of emotions with a stunning pay-off no one will be expecting.
  79. The Dreamers
    The whole spirit of rebellion, passion and protest that should be a driving force for the characters plays more like a cultivated affectation.
  80. Blind Shaft
    Has a low-key power that comes as much from its off-handed approach to the dark material as from any manipulative techniques.
    • tbd Metascore
    • 50 Critic Score
    The Golden Age
    Bunuel's anger at society, particularly its attitude on morality, seems not only dated today, but laugh provoking. [Review is of a 1964 screening at Lincoln Center, NY, first showing of pic in the US.]
  82. On the Run
    Fluid camerawork, a resonant music score and tightly wound editing combine to produce a superior suspense film with a conclusion that is somewhat reminiscent of the final acts of Robert Altman's "McCabe and Mrs. Miller" and of Joseph Losey's "The Criminal."
  83. The Perfect Score
    Energetic, smarter-than-expected teen comedy.
  84. Latter Days
    Falls back on the broad characterizations and stereotypical situations that typified the earliest gay-themed movies, while preaching a familiar (though not entirely ingenuous) message of tolerance.
  85. The Big Bounce
    Modestly engaging, albeit instantly forgettable shaggy-dog story only gradually reveals itself as a seriocomic take on standard-issue noir.
  86. You Got Served
    A serviceable youth pic that's marginally less dumb than November's urban quasi-musical "Honey."
    • 60 Metascore
    • 60 Critic Score
    Eat This New York
    The docu, serving up interesting insights into the unique restaurant culture of NYC, should prove appetizing in urban venues.
  88. Win a Date with Tad Hamilton!
    A warm embrace of broadly but humanely sketched characters plus some scrappy casting of rising young stars led by an incandescent Kate Bosworth help overcome the half-realized comedic situations.
  89. Touching the Void
    Uses first-person on-camera accounts of the adventure by Simpson and fellow climber Simon Yates to backdrop newly shot you-are-there footage that brings home the awesome and harrowing aspects of their feat.
  90. The Butterfly Effect
    This overwrought and egregiously self-serious thriller about the poisonous fruit borne of child abuse grows more ridiculous by the quarter-hour and is poised for a theatrical life span scarcely longer than that of its eponymous insect.
    • 52 Metascore
    • 50 Critic Score
    Made-Up
    While the whole may be less than the sum of its parts, those parts are individually commendable. Shalhoub has an eye for composition and a strong sense of pacing.
  92. Empathy
    Helmer-poet Amie Siegel delivers a provocative, confident film.
  93. Teacher's Pet
    A doggone hilarious cartoon extravaganza...virtually bursts at the seams with a supersized abundance of witty wordplay, silly songs and inspired sight gags.
  94. Torque
    A spectacularly trashy and aggressively flashy motorcycle melodrama in which computer-enhanced action scenes, unbound by gravity or logic, are choreographed, photographed and edited to resemble video-game stratagems.
  95. Tom Dowd & the Language of Music
    Dowd's graciousness and enthusiasm, and the enormous respect afforded him by industryites on record here, make this a thorough and satisfying acknowledgement of one man's unique contribution to popular music.
  96. The Tracker
    Think of an Anthony Mann Western made by an experimental film director and you get an indication of the challenging components of The Tracker, the story of a manhunt that is politically sensitive because of its depiction of atrocities perpetrated on aboriginals by a fanatical white cop.
  97. Along Came Polly
    Writer-director John Hamburg does everything he can to pair up Ben Stiller's stiff, safety-first corporate man with Jennifer Aniston's free spirit in Along Came Polly, but the two are so fundamentally incompatible that story loses credibility long before the gags stop coming.
  98. Tokyo Godfathers
    With its masterful grasp of comedy, pathos, social commentary and mystical weirdness, Tokyo Godfathers takes anime to a whole new level.
  99. My Baby's Daddy
    Isn't an embarrassment. Rather, it's an acceptably executed, thoroughly routine time-killer.
  100. Aileen: Life and Death of a Serial Killer
    It's the interviews with Aileen herself that steal the show as she insists her mind is being controlled by radio waves -- her Mad Hatter personality beyond the scope of Broomfield's disingenuous tone to interpret.
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