Die by the Blade captures the essence of Bushido Blade with its lethal combat and limb-targeting mechanics, offering a unique blend of strategy akin to soulslike games, though it lacks key aspects of any combat style, such as depth and longevity. The game's realism in weapon-based combat shines through intense duels, yet its brief matches undermine strategic potential, and this, together with its lack of content, makes it hard to recommend.

Ultimately, The Three Musketeers is a good 2D action and platforming game but is far from the better titles in the genre. Its imprecise control system and its inconsistent level design are its main flaws.

Lord of Arcana will be liked by a very specific public who knows exactly what to expect from this game and its genre. It offers just what it promised, and nothing else: combat and hunting, and also exploration to find better items.

You would think 20 years later this game would be polished and almost perfect, but it isn't, and it makes it harder to get into if you're not a fan of the original title. It keeps the essence, but it can end up being too challenging.

We like Bodycount proposal of non-stop action, but the execution of the idea has been a bit poor, with a short and not inspiring campaign, and a very weak multiplayer.

This is a more than decent game, with great ideas and concepts, which are not executed that well. It has an attractive scheme, more than decent visuals and interesting concepts which would have turned it into a great game, if only it had been put together better.

Daymare: 1998 is a very interesting homage to the 128-bit era survival horror games, even if it struggles a bit technically on PS4. If you understand you’re going to play an indie tribute and not the next AAA horror game, you will have a good time with it.

Dark Alliance has some really good ideas, but the AI and the camera needs to improve to make this game more enjoyable.

It is a step forward from the previous episode, but still there's a long way to go for NBA Live until they can fight again for the championship.

Ultimately, this is probably the worst Telltale game ever, and it is a shame because the license is great. It is interesting to enter again the park and discover the film scenarios, but the game turns out to be boring after a while because of its passive nature.

Videogame humor is the main -and almost only- strong part of Eat Lead, but it falls to be, in fact, a good game. It is not bad, but actually what it proposes in gameplay has been already made a lot of times with better results.

I Want to Be Human is not the game we expected. It's not that original, and the controls aren't as responsive as a game like this one requires. It's not terrible, but it feels old –and not in a good way.

Ultimately, Neopets can be interesting for those fans of the franchise who want to breed in a different way their pets, or for extremely casual or low age players who are seeking a light entertainment.

Krater could have been much more, but its multiple flaws, frustrating character progression and repetitive combat end up wasting the game. Despite this, it offers quite a lot of content for an affordable price.

It is difficult to find a movie-based game that is really good, and Rango almost achieves it. It doesn't bring anything especially new, but overall offers a varied and entertaining adventure.

The core experience is as good as in any other episode of the franchise, but the free-to-play approach becomes really intrusive.

This is interesting game, in a very unique way, but offers very little as an ARPG and as a remaster to justify this version.

A dissapointing game, based on a strange universe, without a decent story and lackluster gameplay.

A free adventure that tries to recover the narrative essence of Silent Hill, with the collaboration of two veterans of the saga: Masahiro Ito and Akira Yamaoka. It has some great moments and ideas, but also some flaws in its design and execution, and it will inevitably be compared to the unforgettable P.T.

Beyond the aesthetic, it's hard to highlight anything about the game. Still, if you feel like going back all the way to 1995, this game has a few interesting moments in store.

The proposal of Mythos is attractive and desirable. It is a good action game with great battles and, above all, it's free.

There are better games with a similar approach and scope, but if you have already played them and you enjoy them, Red Bow can be a good choice.

There are many problems that prevent us from recommending it. A poor AI, a short campaign and a multiplayer meant to be forgotten. We really hope that all the good ideas left behind finally surface if City Interactive decides to continue with the series.

It has its ups and downs, maybe too many, but the plot keeps you engaged and there are some moments that are very well-executed.

Spare Parts is a very simple game, aimed to the younger audience, which will like the design and charm of its characters. Taking into account the audience of the game, we miss some more help in certain puzzles of final bosses, as some players might get stuck.

The underlying experience is a good card-based game, but it's way too focused on the "pay-to-win" model. This is somehow understandable when those games are free, but not when paying €9.99 for it.

Taking the Resident Evil Universe, the game offers something never before seen in the series: pure, intense and frantic action, always accompanied by three partners. The campaign is not that long, but its multiplayer modes are great and very enjoyable.

Even though it's enjoyable, there's nothing particularly relevant or outstanding in Mighty No. 9. We've had fun with it, but it's technically poor and its level design is quite uninspired –definitely not what you would expect from such a successful Kickstarter and Inafune.